What are the characteristics of local operas in China?

Henan Opera, also known as "Henan Bangzi". Shaanxi Bangzi, which was introduced to Henan in the late Ming Dynasty, was developed by combining Henan dialect and folk tunes, and is now popular in Henan, Hebei, Shanxi, Shandong and other provinces. At first, there were four schools, namely Eastern Henan, Western Henan, Xiangfu and Sha Hetiao. At present, eastern Henan and western Henan are the main areas. Chang Xiangyu, Chen Suzhen, Cui Lantian, Ma Jinfeng, Yan Lipin and other famous actresses appeared in succession. The repertoires include Mu in Command, Matchmaker, Hua Da Chao, Hua Zhuan Gun and modern drama Chaoyanggou.

Beijing opera

Peking Opera, also known as "Pihuang", is composed of two basic tones, Xipi and Huanger. It also sings some local tunes (such as Liu Zi Opera and Blowing Opera) and Kunqu Qupai. 1840 was formed in Beijing and prevailed in 1930s and 40s. It is sometimes called "National Opera". It is still a big drama with national influence. It is the representative of China modern opera, with comprehensive business, mature performance and magnificent momentum.

Ju Ping

In the late Qing Dynasty, Pingju was formed on the basis of the ditty "Lotus Falls Opposite" in Luanxian County, Hebei Province. It was first popular in rural areas of Hebei province, and then entered Tangshan, and was called "Tangshan Xiazi". It was popular in Northeast China around the 1920s, and a number of actresses appeared. After 1930s, under the influence of Peking Opera and Hebei Bangzi, Pingju became more and more mature, and schools such as Bai, Cailian and Ai Lianjun appeared. After 1950, Liu Qiaoer, Flowers as Media, Yang Sanjie's Complaints, Qin Xianglian and other plays had a great influence throughout the country, with new, famous and famous actors appearing. Pingju is still very popular in Hebei and Beijing.