China Red introduced some things related to China Red.

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As the cultural totem and spiritual conversion of China people, China Red can be traced back to the devout worship of Japanese gods in ancient times.

The sun symbolizes eternity, brightness, vitality, prosperity, warmth and hope.

China Red is the soul of China people, and the evolution of the custom of respecting red records the psychological course of China people. After generations of inheritance, precipitation, deepening and sublation, the essence of tradition has gradually evolved into the background color of China culture, which is permeated with a strong positive complex of joining the WTO and symbolizes the national character of enthusiasm, forge ahead and unity.

China Red absorbs the most vital elements of Chaoyang; Picked the most beautiful and charming light of the sunset glow; Transpiration is the extreme temperature of the raging fire; Condensed with the most viscous and active components in the blood; Into the most delicate feelings of acacia beans; Saturated with the most mature late autumn image of maple leaves. ...

China Red (also known as Deep Red) is the red of the three primary colors, and the China Red Series is derived from it: delicate pomegranate red, deep Bordeaux red, luxurious cinnabar red, simple mud Tao Hong actress, born 1969, vicissitudes of rust red, bright cherry red, bright carmine, shy scarlet and warm orange red.

China's red, blue and white, glazed yellow, Sophora japonica green, Great Wall gray, jet black, and jade fat white constitute a colorful traditional Chinese color landscape.

China Red means peace, auspiciousness, jubilation, happiness, longevity, dignity, harmony, reunion, success, loyalty, courage, prosperity, romance, sexiness, enthusiasm, richness and euphemism; It means that everything goes well, eliminating diseases and disasters, turning evil into good, and abandoning evil to promote good. ...

China is full of ancient Qin and Han dynasties; Continues the legacy of Tang and Song Dynasties; Follow the brilliant vein of Wei and Jin dynasties; Flowing with the charm of Yuan, Ming and Qing Dynasties. With its rich cultural connotation, it is coiled into an intricate Chinese knot, which highly summarizes the endless history of the descendants of the dragon.

From the red wall of Zhumen to the red wooden box cabinet; From children's close-fitting Chinese corsets to weddings with the theme of China Red; From the belt of the animal year and the tassel of jade to the shroud and peach of the birthday girl; From the red cloth hanging on the lintel when Tim Ding was imported, to the "full moon" made by the child at the full moon; From dragon lantern hydrangea to gongs and drums suona ornaments; From the boudoir daughter's red rope sachet to the dance silk of yangko; From the ribbon-cutting at the opening ceremony to the New Year cards; From the inkpad engraved with power to the flag recording meritorious deeds; From lanterns hung during the Spring Festival to Spring Festival couplets posted by every household, inverted blessings and window grilles, from red envelopes to firecrackers. From the famous "red, green and yellow" Tang Sancai to the most famous "red sacrifice" porcelain in Jingdezhen. ...

In this way, China Red, based on farming culture and centered on family consciousness, has been deeply embedded in the souls of China people from generation to generation, and has become a well-deserved amulet to settle down and protect the ideal territory of the integration of Confucianism, Buddhism and Taoism.

China Red is everywhere, all the time.

China Hongzhi sacrifices red porcelain.

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Legend of offering red porcelain:

Legend has it that during the Xuande period of the Ming Dynasty, Emperor Xuanzong of the Tang Dynasty suddenly wanted to pay homage to the sun god with a set of red porcelain, so he ordered the kiln director of Jingdezhen to step up the firing. However, the kiln workers tried many times, but they couldn't burn the sacrificial vessels that satisfied the court. The eunuch who supervised the kiln urged and whipped the kiln workers every day, and put some people in prison, claiming that they would kill people if they could not burn the red glazed porcelain urged by the emperor. Cui Lan, the daughter of an old kiln worker, was very worried after hearing the news. She ran to the imperial kiln factory and found that her father was also put in prison by the kiln supervisor. Grieving, Cui Lan jumped into the blazing kiln fire and protested the atrocities of the kiln director with his own life. Two days later, when the kiln worker opened the kiln where Cuilan burned her body, he was surprised to find that the ceramic body was red as blood. The red sacrificial vessel was burned, and people said that it was the blood of Cuilan that turned the ceramic blank into red, so this red ceramic was called red sacrifice.

In order to commemorate the sacrifice of Cuilan for the kiln, the kiln worker later built the image of a girl with bricks when sealing the kiln door. This custom has continued to this day. Since then, emperors have spared no expense to burn red, but this crimson porcelain, like a mythical treasure, is very rare.

