Fine brushwork technique

The painting method with lines as the means of expression relies on the changes of the rigidity, thickness, cleverness, Fiona Fang and density of lines to express various objects. At the same time, the line itself also has a certain abstract aesthetic effect. As far as the whole Chinese painting is concerned, line drawing is also an independent art. As a meticulous line drawing, the general line type changes little, thin and uniform, leaving room for the use of color.

Rubbing: Objects such as mud, stones and stumps are often encountered in painting. Rubbing is often used to enhance the texture and heavy feeling, and it is also a supplement to the lines. It is more important to use a pen. It is generally required to be natural, follow the trend and not put on airs. Wipe, more invisible pen. Generally speaking, it only enriches the techniques of tying, and sometimes it plays a role in modifying the failure of tying.

Dyeing methods: there are many kinds, such as flat coating, sub-dyeing and cover dyeing. Flat painting is mostly used when the background and picture are painted locally, and it is not suitable to see pen marks. Sub-dyeing is a kind of dyeing method to separate the structure of objects, and there are two kinds of high dyeing and low dyeing. Dyeing the convex part in the middle of the object, causing a little stereoscopic effect, is high dyeing. Cover dyeing is to cover some colors on the parts that have been dyed with colored ink, which can produce thick and steady color changes.

Point: it is widely used in painting, whether it is flowers or moss spots, or just for the decoration of the picture. A dot is a small point and an enlarged point, which is often used in painting. When using dots, we generally seek the consistency of pens.

Water collision with powder: some painting methods are flexible and changeable, including powder collision method, powder collision method and interoperability. Generally, the shape and structure of objects are drawn with strokes with high water content, and then collided with toner, because hydration is insoluble and vivid.

Fading method: In the way of accumulating colors layer by layer, a part is drawn out when coloring layer by layer. The more colors are set, the more layers there are, which is often used to draw flowers, birds and grass.

Separate dyeing: in addition to being used alone, it is also often used to spread the background color for cover dyeing and wake up for flat coating. The method is to use two pens, one dipped in color and the other dipped in water. First, dye it from the deepest place with a colored pen, and then brush it gently with a pen to make the color gradually fade outward and leave no trace.

Cover dyeing: when covering dyeing, don't rush for success. Cover with a thin layer. If once is not enough, you can cover it again. The pen should be full of color, straight and light, and can't be smeared back and forth to avoid stirring up the background color.

Unified dyeing: the color on the pen should be full and the pen holder should be light to prevent the effect of separate dyeing from being destroyed.

Contact dyeing method: dyeing two different colors from both ends of leaves or petals at the same time, and then merging in the middle of leaves or petals to naturally connect them to form a unified whole.

Dyeing: a method of dyeing one color with another color when it is wet, so that the colors penetrate each other. This method is suitable for containing several different colors on the same face, and its characteristics are labor-saving, vivid effect and fluidity.

Flat coating: when coating, the color should be thin, the moisture should be moderate, and it should be coated bit by bit, not back and forth. Flat coating method is not only used alone, but also used for background color, film pasting and cover dyeing.

Baking and dyeing method: a method of rendering a large area around an object in order to highlight some themes or express a specific environment and atmosphere.

Misdyeing and rubbing dyeing: it is a kind of brush dyeing method. Mostly used to dye stones and tree trunks.

Contrast: In the process of rendering, draw a line on the back of paper or silk with color to make the front color darker and brighter.

Water injection method: mostly used for stones and tree trunks. First dye the outline of the stone or trunk with ink (the color of the ink should change in depth), so that the water can be fully utilized and the ink should be moist. When the ink is not dry, clean water or heavy ink is injected to wash away the color of the flat plate and produce rich changes.

Dian Rui: Dian Rui is very important in painting flowers. When you point the core, dip it in full color with a sharp pen, drop it on the tip of the pen, and point it into a round bead. When dry, it should be round, convex and even in size, and it is best to sink a small pit in the middle.

The center should hold the pen correctly, the nib should be in the middle of the ink line, the strength of the pen should be uniform, and the nib should be perpendicular to the paper, so that the effect is round and steady. Hold the pen side, and the nib is at the edge of the ink line. The pen tip forms a certain angle with the paper surface, and the force is uneven, fast and slow, light and heavy, and the effect is rough and astringent.

