Traditional Culture Encyclopedia - Traditional stories - The fugue transmission line presentation technique inherited from the Former Red Cliff Fugue is
The fugue transmission line presentation technique inherited from the Former Red Cliff Fugue is
The dialogue between the host and the guest and the suppression of the guest and the extension of the host.
The whole fugue reflects its unique artistic conception in the layout and structural arrangement, which is deep and penetrating, and has a high literary status in Chinese literature and has had a significant impact on the fugues, prose and poems afterward.
This fugue recounts what the author and his friends saw and felt during the moonlit night boating trip to the Red Cliff. Taking the author's subjective feelings as the clue, through the form of questions and answers between the subject and the guest, it reflects the author's comfort from the moonlit night boating trip, to the sadness from the wistfulness of the ancient and the sadness of the present, and then to the realization of the spiritual liberation.
Expanded Information
This fugue through the moonlit night canoeing, drinking and poems lead to the host-guest dialog description, not only from the mouth of the guest said the ancient sad feelings, but also from the words of Su Zi to hear the feelings of the unshakeable, the whole fugue rhyme deep, the rationale of the meaning of the penetrating, is really a good piece of work of literature and fugue.
The genre form of "writing as a fugue". This article not only retains the traditional fugue of the poetic qualities and rhythms, but also draws on the tone and techniques of prose, breaking the fugue in the syntax, voice and rhythm of the couplets and other aspects of the constraints, more prose components, so that the article both the depth of the poetry of the rhythms, but also the prose of the concept of penetration.
The prose style of writing makes the whole piece of writing depressed and staccato, such as "ten thousand dendrobium springs" come out. Different from the fugue, it is relatively more free, such as the beginning of the paragraph "in the autumn of the year renxu, July both hope, Suzi and guests in a boat under the Red Cliff", all loose sentences, the difference between the sparse and the neat and tidy. The following until the end of the piece, most rhyming, but rhyme faster, and rhyme is often a paragraph of the meaning, which makes this article is particularly suitable for reading, and very rich in the beauty of rhyme, reflecting the strengths of rhyme.
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