Characteristics of the music of the Johann Strauss period

Major works, mainly ballades and polkas: "Blue Danube Ballade", "Tales of the Vienna Woods Ballade", "Ballade on the Life of an Artist", "Ballade on the Voices of Spring", and "Anna Polka"

Johann Strauss has been called the "King of the Ballade" and the "Father of the Light Opera". "the father of light opera."

Vienna has long been an important center of musical innovation. 18th- and 19th-century composers were attracted to the city by the patronage of the Habsburgs, and made Vienna the European capital of classical music. Mozart, Ludwig van Beethoven and Johann Strauss II, among others, were associated with the city. During the Baroque period, Slavic and Hungarian folk music forms were influenced. The identity of Vienna, Austria, began to rise as a cultural center, and it was the early dynasty that concentrated on the lute instrument.

Classical music,

In the 18th century, the Classical Music Era was dominated by European classical music, and the city of Vienna was a particularly important city for musical innovation. Composers rose to sustained innovation: Ludwig von Beethoven's symphonic modes, Mozart's balance between melody and form, Joseph Haydn's development of the string quartet, the sonata.

SummaryThe spread of the 18th century saw a replacement for the piano. Orchestras and vocal strings, and the middle classes became increasingly aware of the revelations of music. 1842, Ottonekolai, of the Royal Opera House, announced the founding of the Vienna Philharmonic Orchestra.

During this time, music began to gain popularity as a piece of entertainment rather than serious art music. The line was initially less obvious, with most composers, like Franz Schubert, Johann Strauss and Joseph Lanner, writing two performances. These composers became the most popular composers of the era and, in fact, were perhaps the first popular Austrian musicians. Other serious composers were Richard Wagner, including Arnton.

Wagner's later romantic music was most influenced by the Austrian composer Arnold Sch?nberg. His early works were Wagnerian, but he soon abandoned the whole concept of major-minor tonality and began composing tonal compositions, beginning in 1908. It is controversial that composers like Hans Pfitzner and Richard Strauss would be followers of Sch?nberg, who have, for example, Webern and Albanberg.

This division of labor between tonal and sonic composers continued throughout the 20th century, with Sch?nberg's followers, including Roman Haubenstock-Ramati Egon Wellesz, Friedrich Cerha, and Ernst Krenek, and more conservative composers, including Erich Dibiao Korngold. Dietrich Korngold, Franz Gottfried Schmidt and Joseph Marx. Schmidt and Joseph Marx.

Schrammelmusik

The most popular modern Austrian folk music, this is Viennese schrammelmusik with accordion and double-necked guitar. Modern performers include Roland Neuwirth, Carl Hodina and Edi Reiser.

Schrammelmusik came up as a mix of Austrian, Hungarian, rural and Bavarian immigrants to Slovenia, and Moravia crowded the slums of Vienna. In those days, waltzes and l'ndlers mixed musical sounds from all over Central and Eastern Europe and the Balkans as immigrants absorbed them. the name Schrammelmusik comes from two of the most popular and influential performers in the history of Schrammelmusik, the brothers John and Josef Schrammel. the Schrammels formed a trio known as Anton Schrammel on the bass guitar. The Schrammels formed along with Anton Strohmayer on bass guitar and helped to bring music to the Viennese high society, as well as to people from the surrounding area. Together with the clarinetist, Georg D?nzer, they formed the Schrammel-Quartett, a quartet defined by the form of the Schrammelmusik.

Neuwirth was a young performer who had already incorporated foreign influences, especially the Blues, into some of the criticism from the purists.

Alpine New Wave

Alpunk is a type of alpine punk rock from Germany, Switzerland, and Austria. alpunk is known for its fusion of rhythmically chaotic, energetic accordion-based punk music with folk music.

While not having a popular reputation, the Austrian band Attwenger had some secondary success with albums such as Most and Songs. The former featured rap machines from a bucket of drum beats and an Austrian dialect of German, while the latter has been much longer than that with chunks up to 15 minutes in length.

The other set had a similar vein of Extremschrammeln originals, with more than a little traditional music from Germany and Britain. Big hits, including "Weg is Weit to Floridsdorf" ("It's a long way to Floridsdorf") and "Fantastisch Elastisch" ("Fantastisch Elastisch"), were also included. " ("Fantastic elasticity").