How to write an essay on Peking Opera Face Painting

1. "Peking Opera Face Painting" Essay 400 words

Hello everyone, I am Peking Opera Face Painting.

All friends, young and old, please listen to us say a ...... look, we just opened our mouths, someone said we are Beijing Tianqiao style.

Our friendship with Beijing Opera can be considered as deep as a family.

Hi! Speaking of ah really some feelings: when the people really love to listen to the Beijing opera also like on us. A lot of "ticket holders" are grinding the actors to give them "hook face", that is, to draw us to the face to pass the addiction to the theater. But in the past, the opera singer is the lower nine streams, and we, too, followed the "price drop". Today is different, Beijing opera is a national treasure, we have become a work of art - a breath of fresh air!

Today, let's introduce ourselves.

Look, isn't the face with the white patch on the bridge of the nose quite amusing? That is the face of the clown, also known as the "small flower face".

Like those who play the role of raw characters, we have to change, because they have a Lao Sheng, Xiao Sheng and Wu Sheng (the last corner of the Lao Sheng category). The face of these characters is not like a "small flower face", through the different faces to show the age, character, character different. The cleaner roles, called "flowery faces", are all rough or strong characters, and if we have the same face for thousands of people, it won't be much fun. Honestly, our real charm lies in the pure characters. You can not always forget the leopard head and eyes of Zhang Fei, face ink black, forehead of a bright moon of the Bao Gong, red beard and blue face of the king of the mongrels Cheng Bite Jin, serpentine eyebrow and phoenix eyes, face like heavy dates of Guan Yunchang?

All in your mind to leave an impression of the theater characters, in addition to the performance of the actors, is not we in the "facade"? When it comes to the role of Dan, they are divided into the green, flower, flower shirt, old Dan, knife horse Dan, Wu Dan. These corner of the actors themselves are born beautiful, we then show their hands, it is more to make them fall into the wild goose, closed the moon, let you linger.

Whoever wants to paint us, has to think about it. Although the ready-made score, if not according to the actor's own face and mold, the painting is not like. For the actor, no matter how good you are, no matter how good your style is, if your face doesn't look like it, it's like Zhang Shengxiao didn't give the dragon a chance to paint his face! It's like Zhang Shengxiao didn't put eyes on the dragon.

Like the "flower face" (jingjie) have to shave the head, because the face has to be hooked to the middle of the skull. Otherwise, once you put on the head, always let you feel is a narrow brain door, not show the heroic. If you want to hook a mountain king's face, it has to be slightly narrower and wider below, which is often referred to as the "inverted face", otherwise it does not show dominance.

If it is a flower girl, not even the nose, do not stick sideburns, you will see a flat nose, a big face, not show the show.

So, we are not simple, there is a set. But this is not a sentence, only to give you the skin.

Now, even foreigners are interested in Beijing opera. We also followed the light, a hundred times the value, as the saying goes, "the more national, the more global. However, we always have a shortcoming in our heart, that is, not many young people nowadays like Beijing opera, and even fewer like us.

We hope that young people can love the national essence, do not lose the treasure of the ancestors!

We hope that young people will love the national culture, and not lose the treasure passed down by our ancestors.

2. 500 words on the face of the composition

The face, according to a certain character, temperament or a particular type of character for the use of certain colors. The red face represents the loyalty and courage of the righteous, such as Guan Yu, concubine Wei, Chang Yu Chun; the black face represents the strength, integrity, courage and even recklessness, such as Bao Zheng, Zhang Fei, Li Kui, etc.; the yellow face represents the ferociousness and brutality, such as Yuwen Chengdu, Dian Wei. Blue or green faces indicate some rough and violent characters, such as Duo Er Dun, Ma Wu, etc.; white faces generally indicate traitors and bad people, such as Cao Cao, Zhao Gao and so on.

The face of traditional Chinese opera is a kind of program for actors' facial make-up. Generally used in the purity, ugly two lines, in which most of the various characters have their own specific spectrum and color, in order to highlight the character traits of the characters, with "praise and blame, do not good or evil" artistic function, so that the audience can look at the appearance of the heart of the peep. Therefore, the face is known as the role of the "mind picture".

The evolution and development of face painting is not a product of someone's imagination, but rather a complete set of artistic techniques gradually formed by opera artists in their long-term artistic practice, their observation, experience, and synthesis of life phenomena, as well as their continuous analysis, judgment, and evaluation of the characters in the play.