Line method

In meticulous painting, lines are the soul of the picture. When we comment on a painter's meticulous work, we often say that "this painter's brushwork is good". So, what is "pen power"? How to understand the so-called "force through the paper"?

Painting or calligraphy is a kind of "visual art" in the final analysis. The so-called "force" is actually a kind of visual association brought by the lines on the screen. For example, iron line drawing feels more dignified than You Simiao, axe breaking feels more powerful than hemp cover, and light line feels rougher than smooth line. The application of various brushstrokes comes from the learners' persistent training, their mastery of the properties of paper and pigments, and their ability to control the brushes in their opponents. Texture production is popular in contemporary painting circles, and it is only a step-by-step technical method of visual effect. This skill with the meaning of making is obviously less difficult than traditional pen and ink. Therefore, as a meticulous painter, it is necessary to exercise your line ability.

1, Gao Gu You Si Miao: draw evenly and carefully with a sharp pen, which is gentle, beautiful and quaint. It is easy to show a quiet, leisurely, elegant and graceful taste, such as Gu Kaizhi's A History of Women.

2. Flowing clouds and flowing water: pen is like a light cloud, free as water, soft turning, smooth and not stagnant.

3. Iron line drawing: It is drawn with the circular brushwork in the center, with uniform thickness, full of discipline and no softness, which is suitable for expressing the solemn feelings of the Buddha. Therefore, this method is often used in religious paintings in past dynasties, such as the Yongle Palace mural in the Yuan Dynasty.

4. Drawing method of strings: If you use the central wrist-hanging brushwork, you must keep it in harmony with your heart and hands, without disorder, such as Listening to the Qin by Zhou Fang in the Tang Dynasty.

5. Description of the folded reed: This method of changing from a pen to a Fang Bi still needs to be seen in the square, and it can be copied.

6, nail head and rat tail description: the pen is like a nail head, it seems to have a small hook, and the pen is like a rat tail, stretching in one breath. The so-called bald head and pointed tail, heavy head and light tail, bone strength still depends on fine strength. This method was often used by three presidents in the late Qing Dynasty.

7, olive description: the most taboo is strong at both ends and weak in the middle. It should be extremely light, and the middle is extremely light. For example, this pen was used by Buddhists in the Tang Dynasty.

8. Cao Meng's description: soft but not weak, without intermittent swelling traces, such as Kai Liang's Biography of Eight Eminent Monks.

9. watercolor painting of a grass: the lines of clothes are often tied tightly with a straight pen. The so-called (that is, Cao Buxing's) water painting method needs to be calm, such as Yan's "Step by Step" in the Tang Dynasty.

10, the water mark of the war pen: when you tremble, you will tremble. You should keep the pen steady without slipping and stop writing.

1 1, described by Lan Ye: This method omits the change of the weight of the pen, but avoids the flashy frivolous habits. This method is often used in Wu Daozi in Tang Dynasty, which mainly shows the elegant appearance of Tian long skirt on the deep and flowing belt.

12. Mixed painting: On the side of the clothing grain line with thick ink, the clothing grain is copied with light ink or color, and vice versa, it can also be copied with thick ink on the light ink line to increase the rich effect. This method is commonly used by the ancients.

13, pen restoration: This method is often used in Ma Yuan and Kai Liang. A little is better than many others, and a little is more difficult. Use a pen to be concise and concise.

14. Protruding head: With a bald pen, the firm painting contains the most graceful meaning, which is commonly used by Song people, such as Liang Kai's Six Ancestors Map.

15, earthworm description: Taking spring snakes and autumn insects as a metaphor, writing a book has no disadvantages of bones, but it is too insidious to take, just like writing a round pen, such as Zhou Wenju's "Heavy Screen Will Play Chess".

16. Description of bamboo leaves: The description of reed leaves is between the two, and there are still writings in Jin Cuodao's calligraphy, such as "Picking Flowers" by Li Tang.

17. Description of dead firewood: If there are messy firewood wrinkles in landscape painting, the pen should be both rigid and soft, not messy. This method is often used in radix ginseng.

18, description of jujube pit: similar to olive description.