What do China landscape paintings pay attention to in color?

China landscape painting pays attention to the following colors:

First, "the beauty of ink painting lies in the pen."

There are two meanings here: first, "ink" cannot be separated from "pen", and "ink" is a record of pen operation, and ink cannot be transported without pen; One is that there is brushwork in the ink method, that is, the method of using ink is to use a pen, which is not empty or stagnant, so as to make the ink color soar, that is, the thick ink and broken ink should also be integrated and distinct, so that there is an ink pen.

Second, "using ink is nothing more than cleanliness."

Cleanliness can be lively. The method of transporting ink is also to use water, which should be harmonious and lively. Experienced painters, after painting a painting, a bowl of water is basically clear, which shows that the amount of water contained in the pen and the shade of ink are naturally reflected on the paper, which is freely controlled and unpretentious. There is pen and ink, ink and pen, calm and brilliant imaging, which is the requirement for a good ink painting. The following focuses on color painting.

Third, the types of landscape painting colors

Traditional landscape colors can be divided into several types, namely, pale ink, light crimson, turquoise, resplendent and boneless. Ink and wash are pale. Refers to the paintings that are mainly ink and wash, and very few are painted in light colors. For example, in the Yuan Dynasty, Wang Meng only painted human faces and pine bark with ochre in the landscape, or only used green leaves on the moss, or only used ochre on the side of the small stone slope. In short, the colors are less and lighter.

Light crimson landscape crimson refers to deep earth red. Pale crimson landscape is based on ink painting, with ochre (or ink) as the main color, supplemented by colorful and juicy landscape painting. Autumn scenery is the best painting. Green landscape Green landscape is divided into small green and big green. Small turquoise is a thin application of azurite and turquoise on the basis of light ink color or light crimson color; Large turquoise is dominated by color, with more ink bones and less pens (or no pens). The so-called "empty hook without pen".

Four, the golden landscape:

Jinbi landscape is in the form of big green, with mud gold hooks, stone patterns, slopes, sand mouths, rosy clouds, pavilions, palaces and other buildings. There are also small spots painted with gold or lemon color on the leaves (there are also colored pens dipped in mud gold to paint mountains, showing the boneless nature of Chuyang), which makes the scenery "shining and radiant" and get the harmony of all colors at the same time. Generally, it is used in morning and evening scenes, and the snow scene is covered with mud gold, which makes Leng Yan feel better.