Chinese opera theorist Weng even rainbow wrote: "Chinese opera face, embryonic in the ancient totem, goblet in the Spring and Autumn Nuo Festival, sin milk for the Han, Tang Dynasty face, the development of the Song and Yuan Tu face, the formation of Ming and Qing Dynasty face. After the formation of opera, the face and masks are still used interchangeably. The most obvious Guizhou's 'ground opera', Jiangxi, Anhui's 'Nuo opera', Tibet's 'Tibetan opera', whether it is raw, clean and ugly, are wearing masks, more than a hundred per play, less must also dozens. South Kun' in the gods and goddesses, generally wearing masks, and do not draw a face. Peking Opera is a large national opera with a large number of face paintings, but the god of wealth, the goddess of fortune, the god of fortune, the god of land, and the god of thunder, still wear masks. From the mixed use of face paint and masks and the simple to complex facial scores, we can see the trajectory of the progressive development of Chinese opera."

3. Teach me to write an essay on face painting

On Sunday, I was at home doing the language New Class Standard Synchronized Exercise, and I read an article - Youth Without Beautiful Clothes - that made me feel y.

This article is mainly about the author's stubborn, unconvincing personality, so that the author did not laugh at herself when others looked down on her, but instead rose up because of it. It is in the face of adversity that she grows up.

The most philosophical sentence in the article is "I am not sorry that my youth has no beautiful clothes". Beautiful clothes can dress girls up as a flower, while my tortuous experience has given me the qualities of toughness, simplicity and diligence, which will make me a tree.

Flowers always fade, but the pine tree can be evergreen. Yes, a person can be envied by his looks and family, and when you can not have it all, you can only win the respect of others by your own efforts, otherwise, you will always be looked down upon! Looks do not represent all that you are, it is nothing but your appearance, it is the so-called beauty of the face, but even if you have a beautiful face what can you do? There will just be more people who love this beautiful appearance.

In the past, there was a girl in our class who was very ugly, and many people in the class didn't take care of her, and they all hated her a little bit, and some of them would scold her. And she seems to not understand the youth without beautiful clothes which profound truth, not good for themselves, more confidence in themselves, only inferiority complex.

Although she does not have a beautiful face, no beautiful appearance, but he also has a sincere, kind heart to people. Someone is sad, someone is crying, she if she knows you, she will certainly go up to ask why you are crying? What's wrong? And this is just the opposite of the person, and a small number of all may be beautiful face, but do not know how much heart hidden in it.

Gold flakes outside and inside. Maybe they will also sympathize with you in tears, but the heart has long been laughing.

Your face, your appearance is the parents give, even if you go to do plastic surgery, that is "can not change" the fact. Only by themselves, can be cast into a more brilliant page.

Remember one sentence: youth without beauty clothes. The "Mask" Qu Ning When I was a child, I loved to watch the Sichuan Opera. Favorite to see the Sichuan opera in the "face", that the actors on the stage can be changed in an instant out of many faces. It's fascinating to watch and marvel at.

With the gradual growth of age, that "face changing" will stay in the space of memory. Later, I have seen many similar "face" masks, but there is no such freshness and affection when I was a child.

Masks have become more and more into people's lives, everywhere you can see the living masks. Props on the stage, small string hand toys ...... everywhere are less it.

The mention of it, the face of small children will be a few more points of laughter, because it is really attractive. However, there is another kind of mask also gradually into the people, he can not see and touch, only with the heart to feel.

This is everyone talking about everyone shakes his head "fake mask".

Nowadays, almost everyone in society wears a "fake mask". But I don't know that this is not only their own life is too tired, but also hurt other people's feelings. Once wearing this mask, everyone will become ruthless. The real mask changes only the appearance of the person, and the false mask is often change is the person's mind.

In this mask is wrapped in the ugly soul, a contaminated heart. Hypocrites will always appear in the crowd in the form of a "false mask".

Now the mask has become a synonym for hypocrisy. The world is a place of deceit and competition, and this is a fact that no matter how much we beat our chests, we can't change it.

On the "face" to write an article, the topic of their own, not less than 800 words. When I was a kid, I watched the movie "Lin Hai Xue Yuan" and instantly recognized Yang Zi Rong, who wore a bandit uniform and spoke in bandit language, and went deeper into the lair of the sitting mountain eagle.

