Characteristics and influence of flower-and-bird painting in Tang Dynasty

By the Tang Dynasty, flower-and-bird painting had become an independent branch, with more than 80 flower-and-bird painters describing it. It has been able to notice the animal's body structure and perfect shape and technology. There are three painting methods of flower-and-bird painting: meticulous painting, freehand brushwork and concurrent painting. The meticulous brushwork emphasizes color, the handwriting is light, the color is bright and the image is vivid. The spread of China's flower-and-bird painting and the technique of no color in the grass,

The extreme shape is called a vivid flower, and the pen depicts a festive and auspicious theme with rich and fresh colors. It is an elegant and exquisite rendering of color and a charming and vigorous application of brushwork.

Extended data:

In the Five Dynasties, under the banner of "Huang Xu makes strange people", flower-and-bird painting became mature. At that time, the painting circles in West Shu were brought into the traditional techniques of Tang Dynasty by Guang Yin and Teng Changyou, and further developed in the hands of Huang Quan and his son, with gorgeous and full painting style. As the saying goes, Huang Jiafu.

The painting circles in Southern Tang Dynasty, represented by Xu Xi, are characterized by ink dropping. The artistic conception is light and beautiful, which is commonly called "Xu Xiye". The development of flower-and-bird painting in later generations did not go beyond these two basic traditional techniques.

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