Nezha deconstructed the stories and characters in traditional myths, and what modern elements did he inject?

This film has undergone subversive changes in many aspects such as the appearance, origin and relationship of the characters, and added many modern elements.

For example, appearance: Unlike the old version of Nezha's Fairchild, this version of Nezha is a Fairchild. From Nezha Gothic smoky makeup and the image of shark's teeth, you can feel the evil charm of this role in your impression, which gives people a great visual impact. On the contrary, the dragon prince cooks C, and boiling C is actually a magic boy in another sense. Because of this, the film reached the peak of the noble image of the dragon in China traditional culture, reduced the dragon to a demon and turned the Dragon Palace into a prison for other monsters. The Dragon King is just a cheap name for the Heavenly Palace. This means the problem of racial discrimination. Even if Tang Bing is reincarnated as Zhu Ling, he is still regarded as a demon race, and it is difficult for him to break through this lineage.

For example, the relationship between people: family ties make Nezha return to the right path, while friendship makes him return to give up persecuting the people in Chentangguan. Rationally, this is reasonable, but emotionally, Jing Li's foreshadowing of Nezha's death symbol is the biggest tear point in the film, which perfectly strings up the plot of Jing Li's insistence on cultivating Nezha and Nezha's name in the early stage, and also makes Nezha's saying at the birthday party that "only you can decide who you will be in the future" more powerful (Jing Li knows that Nezha has a future and he is about to go to the grave), compared with the 03 edition of ".

Although the movie may say that new wine is packed in old bottles, who cares about bottles as long as the wine is good? Isn't it?