The righteousness and majesty coming out of him forced my little mind to understand that good people have good people's image, no need to confess and flaunt, meditatively will be flashed out. Although, "people can dress, Buddha can be gold", through the external packaging will change the image, but the inner, the bones of the "bottom" is still can not be packaged.

Remember Chen Pace and Zhu Shimao acted in the skit "protagonist and supporting role", Chen Pace grabbed the role of Zhu Shimao's protagonist of the Eighth Route Army, so that Zhu Shimao acted as a supporting role of the traitors, however, no matter how Chen Pace how to wear that body of the Eighth Route Army uniforms, hands and feet between the reveal all the bandits and crooked, and Zhu Shimao, even if he wears a traitorous clothing, to give a person a feeling is to fight into the ranks of the traitors "! underground party". This is the image.

No need to decorate, hands and feet, a smile, naturally reveals the person, character, identity. This is somewhat like the Peking Opera in the face, pointed eyebrows chopper face, brain hook a round light is to get power to harm the eunuchs; round eyes, flower nose nest, a red sherry on the brain round light is a monk.

Even the color of the face has a fixed image of meaning, red table loyalty, black table straight, white table evil, yellow table vicious. The audience only need to look at the face to understand the stage image of the personality, character, identity and even status.

The face is a kind of recognition of the audience on the stage character image. This identity is also gradually penetrated into the daily life from the stage, people with life experience, the image of a class of people face.

The bossy, ignoring the official; left and right, looking at people to speak is a businessman; a strong walk, a face of majesty is a soldier; gentle, elegant, talk is a teacher; rolled up the trouser leg, dark face is a farmer ...... and then, according to these "image of face And then, according to these "visualized faces" to judge, measure the people around them, so as to determine how to interact with them, cooperation. Once, I went to a school to find classmates, in accordance with the requirements of the janitorial teacher, did all the formalities, however, when I was ready to enter the school, the janitorial teacher and suddenly stopped me, panicked and asked me which school, what to do here, I told him in detail, but the janitorial teacher a moment to look down to see me fill in the list, a moment and then towards my face, the body straight to look at me and make sure I take out the identity of the identifying credentials, otherwise still can not enter the school. The first thing I want to do is to get the money to pay for it.

It was hard to wait for an acquaintance to give me a guarantee that I could get into the school. If something happens, you'll be responsible! ......" I realized that the original is my "image.

4. How to Write an Essay on Appreciation of Peking Opera Face Painting

Appreciation of Peking Opera Face Painting - Overview of Peking Opera Face Painting Chinese Peking Opera Face Painting is a very favorite art category of the majority of opera enthusiasts, and the popularity of the art is quite wide at home and abroad, and it has been recognized as a traditional Chinese cultural icon.

Face painting comes from the stage, and we can see different styles of face painting on some large buildings, packaging of commodities, various kinds of porcelain, and the clothes people wear. This is far beyond the scope of the stage application, which shows that the art of face painting in people's minds occupy the position that face painting has a strong vitality.

Many international friends, domestic insights out of curiosity and love of Chinese opera face, are exploring the mysteries of the face. The faces we see can be roughly summarized into two categories, one is the arts and crafts face.

This kind of face painting is based on the author's own thinking and imagination, in the face of the plaster material, painting, weaving, embroidery and other techniques to produce a variety of different forms, color pattern changes in the face of the products, this kind of face painting has a certain ornamental value! The other type is the stage practical face painting. This type of face is based on the plot and the need for the characters in the play, the actors use exaggerated techniques in the face sketched out in different colors, different patterns and patterns of the face.

On the origin of the stage face there are several ways of saying, one is from China's Northern and Southern Dynasties, Northern Qi, flourished in the Tang Dynasty song and dance theater, also known as the big face or generation of the face, in order to glorify the king of Lanling's war and virtues of the men to do the only thing that said the king of Lanling Gao Changgong, brave and good at war, look like a woman, every time out of the war, are wearing fierce mask, repeatedly won. People in order to glorify the king of Lanling created the men's solo, also with masks.

Opera actors on stage sketching face is used to help increase the character traits played by the character's personality traits, facial features, identity status, to achieve a rich stage color, the effect of beautifying the stage, the stage face is the people's minds the idea of the harmony and unity of the sense of view.

