Traditional Culture Encyclopedia - Traditional festivals - China traditional facial makeup

China traditional facial makeup

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It symbolizes loyalty, frankness and bloodiness, such as Guan Yu in The Three Kingdoms Opera and Wu Han in Cut the Sutra Hall. Zhang Fei is black-faced.

Others: satire, which means false good people. Guan Yu (red face)

Black face

He is serious and unsmiling, just like Bao Zheng in Bao Gong's drama. It also symbolizes strength, rudeness and boldness, such as Zhang Fei in the Three Kingdoms Opera, Li Kui jy in the Water Margin Opera and Jiao Zan in Yang Paifeng. Others: indicates Yin in Yin and Yang. Used of ghosts. Black skin or ugly face. Zhang Fei (black cross butterfly face)

white face

Show treachery and suspicion, such as Cao Cao in The Three Kingdoms Opera and Cao Cao in The Warring States Policy.

Yan Song. Cao Cao (white face)

Blue face

Personality is straightforward and uninhibited, such as Ma Wu in Going to the Roof and Doulton in Comics. Blue-faced Dou Erdun.

Douerdun (blue flowers and three tiles)

Purple face

The performance is solemn, steady and full of sense of justice, such as Xu in Two Entering the Palace and Zhuan Xu in Fishbone Sword. Others: bad complexion, ugly. Zhang He (purple three-tile face)

Golden face

It symbolizes strength and solemnity, and shows the role of immortals. Such as Tathagata and Erlang God in a noisy paradise. Dapeng (golden elephant face)

Green face

Brave and reckless. Such as: Xu Shiying in Baishui Beach.

Others:

Fugitive. Yellow: generally shows violent character. For example, Lian Po is in Nanyang Tian. Zhong Kui's Facebook

Brown and pink: elderly people who behave fairly uprightly. Gold: used for figures such as Buddha statues and immortals, such as Tathagata and Erlang God. Silver: Used for some more powerful goblins. Clear angle purple face: purple is between black and red, and purple face is often used for upright and dignified people and honest and kind people. For example, Zhuan Xu in the Fish Intestine Sword, Chang Yuchun in Wu Kechang and Xu in the Great Country Bao, some characters are described as purple faces in novels or folk oral literature, so they use purple faces, such as Pu Tiandiao in Evil Tiger Village, Fei Degong in Zhaoxian Town and Wei Yan in Zhanchangsha. Some characters use purple faces to distinguish them from other characters on the same stage. For example, the Big Dipper in Hundred Days Map looks terrible compared with the old southern bucket, while Pang Tong in Chai Sangkou uses a purple face to express its ugly appearance. Clear angle pink face: pink face generally symbolizes old red-faced figures, such as Su Xian in Taking Luoyang, Yuan Shao in Panhe War and Hua in Sijie Village. Green face: green face generally means courage and violence, which has similar meaning to black face. Some bandits who regard mountains as kings use green faces. For example, the green-faced tiger in Baishuitan, the story of the Green Ding, the leopard in Lost Son and Madness, and the success of Xiang Ma Zhuan. Clear angle and blue face: blue generally means strong and insidious. On Facebook, purple and green have similar meanings, both of which are extensions of black, indicating powerful figures, such as Ma Wu in Take Luo Yang, Xie Hu in Xuejiawo, Jiao Zhenyuan in Jianfeng Mountain and Dou Erdun in Lianhuan. Yellow face with clear corners: Yellow face symbolizes the bravery and cruelty of characters, such as Yuwen Chengdou in the wheel war and Yang Yao in Dongting Lake, which shows the cruelty and cruelty of characters, such as Ji Liao in the fishbone sword and Dian Wei in the Wancheng War. Gold and Silver Faces with Clear Corners: Gold and silver are widely used in the facial makeup of supernatural beings, showing that the fairy faces are bright in cash and the ghost faces are green in fangs, such as Yang Jian in An Tianhui, bottomless pit, Flat Peach Blossom Club, and the golden comb in Leopard in Hongmei Mountain and Attack on Tongguan. Some generals also use gold to show their bravery and invincibility, which is used to help increase the prestige of Facebook, such as the golden martial arts of pulling pulleys and Li Yuanba of Siping Mountain. Speaking of Elf Facebook, it needs to be emphasized here that famous actors of all ages are opposed to the grotesque or horrible portraits of Elf Facebook, and they are not in favor of drawing snakes, scorpions, centipedes and other gloomy shapes on Facebook. They believe that this not only undermines the artistic principle of stage beauty. Tile gray face and ochre face: Tile gray and blue have similar meanings in the application of Facebook. Tile gray face is like Urihei in Luhua River, and ochre and purple have similar meanings, such as the old man under the moon in Colorful Loupei and the mystery in Tielongshan. Zhou Cang in the Single Knife Meeting

Clear angle and light blue face: light blue means between blue and green. For example, Zhou Cang hooked a pale blue forehead in Woniu Mountain and Single Knife Meeting, and Zhou Cang used a golden forehead in Qingshishan to show that he became a god after death. "Facebook" refers to the colorful makeup on the actors' faces in China's traditional dramas. This kind of facial makeup is mainly used for clean (face painting) and ugly (clown). It has a certain format in form, color and type. A professional audience can tell whether the character is a hero or a bad guy, smart or stupid, and likes or hates Facebook. The charming facial makeup of Peking Opera occupies a special position in the numerous facial makeup of China's plays. Peking Opera facial makeup is famous for its symbolism and exaggeration. It uses exaggerated and distorted graphics to express the character characteristics of the role. Eyes, foreheads and cheeks are usually painted as wings of bats, butterflies or swallows, with exaggerated mouths and noses to create the required facial effects.

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Facebook has a long history. Facial makeup originated from masks, which draw figures directly on the face, while masks draw or cast figures on other things and then stick them on the face. In ancient China, there were witch dances and Nuo dances in sacrificial activities, and dancers often wore masks. In the north of Chengdu, Sichuan, the ancient Shu ruins