Micro-drama is the predecessor of any traditional drama.

Anhui Opera is a popular opera in Anhui Province and a very important local opera. Nowadays, many local dramas are developed from some famous traditional dramas. In this issue, let's take a look at what Anhui opera is the predecessor of traditional drama. Anhui Opera is an important local opera tune, which is mainly popular in Anhui Province and Wuyuan County, Jiangxi Province. In the late Ming and early Qing dynasties, plucked tunes were introduced into Anhui, and they were combined with local tunes and folk music in Shipai, Zongyang and Tongcheng of Anqing, forming a plucked tune. During the Qianlong period, the plectrum and blowing cavity, which were born out of Siping cavity, gradually merged to form the second spring cavity. Huanger Opera and Hubei Xipi formed the Pihuang Ensemble, which laid the foundation of Huizhou Opera. At the beginning of Qing Dynasty, Anhui Opera prevailed in Anhui, Jiangsu and Zhejiang provinces, and spread widely in the south. In the middle of Qing dynasty, it was popular all over the country. During the Qianlong period of the Qing Dynasty, four Huizhou classes, Sanqing, Chuntai, Sixi and Hechun, successively performed in Beijing, making them famous all over the country. This is the famous Huizhou class going to Beijing. During the reign of Daoguang and Xianfeng in Qing Dynasty, Hui Opera was combined with Hubei Han Opera in Beijing and gradually evolved into Peking Opera. In the late Qing Dynasty, Peking Opera flourished, and Huizhou opera artists changed their tune, but Huizhou opera was still popular in some parts of Huizhou. Huizhou Opera is an all-encompassing and colorful art treasure house, and it is an important page in the splendid chapter of Xin 'an culture. Hui tune, namely Hui opera and singing tune (namely Xipihe, collectively known as the predecessor of Peking Opera), is an Anhui local opera. It originated at the junction of Jiujiang, Huangzhou and Anqing, prevailed in Huangzhou (now Huanggang and Huang An), and was famous for its artists in Anqing (the Gaolangting in Anqing was called "the former residence of Huang Er").

During the Daoguang period, Yu Sansheng, an outstanding master of art in Anqing and Huangzhou, studied drama in Anqing as a child, which was the same as the drama he sang, but it was divided into "Hui" and "Han" because of provincial boundaries. Therefore, the "Huizhou class" in the history of Peking Opera is Anqing class, not Huizhou class; Singing Huizhou tune, not Huizhou opera.

Hui opera is an important local drama of Han nationality. Records of China Opera (Anhui Volume): "In the late Ming and early Qing Dynasties, Huizhou Opera developed in Shipai and Zongyang, Anqing, based on Qingyang Opera, Kunqu Opera and local folk songs." Anhui Opera was named after liberation. Hui opera and Hui opera have different meanings. Its vocal cavity includes Qingyang Opera, Huizhou Opera, Huizhou Kunqu Opera and coloratura minor, mainly Huizhou Opera and Qingyang Opera. Anhui Opera is one of the four outstanding operas in Anhui, which are juxtaposed with Huangmei Opera, Lu Opera and Sizhou Opera.

During the period from Daoguang in Qing Dynasty to Xianfeng, Huiban gradually combined with Beijing phonology to adapt to the tastes of Beijingers and evolved into Beijing dialect. The combination of Huang Er accent of Hui Opera and Xipi accent of Han Opera finally produced Peking Opera. Peking Opera not only inherits the tune of Hui Opera, but also inherits the tradition of Hui Opera from script, facial makeup, stage performance art and accompaniment music. So some people say that "Huizhou Opera is the mother of Beijing Opera."