5. Essay on face painting

"Wow, your face painting is really nice!" "What you're drawing is 'four unlike'" ...... In art class, the students were talking about it. We are learning to draw faces!

Mr. Gao told his classmates in a serious manner, "Drawing faces should pay attention to the shape of the face and the five senses, and the face should be big at the top and small at the bottom." Said the teacher on the blackboard neatly drew two somewhat overlapping circles, rather like a light bulb. Then, with a few strokes of the brush, he made a pair of "eyeing" eyes. Then a big nose, a pair of small ears and a slightly curved mouth were added to the face. Finally, Mr. Gao added a few curved patterns, a lifelike face is completed.

Looking at the colorful faces, my hands also itched. I followed the teacher's example, first painted a large circle, and then painted a small circle, but I painted the garden crooked, only to modify. It is not easy to "grind" out a circle, but it is flat, simply an irregular figure! Alas, and have to redraw ......

Finally, the face is barely painted well, the painting of the five senses I encountered a problem: how to determine the location? I'm not sure if I'm going to be able to do that. In any case, I decided to take the plunge. I first use the line to outline the position of the five senses, and then the shape carefully traced out. But the symmetry of the five senses was also a difficult point. Although I had drawn an axis of symmetry with a straightedge, the eyes were one high and one low. I had to erase and redraw, scribble and change, and it took me a lot of effort to finish the five senses.

Lastly, the pattern. This pattern pattern can be a lot of, curved, straight, continuous, intermittent ...... both to be beautiful, but not crowded. I drew four curved patterns at the forehead of the face, which can show the prominence of the forehead, and then I designed a curved pattern in the concave part next to the eyes, and finally sketched a few curved shapes next to the mouth.

The work is done, looking at my own face painting, my heart is full of joy.

6. Introduction to the face of the article about 200 words

The development of the art of face painting is inseparable from the development of Chinese opera. Around the twelfth and thirteenth centuries, in the performance of the Song Yuben and Yuan Miscellaneous Operas, the clown face with a large white spot in the center of the face appeared.

In order to adapt to the open-air performances, the hook face generally only use black, red, white three contrasting colors, emphasizing the five parts, skin color and facial muscle corridors, such as thick eyebrows and big eyes, flipped nostrils, big mouth fork and so on. This primitive face painting was simple and crude, and was gradually decorated with the development of opera art. By the end of the eighteenth century and the beginning of the nineteenth century, Peking Opera gradually formed a fairly complete artistic style and performance methods, Peking Opera face painting also absorbed the advantages of the face paintings of various local operas on the basis of several generations of famous actors and theater artists continue to explore and research, processing to improve and innovate, and was fully developed. Patterns and colors are more and more colorful, and the distinctions between different characters are also more and more distinctive, and many historical and mythological characters have been created, forming a complete set of make-up spectra.

The role of face painting is to show the character's personality, qualities, identity, specialties, and appearance through the color and pattern of the face painting. The expression of such rich content is largely the use of two techniques: one is the combination of color changes, and the other is the composition of patterns.

From the color, the current Peking Opera face has red, purple, black, white, blue, green, yellow, old red, tile gray, gold, silver and other colors, which is from the character's natural skin color of the exaggerated depiction of the development of character symbolism of the allegorical use of color. Generally speaking, the red depicts the character of the red courage, righteousness and bravery; purple symbolizes the wisdom and courage just righteousness; black embodies the character is rich in loyalty and integrity of the noble character; water white implies that the character of the character of the nature of the treacherous, vicious means of the abominable face; oil white is the performance of the conceited domineering character; blue metaphorical strength and courage; green outlines the character of the chivalrous and righteousness; yellow indicates brutality; the old red more than the performance of the respected loyalty and courageous old generals; Gray symbolizes the old man; gold, silver two colors, mostly used for God, Buddha, ghosts and monsters, in order to show its golden face and body, symbolizing the sense of illusion.

The composition of the face of Beijing opera is diverse, coupled with colorful, highly decorative patterns, easy to make people confused, resulting in a sense of mystery. In fact, summed up there are only a dozen types, due to mutual reference, mutual changes, it has given rise to a lot of spectrum type. These patterns are based on the appearance of various characters, personality traits, even if the same type of spectrum, due to different characters, each part of the line drawing and color treatment is also different, so that each character is rich in their own personalities, and never the same. The composition of the face has such a few:

The whole face, basically a color as the main body of the face painted all over, and then use a color to outline the five senses.

