What are the symbolic meanings of all the images in China's classical poems?

Classification and summary of various images in classical poetry

First, trees:

Straightness of the tree: ups and downs of career and life.

Yellow leaves: the metabolism of dying mature beauty

Green leaves: vitality, hope, vitality, bamboo: positive and upright.

Liu: Farewell, nostalgia and sadness, the beauty of spring.

Folding willows: a farewell custom in Han Dynasty. After the implication, there is a meaning of farewell and nostalgia.

"Liu": Mourning the feeling of parting: it can trigger the past like smoke, and is often used to express the feeling of rise and fall.

Red leaves: it is called the thing that conveys feelings, and later refers to poetry to convey feelings.

Pine and cypress: Strong and proud, with strong vitality.

Pine tree: Pine tree is a model of fighting frost and snow, and it is naturally the object of praise.

Li Bai's "Book for Huang Shang": "I hope you are loose, but be careful not to be peaches and plums." Wei always flatters powerful people, and Li Bai writes poems to persuade him to be an upright person.

During the Three Kingdoms period, Serina Liu gave it to my brother: "If you don't suffer from cold, pine and cypress are sexual." The poet used this sentence to encourage his cousin to be as loyal as sending pines and cypresses, and to maintain noble quality under any circumstances.

Indus River: The Indus River is a symbol of desolation, bitterness and sadness.

For example, Wang Changling's Poem of Long Letters in Autumn says, "The phoenix tree in Jinjing is yellow with autumn leaves, and the bead curtain does not frost at night. The smoked jade pillow has no color, and you can listen to the Nangong for a long time. " It is about a girl who is deprived of youth, freedom and happiness. In a desolate and lonely palace, she lay alone, listening to the palace leak. The first sentence of the poem begins with a phoenix tree with yellow leaves by the well, which sets off a bleak and cold atmosphere.

Ren Yuan Xu Zaisi "Double Narcissus? Rain at night: "A sound of Ye Qiu, a little banana and a little sorrow, and a dream after three nights. "

Use buttonwood leaves to fall, rain to hit banana, and write down all your worries. Others, such as "One leaf makes a sound, and the empty steps drip to the light" (Tang Wen and Ting Yun's "More Leaky"), "The phoenix tree is raining even more until dusk" (Li Qingzhao's "Slow Voice") and so on.

Second, flowers and plants:

Flowers bloom: I hope youth is brilliant.

Flowers fall: frustration in life and career.

Xi Chun's nostalgia and yearning for beautiful things.

Peach blossom: a symbol of beauty.

Lan: Really?

Peony: Rich and beautiful.

Grass: exuberant vitality, endless hope, desolation and remoteness, and hatred of humble status and status.

Corn: the sadness of parting (the prosperity of the country is now, and the decline of the country is in the past)

Three friends (pine, bamboo and plum) and chrysanthemums symbolize people's noble character.

Red bean: acacia bean refers to the token of love between men and women, which is a metaphor for love or friendship between men and women. From Wang Wei's poem "Acacia": "When those red berries come in spring, they flush on your southern branches, and I advise you to collect more as a symbol of our love." The poet expressed his affection for his friends through red beans born in the south.

Chrysanthemum: quiet, noble and exquisite.

Chrysanthemum: Although chrysanthemum can't be compared with peony or orchid, as the flower of Ao Shuang, it has always been favored by literati. Some people praise its strong character, while others appreciate its lofty temperament.

Qu Yuan's Lisao: "Drinking Mulan Dew in the morning and eating Qiuju in the evening are not beautiful." The poet symbolizes his noble character by drinking dew and eating flowers.

Tang Yuanzhen's Chrysanthemum: "Autumn bushes are like Taoist priests, and the more they surround, the more inclined they are. It's not that chrysanthemums are preferred in flowers, but that this flower is even more flowerless. " Expressed the poet's pursuit of firmness and noble character. Other poems, such as "I'd rather hold incense on the branches and die than blow it into flowers" (Cold Chrysanthemum by Zheng Songxiaosi), "Dew in the Lonely East, Sand shines before the gold" (Two Chrysanthemums after Chongyang by Song Fan Chengda), all use chrysanthemums to express the poet's spiritual quality, and the chrysanthemums here undoubtedly become a portrayal of the poet's personality.

May: Aoxue is strong and unyielding in adversity.

Plum Blossom: Plum Blossom blooms first, and then blooms. Therefore, plum blossoms, like chrysanthemums, are admired and praised by poets.

