Describe the artistic style of tree bonsai landscape bonsai in various places.

The artistic characteristics of Yangpai bonsai are "rigorous and changeable, delicate and magnificent". The foreign bonsai adopts the technique of "fine binding and fine cutting" of brown silk, just like the "nuance" in Chinese painting. Yangpai bonsai also pays special attention to "deep cultivation and cultivation from an early age", that is, "the pile will be old and expensive for a long time; The film must be flat, and the work is the most expensive. "Influenced by Yangzhou's economic, cultural and geographical environment, Yangzhou bonsai, like Yangzhou gardens, has both the majestic characteristics of northern architecture and the beautiful scenery of the south. (B) Lingnan bonsai

The production, display and appreciation of Lingnan bonsai are all said to be "two pots and three stands in one scene", that is, besides scenery, the choice of pots and several stands is also very important. The painted pottery pots in Shiwan are mostly used in Lingnan bonsai, including disc pots, square pots, polygonal pots, oval pots, rectangular pots and high pots. , pay attention to water absorption and breathability, harmonious color, moderate size, simple and generous. Several of them are floor-standing and case-style, using relatively precious wood such as mahogany, which set each other off in harmony. (3) The artistic style of Sichuan bonsai: Stump is characterized by simplicity, preciseness and diversity; The landscape bonsai wins with majestic momentum, high, hanging and steep. Deep, typical of the natural features of Bashan and Shushui. Due to the unique natural conditions, Sichuan-style stump bonsai generally uses golden marble, six sons in the snow, Podocarpus, Ginkgo biloba, Lagerstroemia indica, Begonia, Plum Blossom, Pyracantha fortunei, Camellia, and Shexiang. Landscape bonsai is made of sandstone, stalactite, mica, sandstone, tortoise shell and newly developed varieties. (D) Su Pai bonsai

The characteristics of Su-pai bonsai style are, first of all, simplicity. Shrinking the withered old branches of decades or even hundreds of years old into inches and transplanting them into pots close at hand looks simple and vigorous. Some people call it "the king of bonsai".

The second characteristic of Su-pai bonsai is that it is exquisitely made, dexterous and subtle, just like the music of bamboo and silk in the south of the Yangtze River, giving people a feeling of elegance, beauty, quickness and fluency.

The third characteristic of Su-pai bonsai is deeply influenced by Suzhou classical gardens. Some people call Suzhou bonsai a concentrated Suzhou garden.

The fourth characteristic of Su-pai bonsai is to apply China's painting theory and pay attention to artistic conception. For example, the waterstone bonsai created according to poems "lean against the empty stone wall", the thousand-layer waterstone bonsai that pursues Pan's artistic conception ",and the elm and mulberry trees planted" grazing until Sang Yu is late ". (V) Shanghai-style bonsai Shanghai-style bonsai has gradually formed a bright, smooth and novel unique style on the basis of Su School, drawing on the strengths of various schools. Its modeling method draws lessons from the traditional sticking method of the Soviet school, and pays attention to distinct levels, but it is not climbed with brown silk, but with metal wire. The advantage is that you can be handy and do whatever you want, pruning and absorbing the advantages of Lingnan School to save branches and cut stems, and strive to be vigorous and natural. Shanghai bonsai is unique and has been agreed. In addition, the landscape bonsai made in Shanghai is famous at home and abroad for its exquisite craftsmanship, layout and density. Planting trees on the "mountain" emphasizes the embellishment of posture and small figure.

First, learn from nature and learn from the past. Bonsai originates from nature, but it is not the displacement and reproduction of natural scenery. Instead, the bonsai materials such as Xiushan, Lishui, gully, forest and exotic flowers and grasses are sublimated from the natural state to the art form through careful design and processing based on the natural principle and image implication.

Second, the layout is reasonable and diverse.

Third, the naming is related and profound, and the naming of bonsai is heavy, which, like poetry and painting, reflects the author's understanding and feeling of the beauty of nature.