How to play the guitar with your right hand?

Question 1: How can you play the guitar only by pressing your right hand? The right-handed play is not fixed, basically there are two kinds: decomposition and sweeping. Let's talk about decomposition * * *:

Simply put, what kind of playing method the right hand chooses depends on the beat of the music: take 4/4(2/4) and 3/4 beats as examples (because music is mostly of these two beats). Here are two relatively simple and widely applicable ways to play:

4/4(2/4) beat: 5 3 2 3 1 3 2 3 (chord)

3/4 beat: 5 3 2 1 2 3 (string)

There are many kinds of right-handed playing, such as disco rhythm, rumba rhythm, tango rhythm and so on. And there are many changes, not static. In addition to the decomposition of * * *, there is also a string sweeping, but the string sweeping is not easy to express here. Generally, there should be a chapter in the guitar textbook devoted to the rhythm of right-handed playing. Look at the textbooks. There are many related tutorials online, so you can read more.

Question 2: How to play the right hand of the guitar? This is very simple. Usually C *** plays 5 3 2 1 string, and 5 strings are bass. In general, any * * * can play 32 1 string. C, a, AM, BM, CM and B *** use five strings as bass, that is, play five strings first. G, GM *** Play six strings first. E EM F FM can play 4 strings or 6 strings first. D, DM * * * string bass.

Sweeping a string means that the hand strokes quickly from top to bottom or from bottom to top, and several strings vibrate almost at the same time, so there is no such thing as playing several strings first and then playing several strings.

I typed it word by word.

Question 3: How to practice guitar and practice your right hand * * * You can sweep the strings or 5323 1323.

If you are not very skilled at first, you can dial 5323 1323 twice, then change your left hand and continue to dial your right hand. If you are skilled, you can dial it once with your right hand, and then change strings with your left hand to continue playing.

It is a truth to sweep the strings.

As long as you persevere, you can succeed.

Come on ~ ~

Question 4: How to play the * * * right hand in the guitar? You should play a folk guitar, right?

Folk guitars are usually broken down by pressing some fixed keys with the left hand and playing some fixed keys with the right hand. Decomposition * * * is a fixed right-hand plucking method like 5323 1323. You can play according to the decomposition required by the score, or you can choose your favorite decomposition according to the rhythm of the music.

You can practice carcassi's 22 decomposition * * *, and you can also find various decomposition * * * from folk books to practice. ? Simply put, if you pluck the strings with your right hand and left hand, the strings will be loaded reversely -0? Unpressed strings are empty strings, and the score marked on the six-line spectrum is 0. Can you play, too The answer upstairs is simple. ...

Novice. Can he read it?

Simply put, the left-handed * * * method is a fixed pattern!

Grasp the basic rhythm of a song (song) with your right hand. In other words, as long as the right hand has the right rhythm, it should be played with reference to the staff.

PS: For example, G ***, although only three strings are pressed with the left hand, the whole six strings form the left-handed pressing method of G * * *(G * * *)! You got it? So when playing, as long as it is the sound in these six strings, it is ok.

PS2: Except one. For example, the D *** and 6 strings in the key C are silent (generally, an X will be put on the * * * diagram), and the silent strings cannot be played with the right hand. ? Not necessarily/possibly

You can also play empty goods with your right hand.

Basic skill of left hand and its practice

1. Technical essentials of pressing and releasing strings

Fingers should be as close as possible when pressing strings, and the direction should be vertical when pressing strings and leaving strings, so as to avoid noise as much as possible, especially when playing bass strings.

Don't move too much, and don't lift your fingers too high when you leave the string.

Practice method: Please refer to the textbook Kakashi.

2, change the handle technology

The simple induction of changing the handle is nothing more than moving and jumping the handle. Don't think that changing the handle is only about hands. In fact, in the process of changing the handle, the elbow of the left hand is the starting point of exerting force, and then the thumb moves to exert force to show the change. Therefore, correct basic posture is very important. To change the handle skillfully, you must be familiar with the melody. In this way, which finger to take first when changing the handle, how to make it compact and save time, etc., is really not a day's work.

