What can represent the tradition of China and have the characteristics of China?

The traditional writing tool, the brush, which originated in China, has gradually become a traditional painting tool. The writing brush was invented by the ancient people in China in their production practice.

With the continuous development of human society, the industrious and intelligent Chinese nation constantly sums up experience, preserves the essence, abandons the dross and dares to explore and innovate. For thousands of years, it has made outstanding contributions to the creation of the splendid culture of the Chinese nation and the promotion of cultural exchanges between the Chinese nation and all ethnic groups in the world. Brush is a treasure provided by the Chinese nation to the world art treasure house.

2. cheongsam

Cheongsam, the traditional dress of women in China and even China in the world, is known as the quintessence of China and the national costume of women. Although there are many controversies about its definition and time, it is still one of the most splendid phenomena and forms in China's long-standing costume culture.

Cheongsam was formed in the 1920s. Some scholars believe that its origin can be traced back to the deep clothes in the pre-Qin and Han dynasties. It became the most common women's dress after the 1920s, and was designated as one of the national dresses by the government of the Republic of China in 1929.

3. inkstone

Inkstone, also known as inkstone, is one of the traditional Chinese handicrafts. Inkstone, together with pen, ink and paper, is also called the traditional Four Treasures of the Study in China, and it is an essential tool for China's calligraphy.

The use of inkstone materials is also very extensive, among which Duanyan in Zhaoqing, Guangdong, Taohe inkstone in Shexian, Anhui, Taohe inkstone in Zhuoni, Gansu and Chengni inkstone in Xinjiang, Shaanxi are the most prominent, and they are also called "four famous inkstones".

It evolved from a grinder in primitive society. The early inkstone was primitive in shape, and was ground into ink with a small millstone on a smooth stone tool. In the Han Dynasty, there were carvings on inkstones, stone covers and feet. From the Wei, Jin and Sui Dynasties, a round inkstone appeared, three feet but more than one foot. The dustpan-shaped inkstone is a common kind of inkstone in the Tang Dynasty, with one end at the bottom and the other supported by feet.

4. Suzhou embroidery

Suzhou embroidery is the general name of Suzhou embroidery products. It originated in Wuxian County, Suzhou, and has spread all over Wuxi, Changzhou and other places. Embroidery is inseparable from sericulture and silk reeling, so embroidery, also known as silk embroidery, was established as one of the four famous embroideries in China in the Qing Dynasty.

The Qing Dynasty is the heyday of Suzhou embroidery, which can be described as various schools and famous artists competing for beauty. Suzhou embroidery has a unique style, beautiful patterns, ingenious ideas, meticulous embroidery, lively stitches, elegant colors and strong local characteristics. The embroidery of Zhenhu Town (present street) in the High-tech Zone of Suzhou Embroidery Research Institute is the most famous. Zhenhu is the main birthplace of Suzhou embroidery, and 80% of Suzhou embroidery products come from Zhenhu.

5.kites

Kites were invented by the ancient working people in China during the Eastern Zhou Dynasty and the Spring and Autumn Period, and have a history of more than 2,000 years. It is said that Mo Zhai made wooden birds out of wood, and it took three years to develop them. This is the earliest origin of human kites. Later, Lu Ban used bamboo to improve kite materials in Mo Zhai, and even evolved into today's multi-line kites.

There is a saying that Mozi is a wooden kite, which was made in three years and lost in one day. By the Northern and Southern Dynasties, kites began to be a tool for transmitting information. Since Sui and Tang Dynasties, due to the development of paper industry, people began to use paper to paste kites. Flying kites became a popular outdoor activity in the Song Dynasty.

In the ancient Wulin story, the Song people wrote: "During Tomb-Sweeping Day, people flew kites in the suburbs and returned at dusk." "Kite" refers to kites. There are vivid scenes of flying kites in the Riverside Scene at Qingming Festival by Zhang Zeduan in the Northern Song Dynasty and the Hundred Zi Map by Su Hanchen in the Song Dynasty.