"Plum Blossom" by Chen Liang, a poet in the Song Dynasty: "A flower changes suddenly first, and ten thousand flowers are fragrant later." The poet grasped the characteristic that plum blossoms are the first to bloom, and wrote the quality of being the first in the world and not afraid of setbacks. This is not only Yongmei, but also praising himself.

Wang Anshi's plum blossom: "It's not snow when you know it from afar, because it has a delicate fragrance." The poem not only describes the reasons why plum blossoms are scattered by the wind, but also implicitly shows the purity and whiteness of plum blossoms, which has received the artistic effect of good fragrance and lewdness.

Lu You's famous sentence "Yongmei": "Scattered into mud, crushed into dust, only fragrance remains." Plum blossom is used to describe a person's unfortunate experience of being destroyed and his noble sentiment of not wanting to go with the flow.

"Mo Mei" by Wang Mian in Yuan Dynasty: "Don't boast of its lewdness, just leave the air fresh and dry." It is also the plum blossom that shows that it is unwilling to go with the flow, shallow and profound.

Lotus: Because "lotus" and "cherish" are homonyms, there are many poems about lotus in ancient poetry to express love.

For example, "Xizhou Qu" by Yuefu in the Southern Dynasties: "Lotus is picked in autumn in the Southern Tang Dynasty, and the lotus is over the head; Bow your head to get lotus seeds, which are as green as water. " "Lotus seed" means "Reiko Kobayakawa" and "green" means "clear". There are both real and imaginary here, which means pun. The rhetorical device of homophonic pun is used to express a woman's deep yearning for the man she loves and the purity of love.

Thirty-five songs in Jin's "Forty-two Midnight Songs": "The fog reveals the lotus, but the lotus is unclear." The dew in the fog hides the true face of the lotus, but the lotus leaf is not very clear. This is also a way of homophonic pun, writing about a woman who vaguely feels that the man loves her.

Compare the maturity of plum to a girl's desire for love, such as "looking back by the door, but smelling plum fragrance" (Li Qingzhao's "Dianjiang Lip").

Lilac refers to sadness or complexity, such as "I have been worried about seeing lilac knots since Nanpu Bie" (Tang Niuqiao's Gratitude)

Third, animals:

Ape: Sad and piercing

Du Fu climbed the mountain, and the apes whimpered in the wide wind.

Red Pigeon: The Pursuit of Ideal

Fish: Free.

Eagle: a strong and free life, the success of the fighting cause.

Dogs and chickens: the breath of life, rural life

(Thin) Horse: Pentium pursues drift

Crow: the villain is ordinary and the husband is sad.

Sha Ou: It's sad to leave.

Bird: a symbol of freedom.

Chun: It refers to hometown flavor. Later, literati used "blowing" and "blowing thinking" to describe homesickness.

Double carp: refers to letters

Han Yuefu's poem "Drinking Horses in the Great Wall Grottoes" said: "Guests come from afar and leave me a pair of carp. Hu Er cooks carp with books in it. " Later, I wrote a distant letter with double carp.

Zhuang Zhou Mengdie: The language comes from Zhuangzi? The theory of everything: "Qianzhuang Zhou Meng is a Hu (butterfly), a lifelike Hu (butterfly). I don't know what day it is. If you suddenly feel it, you will suddenly feel it. I wonder if Zhou Zhimeng is a butterfly? What is Hu's dream for Zhou He? There must be a difference between Zhou and Hu (butterfly). This is called materialization. " Zhuangzi used this to illustrate the idea that all things are one and all things are equal. Later, scholars used it to instruct people's confused dreams and fickle things. For example, Lu You's poem "Winter Night" says: A cup of poppy is a slave, and butterflies in Zhuang Zhou are both empty. "

(Lonely) Goose: Lonely, homesick, homesick, news, Hongyan: letters-thoughts of relatives.

Hongyan: Hongyan is a large migratory bird. Every autumn, it moves south, which often leads to homesickness and sadness for wanderers when traveling.

For example, Xue Daoheng, a native of the Sui Dynasty, wrote: "People return to yan zhen and think before spending." I had the idea of going home long before the flowers bloomed. But when the geese returned to the north, people had not returned home. When the poet was an official in the Northern Dynasties, he sent envoys to the Southern Dynasties and wrote this homesick poem, which was subtle and tactful.

