Knife See Smile Movie Full Version Thunderbolt Download Knife See Smile DVD Version Full Download Zhang Yuqi Knife See Smile Mandarin Chinese Character Download Address!

2011 Knife See Laugh DVD HD Thunderbolt Download: /vod/4647.html Knife See Laugh rmvb version (370.67MB) Thunderbolt Download: /vod/4647.html Young Sanliang (Liu Xiaoye) because of a party of silk handkerchiefs falling down on the greenhouse flower girl Mei Niang (Zhang Yuqi) at first sight, in order to "I want to see Mei Niang" this brilliant life goal, he sells meat without embellishment, but by the rivers and lakes of the world, he has been the first time to see Mei Niang, and the first time to see her. "In order to achieve this splendid goal in life, he sells meat but is abused by the hero of the jianghu, Yixian. After being frustrated repeatedly, Shao Sanliang is disillusioned and seeks death, but he accidentally gets an indestructible kitchen knife ...... Shao Sanliang successfully kills Yidai Xian and wants to marry Mei Niang, only to realize that the peach blossom handkerchief is just his own wishful thinking and misunderstanding. The South Beauty Restaurant, headed by the famous chef Bada Shovel, took in a mute (Masanobu Ando) as a handyman. The mute won Bada Shovel's trust with his extraordinary culinary talent and loyalty to his master, and was poisoned to death after Bada Shovel passed on all of his skills to the mute, which was all a design by the mute to take the iron chopper in his master's hand to avenge his father's death. This chopper is cast by the "world of iron", the jianghu warrior Dugu Cheng (Xu Chong ornaments) to get this piece of "world of iron", steal his father's tomb, brother against brother, coerced the reclusive blacksmith for many years, Fatty Tang (played by You Benchang) to build their own! The "world's first knife", but do not know the wonders of the iron, and ultimately can not escape the fate. A magical kitchen knife in the hands of the world, so the fate of countless people changed ...... The story of the movie is divided into three narratives, respectively, "the knife of the chivalrous", "the knife of the chef" and "the knife of the butcher", and "The Butcher's Knife". In "The Sword of the Swordsman", the director retained the black clothes, long hair, and the solemn character of the Kansai chivalry, using the traditional black color; in "The Sword of the Chef", in order to emphasize the concept of revenge, he chose to use the cold green color; and in the In "The Butcher's Knife", a shadowy red color was chosen to emphasize the concept of revenge; and in "The Butcher's Knife", a hazy red color was chosen because it involves the land of the moon and the wind. Edit Inspiration The Knife is adapted from An Changhe's novel The Legend of the Vegetable Knife. According to the director, he was trying to make a martial arts movie about knives, and a friend gave him a copy of Storytelling Club and recommended The Legend of the Vegetable Knife in it, and he felt that the story structure was relatively new, so he bought the rights to adapt the novel. "Basically, the movie script now is about 80% different from the original one, and it's changed a lot; the mute story is retained more, but the theme has been changed to include the theme of greed and anger, turning it into a whole new story." The director has a particular fondness for fables as metaphors for life. He always wanted to make a film that would firmly pin the audience to their seats for 100 minutes without looking away, and walk out of the theater still wanting to look back at it individually. This also required the story itself to be exciting to watch, and beyond the audio-visual richness and fancy, there had to be a central stance, a complete metaphorical system that would make the audience think on multiple levels. "The director's theme of greed, anger and dementia shows me the connotations of the Seven Deadly Sins, but while the Seven Deadly Sins are Christian, greed and anger have more of a Buddhist cultural foundation that the Chinese can understand," said producer Tang Xi Ru, who agrees with the director's inclusion of a Buddhist theme. She believes that this film, as the first film project of the "Asian Star Gravity Film Project", has already set a high level of innovation in its opening. The Legend of the Chopper, which eventually became the screenplay for "The Knife Seeing Smile," went through many rounds of discussions and changes. The team of screenwriters headed by Zhang Jiajia, Tang Liao, and Ma Luosuan plus director and producer Tang Xi Ru embarked on a two-year roaming battle, from structure to characterization and plot direction. The most difficult part was in the innovation of the structure and the need to use comedy to interpret a story that is actually very tragic. In terms of structure, it took half a year to explore countless possibilities. At first, there was one storyteller in one story, and this storyteller told three different stories, but this three-part structure was neither popular nor innovative enough. Eventually, a mutually inspiring discussion led to the decision on this current nested layer structure. "It's like a popular Chinese fable: once upon a time there was a mountain, and in the mountain there was a temple, and in the temple there was an old monk, and the old monk was telling a story to the young monk, and the old monk said - once upon a time there was a mountain, and in the mountain there was a temple ...... Stories inside stories inside sets of stories, an endless cycle never ends." Producer Tang Xi Ru also said, "This is also