The drawing method of the texture composition

1, first of all, to use smooth lines to draw the leaf meridian out, drawing should take into account the overall changes in the leaf, so as not to have no way to change again later.

2, the line of the outer contour should be combined with the overall shape, the sinews should not be left too wide, and the curvature of the leaf should be close to nature.

3, the leaf itself will have a long and short drawn out of the final effect of the leaf to pay attention to some size changes, some also have a turn to bend changes.

4, each decorative painting in the performance of the line should have thick and thin changes, so that the decorative effect will be good.

5, add texture effect, to choose to use a thin pen to draw so that the effect of thickness changes will be more obvious, the whole will also stand out.

6, each part can choose a color, you can gradient color can also be based on contrasting colors, no matter which color should pay attention to the overall collocation and beauty.

Plane composition - texture composition of Thai Vocational College of Construction and Engineering Department of Decoration Department of texture composition, definition of texture composition: where the texture of the surface of the object can be distinguished by vision, known as texture, texture for the composition of the design, is the texture of the composition. In graphic composition, the study of texture focuses on the study of texture form itself, focusing on the visual feeling, as well as the form and composition of visual texture. Second, the material tool experience and technique development 1, rendering method: wet the paper before starting to paint, through the increase or decrease of water, so that the daily use of pigments to produce a new form. 2, blowing color method: with a brush on the paper slightly more water-based pigments, blowing away when the pigment is not dry. At this time, the pigment dissolved in water will appear like silk threads with many fine lines and unfold in a fan shape. 3. Drip method: When there is more water and the paper is poorly absorbent, as long as the paper is tilted a little, the pigment will flow. Second, the experience of materials and tools and techniques to develop 4, ink pattern method: make ink floating on the water surface, and the technique of transferring the ink flow pattern with cotton paper, also known as "ink flow dyeing", also known in the West as "molded marbling", ink pattern method is a monochrome flow pattern. 5, halo method: using wire mesh to spray a number of fine lines and fan unfold. Color method: using metal wire mesh to spray color to form a halo color, spraying on drawing paper and injecting a large amount of water when the pigment is half-dry, so that the particle-like color will dissolve and flow, forming an accidental pattern by chance. Second, the experience of materials and tools and the development of techniques 6, repulsion method: this method unexpectedly has the resistance to repel water. Since water and oil are not compatible, they will repel each other when they are forced together. The graphics formed in the repulsion can give people a sense of thickness and a sense of mystery generated by chance.7. Color Spraying Method: This method is made by metal wire mesh and toothbrush rubbing pigment, which will be sprayed on the screen in a mist.8. Flicking Method: Dip the threads through the paper that can be burned by fire to leave residual traces. Use leaves or flower petals to dip the pigment and print on the paper and dip it directly on the paper. Brush on thick paint with an oil painting knife to scrape out the effect you want. Smoke. Use a toothbrush to dab paint and pop out fine dots. Thin the paint and blow it through your mouth. Get some sand or something with your shoes and stomp a few times on the cardstock mud dots, water stains, skin or fur texture