Practice method: Please refer to the textbook Kakashi.

3, decomposition * * *

In addition to its unique melody and timbre, the guitar is also a harmonic instrument.

Whether learning classical music, folk songs or electric guitars, we should attach importance to the study of basic knowledge of music. In music major, in addition to the performance and singing of musical instruments, there are also the basics of music theory, acoustics, solfeggio, listening, music history, music appreciation and so on. Acoustics is a basic course to study the application of * * * and * *. Some guitar lovers still don't know what the melody, harmony, musical structure and musical background are after playing music for several years.

* * * is divided into two categories, one is * * * ensemble, that is, simultaneous pronunciation, which is generally recorded by vertical lines, so it is also called column * * *; The second is that the sounds are not emitted at the same time, but in a certain order. This kind of * * * is called decomposition * * *, also called arpeggio.

There is no unique way to learn * * *, only to practice and listen more. Decomposition of * * *, ima generally uses the string-free elasticity method, except that P refers to the dependent string, and try to stop. In * * *, try to use the extended time difference of the sound generated by the last group of * * * to convert.

Pay attention when doing string-free exercises. ima refers to exerting force on the big joints, plucking the strings downward, and not hooking the strings upward.

Practice method: There is a way to learn to decompose * * * in Kathy's Twenty-five Etudes, but I can't remember which one because the textbook is not with me.

4. Horizontal pressing technology:

Holding down four or six strings at the same time is called large transverse pressure, and holding down two or three strings at the same time is called small transverse pressure. Small horizontal pressing can generally be done with the last two joints of the index finger. In music, c, B and B are often abbreviated, followed by numbers.

Pay attention to the following technical points: (1) Press the chord point as close as possible to the tone, so that the noise is low and labor is saved. (2) Generally, fingers are used to hold strings, and the same is true. (3) Move the thumb on the back and side accordingly, and apply appropriate force.

For beginners, horizontal pressing will make your fingers ache, but you will be fine if you stick to it.

5. Knead the strings:

This is the most basic and commonly used guitar playing technique. That is, after playing a certain note, the finger pressing the string does not leave immediately and continues to rub on the string. Generally use the middle finger and ring finger, and a few use the index finger and little finger. Because the index finger is strong but lacks flexibility; Little finger flexibility is not only slightly lacking ... >>

Question 5: What does the right hand play after the guitar C *** is pressed? Example:

Songs are usually decomposed first. As shown in the picture, the repetitive part behind the song can be changed to sweeping the strings (or where you feel emotional), or it can be changed back to the decomposition at the end. (generally according to the artistic conception expressed by the song or the singer's own feelings). Play more songs that don't hurt, and you will soon master them. I hope it helps you ~

Attached drawings:

Question 6: Beginners, how do you play the numbers in your right hand when playing guitar? Can you play as many strings as the numbers? If 0 is idle, 2 is second grade.

The vertical line below is rhythm. This connection is called the sustain line, which is used to syncopate the strong and weak beats.

On the last beat of the first bar, there is a pause of sixteenth notes+four strings and two frets+two strings and one fret+three strings and four frets.

Play Amadd9 in the second quarter, you know.

Where there is a sustain line, add the duration together, such as the second half beat of the second beat in the second bar+the first beat in the third bar and the sixteenth sound in the second beat, then the duration of this sound should be half beat+one beat+1/4 beat = (calculate by yourself).

I won't talk about numbers and sustain lines when you understand them.

By the way, I recommend this guitar self-study March Pass by Liu Chuan.

Observe and learn these things. You can understand them!

Question 7: Why can't you play the guitar with your right hand and dial 124 at the same time? First of all, you must rule out the piano itself. If you are sure that there is no reason for the difficulty in pressing the strings or playing, then find the reason from the player himself.

There are two main reasons: first, I feel that I still have no strength after pressing it. Especially when multiple fingers press strings at the same time, beginners' finger strength is insufficient. The solution is to press your finger on the pin position of the desired product as much as possible (but not on the pin) to achieve the best string pressing effect with the least force. The other is to practice more and strengthen your fingers.