There are also thoughts written by geese, such as "I hear that geese are homesick at night and sick in the New Year" (Ouyang Xiu's play answers Yuan Zhen), "When the stars cross the building and the flute leans against the building" (Zhao Wei's "Looking at the Autumn in Chang 'an" in the Tang Dynasty), "The stars are cold and blue, and the geese are sad and red" (.

There are also letters referred to by Hongyan. Everyone is familiar with the allusions of Hongyan biography, and the application of Hongyan as a messenger in poetry is also very common. For example, "The geese don't answer me, and the rivers and lakes are full of rain" (Du Fu's To Li Bai at the End of the Sky), "Shuo Yan's calligraphy is absolutely unique, and Huang Xiang's tears are numerous" (Li Shangyin's Lisi).

Partridge bird: the image of partridge also has a specific connotation in ancient poetry. The song of partridge makes people sound like "I can't live without my brother", which is very easy to evoke the association of hard journey and full of parting.

For example, "In autumn, the setting sun is vast and the grass is bright, and the partridges are far away from people" (Li Qunyu's "Smelling the partridges on Jiuzipo" in the Tang Dynasty), "The river is sad at night, and the mountains are deep and the partridges are heard" (Xin Qiji's "Bodhisattva Man? The partridge in the poem is not a bird in a purely objective sense.

Cicada: Cicada will not live long after autumn. After some autumn rains, cicadas will make a few intermittent moans, and their lives are at stake. Therefore, chilling has become synonymous with sadness.

For example, Dondero's "Chanting Cicada" begins with two sentences: "The cicadas in the west are singing, and the guests in the south are thinking deeply." [Journey to the West: Autumn] Singing in a chilling voice exaggerates his deep homesickness in prison. Liu Yong, a poet in the Song Dynasty, began: "Cold cicadas are sad, the pavilion is late, and the shower is early." Before the direct description of parting, the feeling of "sadness" has filled the reader's heart, brewing an atmosphere that can touch parting. Poems such as "Crying on My Side" (Three Kingdoms Cao Zhi's "Wang Biao as a White Horse") also express this feeling.

Yuanyang refers to a loving couple, such as "why did I quit my job after I succeeded?" It is better to be a mandarin duck than a fairy "(Tang Lu's Ancient Meaning of Chang 'an).

"Swallow": Swallow is a migratory bird, which migrates with the change of seasons and likes to enter and leave people's houses or eaves in pairs. Therefore, it is favored by the ancients and often appears in ancient poetry, or cherishes spring and hurts autumn, or exaggerates sadness, or reposes lovesickness, or is sentimental about current events, with rich images and expressive expressions, which are far behind other things.

(1) shows the beauty of spring and conveys the feeling of cherishing spring. According to legend, swallows come to the north in spring and return to the south in autumn, so many poets beautify and praise it as a symbol of spring. Such as "Hidden deep in the haze of bloom, making your chest refreshed" (Wei's On Old Friends in Beijing), "When swallows come, Xinhua News Agency and Pear Blossoms are behind the Qingming Festival" (the banquet is extraordinary "Broken Fighter"), "Yingying Swallows come, Liu Zhen flowers, and everything is full of rhyme" (Georgie's "The sky is clear and the sand is the matter"), "Birds and birds" Late spring is a thing "), the Southern Song Dynasty poet Shi Dazu took Yan as the word, in" Double Face? Yan Yong wrote: "It is still like carving a beam and digging a well, and it is uncertain in soft language." Floating fast blows the flower tips, and the green tail and the red shadow are separated. "Great research, shape and spirit likeness. The spring is bright, the swallows are petite and lovely, and the literati are affectionate. When spring passes, the poet will feel infinite sadness. Therefore, Ouyang Xiu has "a traveler, only feeling the spring is empty." "When the curtain is hung, the two swallows return in the drizzle (picking mulberry seeds), and Qiao Ji has" Who is the swallow hiding the spring title, Yinger is ashamed to find a companion, cold and lazy to report to the official (picking honey), and the crow is hungry "(Narcissus).

