What are the problems to pay attention to when drawing landscaping hand-painted with markers?

1, choose a book of your favorite markers. One book is enough.

2, before you start copying, spend some time looking at the picture.

This is important. Because we can not just copy other people's work, but also "copy" other people's ideas.

The markers in the book show only the final thoughts of others. You can't see the thought process.

So we have to try to restore other people's thinking process, but also through this method to gradually build their own thinking method.

There are a lot of things to think about when you look at a painting, and when you practice with markers, it's mainly in the use of color and reality.

You have to look carefully, bit by bit, to see what colors other people use, and deliberately pay attention to and think about how those colors are superimposed; and how to superimpose them with the markers you already have in order to achieve the same or similar effects.

As you think about it, try practicing with markers to check your ideas.

The length of time you spend looking at the drawing is up to you.

But looking at it for two or three minutes is certainly very different from looking at it for two or three hours.

3. When you feel that the painting is almost ready, you can start copying it.

(1), with a pen or syringe pen to copy the painting.

(2) Don't look at the original painting, but color it with markers based on your own impressions of the painting. It's best to stick to your own coloring.

(3) After coloring, compare your drawing with the original to see how much of the author's ideas you have "copied".

(4) Copy the drawing again with a pen or syringe needle (you can make a photocopy of the first copy, but if you don't do well with pencils, it's advisable to copy it again).

Then look at the original painting and your own painting and color it again, at this point pay attention to the difference between your own painting and the original painting, and note how you can reduce this difference.

(5) If you find that you can't grasp the process of coloring for the first time, you can't go on, so you should look at the original painting again to find the reason, or you can finish the coloring according to the original painting.

In short, thinking is important.

Two, our hand drawing is used to express the design.

The books for practicing markers draw the effect of the design.

Students who have drawn renderings know that renderings are based on floor plans.

This method below is mainly to practice how to draw a floor plan into an effect drawing.

This is a painful exercise. You can see for yourself how painful it is.

The preparation for this exercise is the same as the first two steps of the previous method.

But when you look at the drawing, you have to add some more thought: what is the floor plan of the effect?

After completing these thoughts, you can start practicing:

1. After seeing the painting, draw the floor plan according to that effect.

2. Put these aside for some time first (an afternoon or a day).

3, don't look at the original painting, according to draw out the floor plan and before looking at the painting when the thinking, the impression of the floor plan into the effect.

4, if you find that you can not grasp, you can refer to the original painting in the process of painting, but try to insist on not looking at the original painting to finish their own paintings.

5, if there is no way to start, that will be the original drawings and then carefully read a few times, and then according to the original copy once, seriously think about how the author of the performance.

In short, thinking is important.

In short, thinking is important.