Characteristics of landscape architecture

One of the characteristics of landscape painting is to express the feeling of "big" and "many", which requires unlimited scenery and feelings on the limited picture, rich scenery and great momentum on the border, so we should use the limited picture very carefully. It is absolutely impossible to express Qianshan in a small paper full of mountains, only to list it actually. We should "take one as ten", "win more with less" and "get something for nothing".

The truth of composition. Landscape painting is often a landscape, with mountains and mountains, repeatedly adding accumulated ink and pursuing a heavy and dignified effect. But in the thick, they should be ethereal, solid and virtual, solid and not stuffed, breathable, and have "living eyes." Empty places should be reasonable, empty but not empty. It is reasonable to turn virtual reality into reality and see virtual reality in virtual reality. In Qing Dynasty, Da Zhongguang said, "Imagination and reality coexist, without painting, it becomes a beauty |".

Odd and positive nature is the unity of opposites between absolute motion and relative stillness. Movement is full of change and anger, while stillness appears unity and stability. Change and unity are also important rules of composition. "Odd" is change, "positive" is unity. Seeking "strangeness" in creation should be the dominant aspect, and "words are endless" and "painting is extremely expensive", which are the highest points of artistic pursuit, such as extremely virtual, extremely dense, extremely sparse, extremely thick, extremely light, extremely full, extremely empty, extremely strange and extremely positive. However, the "pole" also has a limit, which is the so-called "limit". If you exceed the limit, you will go to the opposite side of things. "extremes meet" and "too much is too late". If the truth exceeds half a point, it will become fallacy, and the law of argument of things is inviolable.

"Festival rhyme" is the full name of rhythm and prosody, which are both different and related. Rhythm is the regular repetition of the phenomenon of beauty in the external form. The rhythm is regular.

Restrain, promote, pause and frustrate change, and make the form full of the beauty of rhythmic change. Rhythm is the purification of rhythm form, rhythm is the deepening of rhythm form, and it is the application of emotional appeal in rhythm. If rhythm is the visual pleasure formed by rational mechanical movement (as far as painting is concerned), then rhythm is the visual interest of perceptual life forms.

The main function of rhythmic modeling activities is to make the form interesting and lyrical. In the theory of Chinese painting, "vivid charm" should mainly be the role of rhythm in the picture. "Vivid spirit" is the visual image of "rhythm of life" or "rhythmic life" shown in the picture, and it is the feeling of "breath" and "nature" in which various forms of elements in a painting are organically linked. In fact, it is the composition and rhythm that skillfully solve the rhythm and association law in composition.

Composition, we need to find clues in the colorful and ever-changing complex things, sort out the context, prioritize, and make the picture theme clear, content prominent, rhythmic and harmonious natural beauty. Therefore, we should face nature and life, "collect all the strange peaks and draft them". "Collecting everything" means collecting extensively, and "drafting them" means choosing carefully. Only through refinement and selection can we create a good new composition.