(2) show the beauty of love and convey the desire for a lover. Swallows are male and female, and they fly together, thus becoming a symbol of love. "Thinking of two swallows, holding a mud nest in your home" and "Yaner is newly married, like brothers" (The Book of Songs? Gu Feng ")," Yan Yan can fly, and her feathers are different. Her son has returned to the wild "(The Book of Songs? It is precisely because of this pair of swallows that I have a love for swallows and a yearning for flying with me. Only then did "dark cobwebs hang and empty beams sink into the mud" (Xue Daoheng? "Yesterday Yesterday Salt") The loneliness of the empty boudoir is characterized by "independence of the fallen petal, Swift Qi Fei" (Yan? "Linjiang Fairy"), with "the curtain is light and cold, and the swallows fly away" (banquet? "Broken Array") lonely and desolate, there is "the bright moon is early on the goose yellow willow, and the swallows return to Yulou first" (Zhou Deqing? "Happy Spring") frustrated and left out in the cold, with "flowers bloom and flowers fall, travel far, jade reduces and hurts spring, and Dongfeng Caotang flies" (Zhang Kejiu? "Qing Jiang Yin"). All these, to name a few.

(3) Express the changes of current events, and express the feelings and indignation over the ups and downs of the past, the metabolism of personnel, the extinction of the country and the destruction of the family. Swallows leave in autumn and come in spring, never forgetting their old nests. The poet seized this feature and gave vent to his indignation. The most famous is Liu Yuxi's "Wuyi Xiang": "The Suzaku Bridge is overgrown with weeds, and the sun sets in Wuyi Xiangkou. In the old society, Wang Xie Tang Qianyan flew into the homes of ordinary people. " In addition, there are special banquets, such as "Flowers fall, deja vu, swallows return, small gardens wander alone" ("Huanxi Sand"), and Li's "Swallows return, embroidered curtains are nowhere to be found" ("Golden Gate? Huai's former residence), Jiang Kui, "Yan Yan unintentionally went to the west bank of Taihu Lake with the clouds. Several peaks are bitter, and the rain in Shang Lue is hazy "(Dianjiang Lip), Zhang Yan's" Swallows know where in those days, the moss is deep and the grass is dark "(high balcony), and Wen Tianxiang's" The scenery of mountains and rivers is the same, and the people in the city go to half. Reed flowers everywhere accompany me to grow old. Who will fly to the old swallow? " (Jinling Post). Swallow inadvertently witnessed the changes of current events, endured the pain of national destruction and death, and showed the sadness of the poet's "separation". The load can be described as heavy.

(4) Pass the book on behalf of others, and lightly complain about the pain of leaving love. In the Tang Dynasty, Guo Shaolan's Yanzu poems spread to her husband Renzong. Injong left home for Jiahu and never returned for several years. Shao Lan's poems were written by Yan Zu. Living in Jingzhou at that time, Yan suddenly leaned on his shoulder and saw a book tied to his foot, which explained that it was sent by his wife and returned with tears. His poem "seeing my husband off" said: "My husband went to the heavy lake, and I cried at the window. I am diligent and given to my thin lover by Yan Yi. " Who said that "flying swallow between beams is too heartless" (Cao Xueqin? "A Dream of Red Mansions"), it is because of the goodwill of the swallow that the husband changed his mind and the husband and wife met. Guo Shaolan is lucky. Some unfortunate women borrowed Yan Chuan's books, but there was no news, such as "Sad Yan Zu left a red line and bothered Luan Ying to idle fans" (Zhang Kejiu? "Qiu Hong? Chun Qing ")," Tears are leaning against the building frequently. When Shuang Yan comes, do you meet strangers? " (Feng Yansi? "Dead Hua Lian"), its sadness and longing for love moved people and then burst into tears.

(5) Express the feeling of wandering and describe the suffering of wandering. "Sacredness, intuition and analogy are the main ways of thinking of the Han nationality" (Zhang Dainian? China's Thinking Deviation), flowers, birds, insects and fish are all written by literati, and birds and beasts show the poet's talent. Goose mourns autumn, ape sings, cicada sends high. The uncertainty of the swallow's habitat has left a rich imagination space for the poet, or wandering, "like a new swallow every year, roaming the vast sea to repair the rafters" (Zhou Bangyan? Man Fang Ting); Or the ups and downs of life experience, "Looking at Chang 'an from afar, the future is full of spots, and it is difficult to go from south to north" (in front of Zhang Kejiu Palace); Or meet and say goodbye, "Like a social swallow and Hong Fei, they send each other when they meet unsteadily" (Su Shi? Send Chen to Tanzhou; Or from time to time, "magnets fly, mica comes to water, earth dragons bring rain, geese fly" (Liu An? Huainanzi). Swallow is no longer just a swallow, it has become a symbol of China's traditional culture, and has been integrated into the blood of every Chinese descendant.

