Traditional Culture Encyclopedia - Traditional festivals - Local characteristics of Yangni Town
Local characteristics of Yangni Town
Yang Ni's colorful sculptures, which started in the two-week period and spread among the people for 3,000 years, are the oldest and most ethnic clay sculptures in China, which are basically the same as those in Fengxiang, Shaanxi. According to relevant folklore scholars' research, its painted patterns are similar to those of Western Zhou bronzes. Creative modeling with flowers, birds, fish, insects and auspicious birds and beasts as the main features is the remains of totem worship and deity worship in ancient China, which embodies the cultural characteristics of the totem era. Its production is very particular. Mud is used as the embryo material of Niyang Loess, which is refined through dozens of processes, such as drafting, molding, embryo turning, adhesive molding, polishing, painting, wiring and polishing. It is deeply loved by the masses with its strong local flavor, lovely modeling, bright red and green colors, hearty lines, romantic and magical decorative patterns, rough exaggeration and concise and summarized primitive beauty.
The colors and patterns of painted sculptures have specific meanings, such as green means eternal green, red means the flaming flames of the four seasons, pomegranate means many children and blessings, wormwood means detoxification and evil spirits, begonia means wealth, butterflies mean many blessings, and peony means auspiciousness and brilliance, and money. Under the unified control of these concepts, they are combined in series into a complete work of art.
People have a new understanding of Yang Ni clay sculpture. With the help of the cultural department, they organized exhibitions and publicized them to the outside world. As a result, Yang Ni clay sculpture has achieved good results, and at the same time, it has also driven a large number of enthusiasts and folk artists to combine the clay sculpture skills inherited from the masters with the aesthetic knowledge of the new era, adding a scene to the cultural cause with the most primitive and pristine works of art.
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