Analysis of the basic movements of the Tibetan dance

1, the basic movements of Tibetan dance

1.1, Qi Mei shaking hands

Specifications and essentials: both hands hanging down, the action of curved wrists, elbow bending, driven by the wrist, the hands in front of the chest alternately shaking. The right hand draws a circle clockwise and the left hand draws a circle counterclockwise. There are big, medium and small parts of this movement. Smaller than the front of the abdomen and chest; the height of the shake in the eyebrow; greater than the front above.

1.2, wobbling cover hand

Specifications and essentials: one hand wobbling, the other hand curved arm standing wrist, palm wipe, through the upper arc from the side and inside, forming the flow of the upper arc. One-handed shanggai is also commonly seen around the waist and in front of the abdomen.

1.3, Hip Row

Specifications and key points: Hands down, left and right hands successively in front of the hip from the inside to the outside to the side of the circle. Right hand clockwise, left hand counterclockwise in the plane of the circle. Hip paddling and eyebrow shaking hands are regular connections.

1.4. Back and Forth Hand Swing

Specifications and key points: Both hands hang down by the side, swing forward and backward by 45°, with the wrists active.

1.5 Horizontal Swing

Specifications and key points: both hands hanging down by the side, mostly one-handed horizontal swing, wrist active drive the small arm, the big arm follows.

1.6 Plane Swing

Specifications and essentials: both hands hanging down by the side, one hand up to the side, from outside to inside in front of the chest level swing, wrist drive, arm follow.

2, what is Tibetan dance

The Tibetan nation is a belief in Tibetan Buddhism, but also a people who can sing and dance. In the long history of the nation bred under a number of festivals, almost can not be found not to sing and dance as a tribute to the gods and entertain the people, by means of the festival atmosphere to the climax of the joy of the precedent.

3, the Tibetan dance activities and rituals

望堆举行 "望果节 "时，为筹备活动，人们比平时日更早的开始忙碌。 Women lit the yard stove, began to cook tea, pounding milk ......; men busy supporting the tent, set up the animal skin covered with ceremonial seats, in the yard has been erected on the south side of the high platform inserted willow branches and barley wheat and so on. Near noon, "Wang Guo Festival" celebration venue is finally ready. In the host's warm greetings, invited guests from outside the countryside in order to be seated in the guest seat, and accept the host offered barley wine, according to customary middle finger dipped in wine wave three times, to show respect for the gods of heaven and earth.

The characteristics of Tibetan dance

The Tibetans are a people who believe in Tibetan Buddhism, and at the same time, they are also a people who can sing and dance well. In the long history of the nation bred under a number of festivals, almost can not find a song and dance as the gods and entertain the people, by means of the festivals to the climax of the joyful atmosphere of the precedent. Later, simple upper limb movements, in-situ rotations, and formation changes were added, and it became a form of labor song and dance in which men and women alternately sang and danced. This labor song and dance has been put on the stage today, become a memorial of the art of labor in history.

Tibetan dance is the name of the Tibetan national dance. Tibetan dance culture has a long history and exchanges with the Han Chinese dance culture, but also with the neighboring ethnic groups and countries of the dance culture mutual influence, formed a unique Tibetan culture in the Tibetan plateau region of China. Some of the more common Tibetan dances include the string dance, the potshuang, and the tap dance. Tibetan folk dances are varied and unique.

In Tibetan folk festivals, hoping for a good harvest and celebrating the "Fruit Festival" is the greatest expectation and joy of people after working hard for half a year. In the Tibetan language "hope fruit festival" of the word "hope", meaning "field", "fruit" for the "circle". "Turning circle", "Wang Guo Festival" the whole meaning is: around the harvest of the field singing and dancing.

Categorization of Tibetan Dance

Tibet is a vast country with a scattered population. Due to the different geographic environment, production methods and labor objects in each region, especially the differences in geographic conditions and the influence of religious culture, towns and villages, rural areas and pastoral areas, pastoral areas and forested areas have formed their own different dance forms and physical movements. On the current excavation and discovery of the ancient dance, as well as the former Tibet, Tibet, Chamdo, Ali, the western region of Tibetan folk dance and classical dance distribution of the current situation, is really colorful, colorful:

There is a foot for the festival, even arm treading song, enthusiastic and joyful rural "fruit harmonic" (circle song and dance).

There is the footsteps for the festival, heavy foot rhythm point changes, enthusiastic and cheerful "pile of harmony" (commonly known as tap dance).

There is a song-based, song and dance, a combination of melodious Yaqu "Nangma" (Inner Court song and dance).

There is the "Dahun" (forest area song and dance), which is a combination of "chirping", "dong" and "stepping" with a powerful staccato. "(forest area circle dance).

There is a focus on emotional performance, dance beautiful and bold agricultural and pastoral areas "Guozhuo" (formerly known as the pot Zhuang dance).

There is a rounded and stretching, long-sleeved, ringing vibration, rough and exciting, heavy skill movements, the performance of frenzied emotions of the "Reba" bell drum dance.