Four, wind, frost, rain, snow and water clouds:

Sea: vast strength, profound momentum, waves: ups and downs of life.

Turbulent waves: the danger of life and the treachery of rivers and lakes

River water: the passage of time, the short and long sadness of years. Historical development trend

Smoke: the hazy emotion, the dim future, the failure and disillusionment of the dim ideal.

Light rain: the hope of spring life is imperceptible.

Rainstorm: Cruel and enthusiastic political struggle swept away the power of evil forces and cleaned up the power of pollution.

Spring breeze: broad-mindedness, happiness and hope Dongfeng: spring is beautiful.

West wind: loneliness, melancholy and decline. Wanderers miss the wind: the power of the uprising to destroy the old world

Frost: Life is easy to get old, the social environment is bad, evil forces are rampant, and the road of life is bumpy.

Snow: the evil of pure and beautiful environment and the rampant exposure of evil forces: life is short and perishable.

Cloud: Wandering wanderers use floating clouds as a metaphor for wandering wanderers, such as "I want to think of you in the floating clouds, so I think of me in the sunset" (Li Bai's "Seeing Friends Off").

Cloudy day: depressed sadness and loneliness, sunny day: happy and bright, golden wind: autumn wind.

The image of "water"

(1) Because water is soft and cold, it is often compared to something that can be seen and touched but difficult to grasp, such as moonlight.

Such as: "The day is cool like water at night, sitting and watching the morning glory and Vega." It reflects the tragic fate of women in feudal times from the side.

(2) Because of the constant shearing and softness of water, water is often used as a metaphor for sadness.

For example, Li Bai's "But since the water is still flowing, even though we cut it with a sword, sadness will come back, even though we drown them with wine." It expresses the poet's anxiety and sadness, because he strongly feels the irreconcilable contradiction between reality and ideal.

Five, utensils

Yu: revisit with dignity and exquisiteness.

Pearl: Beautiful and flawless.

(Crown): Official position and fame

Inverted anvil: a woman's longing for her husband.

West Building and Small Building: in my heart forever's Love;

Silk and bamboo: music;

History: history;

Man: man;

Woman: woman;

Mulberry: hometown;

Xuanyuan: the motherland;

Three feet: law;

Inch tube: pen;

Jade bird: messenger

Ships: blue boat, sailing to Pakistan (often compared to a lonely boat), rolling (borrowing a big ship and fighting a ship).

Wu Gou: Nod and sword. For example, Xin Qiji's Hidden Dragon? Deng Jiankang's Banquet Pavilion: "The sunset is on the roof, and in the sound, you wander in the south of the Yangtze River. I met Wu Gou and photographed the railings, and no one would attend. " By watching Wu Gou and patting the railing, I expressed my frustration. I wanted to serve my country and make contributions, but no one understood.

Kunshan jade: a metaphor for outstanding talents. Li Si's Book of Persuasion and Pursuit said: "Today, Your Majesty has given Kunshan jade, including the treasure of He Shen (referring to the pearl of Hou and the jade of He), hanging the pearl of the bright moon, taking the sword of Tai 'a (the famous sword of Wu), riding a horse that leaves (the name of a good horse), building a flag of green wind, Chinese alligator slaughter and other animals. Later, people used "Kunshan Jade" as a metaphor for outstanding talents.

In China's classical poems, there are many images to express the feeling of wandering, such as duckweed, flying fleabane and lonely goose, and "boat" is one of the most common images to express this feeling. A boat with a leaf, the sky is vast, and it is getting smaller and smaller than people; People who see many foreign scenery during their journey are more likely to cause infinite thinking. The image of "ship" in Du Fu's poems appears frequently and has a strong sense of wandering;

The breeze rippled on the grassy coast, through the night, and blew to my still mast. The endless plains are dotted with drooping stars. The moon runs with the river. I hope my art can bring me fame and liberate my sick old age from the office! . Drifting is just a sandpiper in the vast world! .

I've been away for a night, and I've heard a lot about Dongting Lake, and now I'm on this tower. The vast lake tore Wu Chu apart, as if the sun, moon and stars were floating in the water. There is no news from my friends or relatives. I am old and sick, drifting in a boat. The battle of the north gate began again, and I cried through the railing.

