What is the relationship between the emergence and development of Tibetan music and the living areas, lifestyles, economic forms, cultural traditions, cultural exchanges and other factors of the natio

What is the relationship between the emergence and development of Tibetan music and the living areas, lifestyles, economic forms, cultural traditions, cultural exchanges and other factors of the nation? As early as around 12 and 13 centuries, there were monographs on Tibetan national music, such as "Gongge Jianzan on Tibetan Music" by Sakya Bandazhi. The temple preserved and used the ancient Tibetan graphic score-Central Tune. Tibetan traditional music has distinctive features and a wide variety, including folk music, religious music and court music. Folk music can be divided into five categories: folk songs, song and dance music, rap music, opera music and instrumental music. There are obvious differences in styles and types of folk music in Weizang, Kang and Amdo dialect areas. Religious music includes chanting music, religious ceremony music and dance Qiang and temple instrumental music; Gail, the court music and dance, is only popular in Potala Palace in Lhasa and Tashilhunpo Temple in Shigatse. Folk music plays an important role in traditional music. The folk songs in the middle class include folk songs (pastoral songs), labor songs, love songs, folk songs, classic ode and so on.

For example, it is called "Lalu" in Weizang area, "Lu Lu" in Kang area and "Le" in Amdo area, and it is a song that is performed freely. Folk songs have a wide range, free beat and rhythm, large ups and downs in melody, long and high-pitched, and full of plateau characteristics. The folk songs in Amdo area are also called Jiuqu locally. Pastoral songs are popular in pastoral areas, similar to folk songs. There are many kinds of tunes in folk songs and pastoral songs, mostly in the form of upper and lower sentences, which are often used in the five (or six) tones of feather, sign, Shang and Gong. Ganzi folk song "A Zhong" is one of the representatives.