The three-tile face, with lines outlining the eyebrows, eye sockets, and nose sockets, presenting three distinct main colors on the forehead and cheeks.

The Cross Door Face, which is mostly drawn from the bridge of the nose up a column of color and connected to the left and right eye sockets, forming a cross in the middle of the face.

Broken flower face, the forehead has a complete main color, the rest of the parts with secondary colors to add hook pattern, rich in color, composition in various forms, complex and broken lines.

Pictogram face, most of this face is a mythological elf gods and monsters, it is the forehead case hooked decorative birds, animals, fish, insects and other patterns, indicating that it is from what animals into human form.

Crooked face, generally showing the mischievous thugs or people who have suffered facial injuries, so the five features are crooked and deformed.

Beijing Opera repertoire, there are many myths and legends as the subject matter, the role of these plays are mostly gods and demons, and their faces belong to the category of "fairy face" or "hieroglyphic face". The most famous character is the Monkey King. He is a monkey bursting out of a stone, and later became a Taoist monk with strong martial arts and great powers. He protects the Tang Monk to get scriptures in the West, and along the way, he subdues the demons and subdues the devils, and after all the trials and tribulations, he finally gets back the scriptures, cultivates himself, and ranks in the class of immortals. His face is a "hieroglyphic face", which shows the facial features of a monkey; however, he later became a god, so he has the features of a "fairy face", i.e., the eye sockets are painted in gold. The beads on his forehead indicate that he is a disciple of the Buddha.

In addition to the above examples, there are also "eunuch face", "hero face", "demon face" and so on.

About the Peking Opera face, there are some special cases may wish to mention. Dan generally do not hook face, but not quite, Zhong Li Chun is an example. This woman is said to be the warring states Qi salt (now Shandong Dongping) people, so also known as Zhong Wuyan, she can fight, quite manly, and was born ugly, so in the play used to sketch the face of the treatment method. After all, Wuyan is a woman, so there is a lotus flower on her forehead to show her female identity.

7. Write a composition on the topic of "Peking Opera ------

"Let me move the Peking Opera celebrities - Mei Lanfang" Beijing Shunyi District, Guangming Primary School, fifth grade, class four. 32313133353236313431303231363533e58685e5aeb931333332643236 Zhou Shengxuan Mei Lanfang is a Chinese Peking Opera master, born in Beijing, who served as the director of the China Peking Opera Theater, the director of the China Academy of Theatre Studies, and the vice-chairman of China Federation of Literary and Art Circles.

Mei Lanfang was born in the Pear Garden family, from his grandfather Mei Qiaoling to Mei Lanfang has been three generations of Peking Opera Dan. Mei Lanfang was 8 years old when he learned to play, 11 years old on stage, in more than 50 years of artistic career has shaped a large number of real and touching artistic image, known as the "God of Beauty".

From 1919 to 1960, he traveled abroad many times for visiting performances, and was awarded the degree of "Doctor of Letters" by the Pomona College and the California College in the U.S. He was the first person to promote the art of Peking Opera to the world. Mei Lanfang created the "Mei School" of theater performance art, which is one of the world's three major performance systems.

Mei Lanfang is a great master in the art of Peking Opera, and he is also an exemplary human being. I was very touched by the story of Mei Lanfang's "growing a beard to show his determination" during the War of Resistance Against Japanese Aggression.

In August 1937, the Japanese army attacked Shanghai, and the war in Songhu broke out. Soon after the Japanese occupied Shanghai, they learned that Mei Lanfang, the world-famous Peking Opera master, was living in Shanghai, and asked him to serve the Japanese "Emperor".

Mei Lanfang realized that the Japanese trick, then decided to move his family south to Hong Kong, to get rid of the Japanese entanglements. He gave a message to the Japanese that he would go out to perform, while carrying his family to Hong Kong by boat.

Mei Lanfang came to Hong Kong, living in deep seclusion, unwilling to show his face. In addition to practicing tai chi, playing soccer, learning English, reading newspapers and books, he shifted his main focus to painting.

Mei Lanfang this happy life just less than half a year, and then lost. 1941 December, the Japanese invasion of Hong Kong, Mei Lanfang worried about the Japanese again let him sing, and finally he made a bold decision, grow a beard, stop singing and dancing, quit the Peking Opera.

