How do the crew and directors keep accounts for a film with an investment of tens of millions to hundreds of millions?

In fact, there are many links and participants in the last film of the investment film road, and we can settle accounts from many aspects.

Film investment is the behavior of individuals or institutions (including professionally managed investment funds, enterprises, governments or other institutions) to invest their own funds in all aspects of the film industry. Film investors are individuals or institutions that invest in films with their own funds or raised funds.

? There are many ways for film investors to find investment opportunities, such as through the recommendation of people or institutions they are familiar with (such as production companies that have invested); Participate in regional or national financing roadshows for film projects; Courage is commendable, direct contact with screenwriters, producers and directors; Participate in the organized film and television investment circle team with other film investors; Or in an increasingly common way, it is to participate in reputable film and television industry investment funds. All these and many other ways to tap movie investment opportunities will be described in detail in the following chapters.

? It is not uncommon for film investors to support some film and television creative teams or companies with their own money or raised money, hoping that their film and television works can be launched and bring them considerable profits. Most traditional financial investors can do this. They invest in blue-chip stocks such as Kweichow Moutai, China Petroleum, Industrial and Commercial Bank of China, Vanke Real Estate, or invest in securities investment funds containing a series of company portfolios, hoping that their money will increase with the growth of these companies. The key difference between traditional financial investors and film investors is that the film projects invested by the latter-those companies that may still be scripts (or scripts have been completed but the main creative team has not yet been formed, or the main creative team has just started shooting, or has been released, or has been launched) are different in scale, owned by screenwriters (or directors, more producers), or simply go into battle in person (not in markets such as Shanghai Stock Exchange or Shenzhen Stock Exchange).