How to understand the relationship between early Chinese written symbols and art Chinese art history?

Relationship:

Early written symbols had the significance of mnemonic, counting, ideograms, decorations, rituals, etc., and then later on, after people could live a simple life of food and clothing, decorations appeared, evolving from early symbols to pictorial shapes in writing, with different styles in different periods.

The early Chinese writing symbols were in fact a form of fine art, and then in the end the writing symbols broke away from the realm of fine art, that is to say, they broke away from the significance of fine art, and became a kind of thing of use, which had nothing to do with fine art at the beginning, but in the early period it should still be one and the same, but in the later period it gradually broke away from this area due to the role of use. In the later period, it was gradually separated from this area due to the role of use.

Expanded:

Inheritance of modern written symbols:

National is the world, national cultural symbols have a certain tradition and local nationalization characteristics. The representative symbols derived from traditional culture are generally called traditional cultural symbols by us. It involves the fields of calligraphy, painting, clothing, photography and so on. In contemporary art creation, traditional Chinese symbols and inspired creations are also commonly used, combined with the development of contemporary art forms, and gradually reflect the characteristics of symbols Chineseization.

Symbols and artistic images have always been inextricably linked in artistic creation. In the face of the complexity of symbols, there are many problems, but for the time being, the development of contemporary art is hot, and contemporary artists keep searching for artistic symbols to express their emotions and selves through contemporary art works, in other words, artistic symbols are the personal characteristics of the artists who create them.

In today's era of entertainment and self-media, the charisma of the artist himself is no longer as important as the symbolic value and emotional content generated by the artist's creative works. In terms of modern Chinese painters and artists, the pen of the steed Xu Beihong, lifting the wrist to paint shrimp Qi Baishi, which is the value of the symbols in the work of embodiment.