Du Fu experienced a great change from prosperity to decline in the Tang Dynasty. In his later years, he wandered in Sichuan and Hunan 1 1 year, and finally died on a boat from Tanzhou to Yuezhou. The boat was the most commonly used means of transportation in his later years, and it also became his final destination. In his poems, he repeatedly wrote the image of "ship", "through the night, to my motionless tall mast" and "I am old, weak and sick, and I am alone in the boat". The ship is a symbol and portrayal of the poet's wandering life.

Su Shi wrote Linjiang Xian when he demoted Huangzhou because of Wutai poetry case;

I drank Dongpo in the evening and woke up drunk. It seemed like midnight when I came back. The child is short of breath. You shouldn't even knock on the door, but lean on your cane and listen to the sound of the river.

I have hated this body for a long time. When will I forget the camp? The night was calm and the lines were flat. Since then, this ship has passed away, and Jiang Hai spent the rest of his life.

Contrary to the sense of wandering, another typical connotation of the image of "ship" in China's classical poems is "freedom". The origin of this thought can be traced back to Zhuangzi, who said, "A clever woman can't cook without rice, and a clever woman can't cook without rice. Traveling with a full stomach is like a ship that is not tied, and it is also empty. " Although his thought is negative, for China literati, "a boat without fetters" has become an attractive life ideal:

Since the world can't satisfy our desire, I will loosen my hair and get on a fishing boat tomorrow. Li Bai's "Xuanzhou Xie Tiao Farewell Hospital Shu Yun".

Alone, grass grows by the stream, and orioles sing on the trees. The spring tide brought the rain late and urgent, and there was no boat on the wild crossing. Wei is in Xixi Chuzhou

Wei Shi describes beautiful scenery such as spring flowers, spring grass, spring trees, spring birds, spring tides and spring rains, and sets off the central image of "crossing the wild without a boat" with a series of colorful scenery, which is not only a realistic description, but also a vivid expression of the poet's mentality.

Sixth, color category.

White: Innocent.

Red: enthusiasm, youth and happiness, and green: hope, vitality and peace.

Blue: elegant and melancholy

Huang: Warm and peaceful.

Purple: noble and mysterious

Black: darkness, despair, solemnity, mystery, nostalgia for the dead, eventful autumn.

Seven, about people's quality and behavior.

Hero: Admire and admire, sigh with shame.

Villains: Despise Zhi Ming's introspection and flogging.

The past of the Six Dynasties, the dream of the past of the Southern Dynasties: representing the prosperous life of the past.

Strike: it means determined to serve the country and recover lost ground.

Emei: Beauty

Emei: a noble virtue

Qingqing Wei Zi: A talented person.

Bag: Also known as bag, bag and bag. Borrow vulgar works and make more modest words. Write more "spring snow" to express your smallness.

Writing the rules of the game: refers to the blood shed for a just cause. Later, the terms "Shi Fa" and "Hong Hong Bi Hua" were also used to describe people who died of resentment or remained loyal. For example, "Dou E's grievance": "It's not that Dou E made such a headless wish, and the grievances are not shallow ... This is our ambition, so we have to disperse the flowers and see the emperor."

Folding laurel: a metaphor for imperial examinations and. The Book of Jin was published: "Emperor Wu sent someone to the East Hall and asked,' What does Qing think of himself?' He said to me,' My virtue is the best in the world, and I am the best in the world. Pian Yu is in Kunshan. "

Huaiju: refers to filial piety to parents.

Cai Wei: Borrowing means seclusion. Historical records? "Biography of Boyi" records: "The King of Wu put down the Yin chaos, and the world was dominated by the Zhou Dynasty. Boyi and Shu Qi were ashamed of this, and they hid in shouyangshan and ate it from Wei." It tells the story of Boyi and Shu Qi who live in seclusion and refuse to serve Zhou. Later, he also showed his persistence in moral integrity.

Poets often use the images of "mountain" and "palace" in their poems to express the contradiction and conflict between ideal and reality. The so-called "Palace Que", also known as "Wei Que", is synonymous with the imperial court and a symbol of the poet's being reused in power. The so-called "mountain forest" refers to the poet's image of seclusion in the mountains when his political ideal is shattered or frustrated and he has no way to serve the country.

Love red: a metaphor for people who are sad, miserable and displaced. When writing poems, envoys traveled around the world and saw refugees flying in the wild like wild geese. Refugees enjoyed the arrival of envoys, and they all poured out their hearts together, like the sound of wild geese. Later, Hongyan was in the wild, and there was sorrow everywhere, which meant that the people were displaced.