a bit like Borges's Ring of Ruins, where a person dreams of another person, but realizes that he is also in someone else's dream ...... It is also a dream within a dream, an endless cycle. Because similar but not identical stories can be found in both Chinese and Western cultures, it gives me a sense that this structure has the cognitive soil for cross-cultural acceptance." How do you incorporate the metaphorical system of greed and anger? Greed, anger and dementia are derived from Eastern Buddhism and are the three poisons in Buddhism, referring to the three major weaknesses in human nature. These three poisons cripple the body and mind, causing people to sink into the cycle of birth and death, and are the root cause of evil, and are therefore also known as the three roots of badness. In Buddhism, the pattern of chicken, pig and snake is generally used to symbolize greed, anger and stupidity, which simplifies and visualizes the profound Buddhism, the chicken represents greed, the snake represents anger and the pig represents stupidity. Shao Sanliang is a pig killer, he does not distinguish between right and wrong unrealistic stupidity, represented by the pig; mute has been carrying a bamboo snake sent by his brother, and poisoned to kill his teacher, the snake is a symbol of hatred; Dugu Cheng is a good fighter and greedy for fame, and in the end, everything ended in the cockfighting arena, with the chicken as a symbol, the three stories, just as the pig holding the snake on the box of the world's most advanced iron and the chicken, the same picture, the cycle of the unfolding of the - -Metaphorical system design is gradually generated. Comedy and martial arts temperament will make this movie have a basic audience base. Another challenge for the script is how to make three stories with tragic overtones into a comedy. "The standard of comedy is very simple, that is, the audience laughed or did not laugh", this is the definition of comedy director Urshan, but he did not want to flow into the cottage spoof comedy, which does not match with his own consistent temperament and style, so the collection of intelligence specializing in the flirtation, absurd comedy lines, a large number of Chinese audience enjoyable elements of comedy, borrowed a lot of things from stage plays, and the film was designed for the audience. Borrowing a lot of things from stage plays, adding quartet lines, using a large number of comic lines, hiatus, to create one after another cola baggage. The three stories are intertwined and become a loop that intertwines with each other, thus extending the theme belonging to human nature and predestination. Urshan uses three animals, chicken, pig and snake, to represent the three stories in the movie, which is a type of metaphorical storytelling that is rarely seen in Chinese movies. Producer Yu Weiguo also supports the writers' idea, he believes that "a good-looking movie can add a deeper meaning, in order to create a new route and situation of the movie, ultimately, whether 'The Knife Seeing Laughing' can become a new species of movie, or the creators tentatively called absurd martial arts comedy is a matter of words, but Wuerxian image genre has undoubtedly already been produced". The story is not complicated, the structure and style are well documented, and it is the director's ideas and attitude that deserve recognition. Ulsan gives full play to all kinds of advertising techniques, exaggerated colors, quick cuts, bizarre shapes, and Quentin-esque structures, resulting in yet another work that opens up a new genre. The director also mixes elements. The use of gravelly images to show the "greed" part of the film is full of western martial arts feeling, reminding me of the former "Double Flag Blade Runner"; the paper-cut animation in the "anger" part of the film is much more effective than ink animation in advancing the story, and the effect is no worse than that in the animation part of "Ha7", which is accompanied by the "Little White Boy". Part of the poor, with the "cabbage" background music, more a few points of black humor, let a person impressive; to me the deepest impression is still the sentence "destroyed the gold, ancient, Liang, Wen four major sects unified martial arts". The packaging is good, but the essence is not bad, the suspense, ambush and other elements are not a lot, although some parts are still a little young, but does not affect the effect. Several actors are also on point, whether it's the first time on the big screen, Mr. Ben Yau or the first sexy role of Zhang Yuqi, whether it's Masanobu Ando or "full of characteristics of the eight shovels", and even the hastily dead Ning Hao and Liu Hua, Xiong Xinxin, who has not yet shown his real kung-fu, have left a deep impression on the people. Of course there are shortcomings. As a whole, the ending part compared with the front is a bit of a tiger's head and snake's tail, with the Peking Opera to unveil the truth, "Iron Fist" of the fighting part and the end of the "again" are not enough to lift the front of a variety of real swords to replace the more pale, if you can then more creativity on the right, it's as if a brand-new comedy, the last package is an old joke, let a person feel not too much! The joke, let a person feel not enjoyable, some disappointment. All in all, I personally feel that "Knife See Smile" can be another worthy market and word-of-mouth hit after "Crazy Stone", and I hope that Urshan didn't use all of his skills in this movie, and that it will explode with more energy in the future.

Take it for what it's worth, please!