Second, press * * *, because the finger pressed by the string is not vertical, so it falls. However, it hit the adjacent strings, which made the adjacent strings unable to vibrate and make sound. The main solution is to standardize the hand shape and send the wrist away from the body as far as possible (many people ignore the action of the wrist when pressing the string, resulting in the fingers not being able to press the string vertically).

See for yourself what kind of situation it belongs to, and try to adjust the hand shape and position to solve the problem.

Finally, when playing * * *, the general division of labor of the right hand is that the thumb is responsible for the six, five, four and three strings, the index finger is responsible for the three strings, the middle finger is responsible for the two strings, and the ring finger is responsible for the one string (the little finger is generally not used). So the answer to your last question came out. Just use your thumb+middle finger+ring finger to play the required strings at the same time.

Question 8: How to play the guitar with your right hand * * * You can't learn guitar at first! There is a prerequisite that your fingers have been stretched (for example, climbing the grid), so that your fingers have enough strength to relax and have enough stretching to practice. Otherwise, it will be difficult for you to press * * * and do everything a little bit. If you haven't practiced finger movements, you should climb the grid for a while before reading the following article. After a period of practice (about 1 month? ) We can practice * * *. First, learn to read * * * pictures. Because of limited ability, we can give up some difficult * * and take some common * * as the practice target, such as C, A, E, D, G and so on. Everything should follow a step-by-step process, starting with a simple * * * (no little finger * * *). In the process of practicing * * *, we should still practice climbing the grid and exercise the independence and strength of the little finger and each finger. This is to lay the foundation for * * *! Just practice pressing * * *, which string is which string? It's normal to be a little confused. Your fingers always press the wrong button or touch some strings. At this time, you need great patience and confidence! ! ! Put your fingers on the fingerboard one by one, and slowly put them according to the marks on the * * * map! At the same time, make sure that the fingers of the left hand are placed vertically on the fingerboard! ! This action is repeated many times and becomes a mechanical reflection. Maybe there will be cocoons on your fingers. Don't worry, it's all your grades, which means you're making progress. Just like typing. When I first learned to type, I looked at the keyboard a little skillfully, and then I went blind. Hit whatever you want, without hesitation! Press the * * * key in the same way. Practice makes perfect! This is only the first step to contact * * *! The following is a skillful and flexible process. What is the standard of proficiency? First, you can press the * * * key without hesitation. Second, you can easily switch from other * * * to this * * *. Third, it is important to ensure that every sound can pop up, and the sound is full! The above points are qualified, indicating that you have really learned this * * *! It's no use talking so much. Let's give an example-take the F *** which is difficult for everyone to master: first, check the position of the thumb, which should be between the index finger and the middle finger. If it is too close to the index finger, the whole palm will not be forced. If it is too close to the ring finger, it will make the thumb stiff and sore. Find the feeling of each string on your finger from your index finger. The index finger should be slightly bent back, so that the string can be firmly pressed. Avoid the joints of the index finger and knuckles, and you will never make a sound. The key point of flat pressing is that the index finger presses the wrist palm to the neck. The wrist should protrude slightly outward, which requires the cooperation of wrist force, not just the strength of fingers. Don't press the middle finger above the index finger as an auxiliary force. In this way, the hand is deformed, and the other fingers are freed to change strings. These are the essentials! It is also other * * * programs! But there are still some small problems in practice! For example, the problem of your finger strength is more difficult for beginners to overcome. Take F *** as an example. Even if you can press this * * *, you can't persist for a long time, indicating that your wrist strength is not enough. This wrist strength is slowly accumulated in practice. No one can eat a fat man at a meal! So pay attention to the practice of strength and finger independence (climbing the grid). One more question. Just press F ***, you can't press it right away. It's normal to always look at the strings first and then press your fingers one by one!

Question 9: The right fingering of guitar is simple and common.

4/4 beat

C *** is: 5323 1323.

EM *** is 63231323/43231323.

AM *** is: 5323 1323.

3/4 beat

C *** is: 532 123.

EM *** is: 432 123/632 123

AM *** is: 532 123.

Very simple, but the details still vary from song to song! Play or add your own flowers according to the music! `