Xu Xu: It means that women recite snow. Refers to a woman who is good at reciting and has extraordinary talent. Later, "Xu Xu" means praising Si Nuo, and "Xu Xucai" means extraordinary talent.

Nanguan: refers to prisoners. The allusion comes from Zuo Zhuan? In the ninth year of Chenggong, Zhong Yi, a Chu man, was imprisoned by the Jin Dynasty and still wore the Southern Crown. Fan Wenzi praised it as a gentleman's trip: later ordinary literati used it to refer to their honest prisoner life. `

Eight. Location:

Monuments: nostalgia, ambition, rise and fall (country), decline, depression (monuments are generally closely related to the ancients)

Country: homesickness, vulgarity, rural scenery, pure, beautiful, comfortable and quiet life.

Grassland: the vast realm of life and the human mind.

City (street): prosperous, lively, rich and luxurious.

Wonderland: elegant, beautiful, clean, forgetful and vulgar.

Pinglan: I miss my hometown, my hometown and my relatives.

Nanshan represents a secluded place.

Taoyuan: representing an ideal paradise; Wu Lingren represents a hermit.

Liu Ying: It refers to the barracks. Later, it was also called the disciplined military camp.

Heaven and Earth: HarmonyOS System, Yi Xi, Taiqing and Taixu.

Xiliuying: the place where Zhou Yafu stationed troops in Han Dynasty. Wang Wei's Hunting Watch "suddenly crossed Xinfeng City and went west to Liu Ying."

Nine, other categories:

Dog in white: also known as the dog in white clouds, it is a metaphor for impermanence. From Du Fu's poem "Alas": "The clouds in the sky are like white clothes. You should become like a pale dog. Throughout the ages, life has nothing to ask for. " Personnel changes are like floating clouds, like white clouds for a while, like dogs for a while.

Dawn: the first hope

Late at night: nostalgia

Snow: jadeite jade, broken jade, ice flower, six out;

Letter: Hongyan in Chiyu, Su Chi

National subjugation: backyard flowers.

Heaven and earth: the smallness of human life, the shortness of mind and the vastness of emotional loneliness.

Floating life: refers to a short and illusory life. Chaoyang: the hope of vitality and vigor

Sunset: Lost and depressed, cherish beautiful and short life or things.

Noon: Passionate and unrestrained. Evil forces destroy society and people.

Wine: joy, pride, depression and sadness.

Moon: the perfection and deficiency of life, homesickness and homesickness

"Looking at the moon and thinking far away", "Sad for spring and sad for autumn", "Looking at the flowing water and missing youth, life is fleeting" and "The drizzle on the phoenix tree is sad and sad"

Another name for the moon: Moon, Pan Yu, Sewer, Chanjuan, Ghost Palace; Jade plate, jade wheel, Yuhuan, jade hook, jade bow, jade mirror, celestial mirror, jade rabbit, Chang 'e, toad.

Moon: In China's ancient poems, it is a common brushwork to use the moon to set off feelings. Generally speaking, the moon in ancient poems is synonymous with homesickness. Li Bai's Thoughts on a Quiet Night: "The foot of the bed is bright, is there frost?" Looking up, I found that it was moonlight, sinking again, and I suddenly thought of home. " This poem shows Li Bai's homesickness. The moon in the poem is no longer a purely objective image, but an image full of poet's feelings. In the Tang Dynasty, Wang Jian wrote "Looking at Du Langzhong at Fifteen Nights": "Tonight, the moon is full, and I don't know whose house Qiu Si will fall." The poem points out the universal human feelings of this full moon night with euphemistic questions, and implicitly shows the poet's deep yearning for his hometown friends.

In addition, the "Moon" has the following images:

(1) The bright moon contains the sadness of border people.

Such as: "the sand is like snow before returning to Yuefeng, and the moon outside the city is like frost"; "The bright moon in Qin Dynasty, the retreat in Han Dynasty, and the Long March people did not return" is tragic.

(2) The bright moon contains emotional helplessness.

For example, Xie Zhuang said, "Beauty walks in the dust, and there is a bright moon thousands of miles away." Prayer and blessing; Zhang Jiuling "The moon is in the sky, and the horizon is * * * at this time." Hope and desire.

(3) The bright moon symbolizes eternity in time and space.

"If the ancients were running water today, they would look at the bright moon." The plundering of life by time and the helplessness of life in front of time are all vividly demonstrated.