However, the Japanese forced Mei to perform. He was forced to return to Shanghai by boat, and returned to his hometown in Shanghai after a three-year hiatus.

The story of Mei Lanfang's insistence on not performing for the Japanese and growing a beard to show his determination has become a touching story in China, greatly encouraging the Chinese people's determination to fight against the Japanese. Mr. Mei Lanfang's national integrity is admired by the world, and widely celebrated among the children of China.

8. Write five compositions about Peking Opera, 500 words, can not check Baidu, and then tell me about the Peking Opera a

Peking Opera, also known as "Pihuang", by the "Xipi" and "Erhuang" two basic cadences composed of "Xipi" and "Erhuang".

Peking Opera, also known as "Pihuang", consists of two basic cadences, "Xipi" and "Erhuang", which make up its musical material, as well as some local tunes (such as Liu Zi Cavity, Blow Cavity, etc.) and Kunqu Opera pieces. It was formed in Beijing around 1840 and flourished in the 1930s and 1940s, when it was known as the "National Opera". Nowadays, it is still a big opera with national influence. It is a representative of modern Chinese opera, with its comprehensive lineage, mature performances and grandeur. Peking Opera is China's "national treasure" with a history of 200 years. In addition, "Peking Opera" is also an Internet word meaning "fear".

Roles in Peking Opera

Peking Opera roles are strictly divided into seven lines: sheng, dan, jing, mao, chou, wu xing, and zhou (dragon set) in the early days, and later on, into the four main lines of sheng, dan, jing, and chou, with a detailed and further division of labor within each of these lines. "Sheng" is the collective name for male characters other than the flower face and the clown, and is divided into Lao Sheng (Su Sheng), Xiao Sheng, Wu Sheng, and Doll Sheng. "Dan" is a collective term for female roles, and is divided into Zheng Dan, Hua Dan, Hu Men Dan, Wu Dan, Lao Dan, and Cai Dan (揺旦)刀马旦. Pure", commonly known as "flower face", mostly plays the character, quality or appearance of some special male characters, make-up with face paint, loud voice, style rough. Pure" is further divided into "Da Huafang", which focuses on singing, such as Bao Zheng, and "Er Huafang", which focuses on doing work, such as Cao Cao. The "ugly", play comedy roles, because in the bridge of the nose smeared a small piece of white powder, commonly known as small flower face.

Peking Opera faces

Painting a certain color on a person's face to symbolize that person's personality and traits, role and destiny is a major feature of Peking Opera and can help in understanding the plot. Simply put, red face contains positive meaning and represents loyalty and bravery; black face is neutral and represents fierce intelligence; blue face and green face are also neutral and represent reckless heroes; yellow face and white face contain derogatory meaning and represent ferocity and deceit; gold face and silver face are mysterious and represent gods and demons. Faces originated as religious and dance masks in ancient times, and today this tradition is preserved in many local theaters.

On November 16, 2010, the Beijing Municipal Bureau of Culture, on behalf of the Beijing Opera Heritage Institutions and Distribution Regions, declared the Beijing Opera to be inscribed on the Representative List of the Intangible Cultural Heritage of Humanity in 2010, after consideration by 24 member states of the fifth meeting of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage of the United Nations Educational, Scientific and Cultural Organization (UNESCO), which is currently being held in Nairobi. Representative List of Intangible Cultural Heritage of Humanity".

9. Peking Opera Face Painting Essay 400+ words Face Painting Colors and Face Painting Characters

A poor couple, the same kind heart, in the most needy people, coincidentally, without hesitation to lend a helping hand.

The essay "The Poor" recounts the story of a fisherman and his wife, Sana, who adopted two children from their neighbor Simon and eventually raised them to adulthood.

"A gentleman is a man of beauty, not a man of evil." The beauty of adulthood is a kind of cultivation and a noble virtue. The beauty of manhood is from the respect and concern for others, the shortcomings of others kindly pointed out; the difficulties of others try to help each other; success is not to live in the action of self-pride, but to think of others to their own help and gratitude.

When Sana opened the tent at that moment, the wordless moving tide like surrounded you and me: rather than their own suffering, but also to help others! They explained what is true, good and beautiful with their actions. Let us go to the world with love like the fisherman and Sana, because as long as everyone gives a little love, the world will become a better place.

Inner Mongolia Wuhai City, Hai District, sixth grade: license