This is the red sacrifice that has been shrouded in mystery. Among the nearly 10,000 pieces of ceramics museum in Jingdezhen, there are only nine and a half pieces of red offerings, of which only half are left in the Xuande period of the Ming Dynasty.

"Red Sacrifice" was the color created by the imperial court at that time to offer sacrifices to the altar supplies in the suburbs. It is also called "Ji Hong", which means its color is "like the morning glow". A "Ji Hong", also known as "Drunken Red" and "Chicken Red", was all because there was no special notebook at that time, which led to the vulgar voice of porcelain merchants. As mentioned above, the "red sacrifice" in Ming dynasty was divided into two parts by porcelain merchants: gem glaze was called "scarlet", while porcelain merchants since Ming and Qing dynasties called this kind of porcelain products "Langyao"; Another bright red glaze is called "accumulated red" by porcelain connoisseurs, such as Xiangzijing's illustrated porcelain.

Jingdezhen has made great achievements in the art of glass, creating precious glass such as "Hong" and "Hong". Hong Jun is the earliest variety of copper-red glaze in China. Since the Ming Dynasty, Jingdezhen has produced a large number of Hong Jun porcelains. During the Yong Xuan period of the Ming Dynasty, Jingdezhen porcelain workers created red sacrifices after Jun Hong. Sacrificing red is charming but not gorgeous, with purple in red and deep and stable color. The ancient royal family used this red glazed porcelain as a sacrificial vessel, hence the name "Red Sacrifice". Because the firing is extremely difficult and the yield is very low, the price is extremely high. When the ancients made red porcelain, precious raw materials such as coral, agate, jade, pearls and gold were spared.

Since the Tang Dynasty, China ceramic artists have invented the red glaze firing technology. During the Northern Song Dynasty, Jun Kiln in Yuxian County, Henan Province perfected this technology and fired the world-famous "Jun Hong" red glaze ceramics. However, the firing technology of Jun kiln is still immature, and other colors are often mixed into red glaze. During the Xuande period of Ming Dynasty, the red sacrifice burned by people in Jingdezhen surpassed the Jun kiln in color and purity, so people called it "Xuande Sacrifice". Later, for some reason, this red glaze firing technology was inexplicably lost.

After the Xuande period in the Ming Dynasty, generations of Jingdezhen people tried to burn this kind of red glazed porcelain intermittently for hundreds of years, but no one burned it as a red sacrifice.

Jingdezhen Imperial Kiln in Ming Dynasty was the official kiln of the imperial court. The imperial court ordered the production, and the burnt porcelain was exclusively used by the royal family. Of course, poor quality products are not allowed. Therefore, the porcelain burned out has to be selected by the kiln official. Unsuccessful porcelain emperors don't need it, and of course the people can't use it, so they have to be buried. This is the origin of porcelain in Seyao ruins. However, the imperial kilns of the Ming Dynasty were backed by the powerful financial resources of the country. Perhaps it was because of this strong financial support that red glazed porcelain was fired and Wan Li was able to choose tribute selectively.

Henan Jun porcelain is said to have "ten kilns and nine failures", which shows that red glaze is a very difficult firing technology. It is much more difficult to burn red offerings in Jingdezhen than in Hongjun. According to the folk saying, it is called "a thousand kilns and one treasure", that is, one or two red offerings can be obtained from hundreds of kiln fires. In Jingdezhen Pottery Songs, the Qing people specifically described the difficulty of burning red: "It is the most difficult to blush when the official ancient kiln is heavy." First frost, sunny days and careful coordination day after day are all different. "

Although Jingdezhen's ceramic industry has a history of thousands of years, it has not yet stepped out of the closed circle of handicraft industry. Porcelain-making technology, especially the formula of glaze, has always been the focus of craftsmen's secrecy, which will never be revealed from generation to generation, and the formula depends entirely on the experience and luck of glaze makers.

Ceramic art is the art of fire. Glazes with different compositions can produce ever-changing colors at different temperatures and different firing atmospheres. Fire changed the chemical composition of ceramic blank, and turned clay into glittering and translucent gem. Jingdezhen people created colorful ceramics such as red and Lang Hong, and also created the myth of ceramics. Now, Jingdezhen people still continue the ancient skills of more than 500 years, and also continue the legend of the integration of earth and fire.

In order to "resurrect" the red sacrifice and continue to write history, 1985, Hunan researchers accepted a task: to develop a high-temperature resistant red ceramic. In March 2002, a sample of ceramic red glaze was put into a high-temperature electric furnace, which greatly excited experts: the very pure red color did not decompose obviously at the high temperature of 1250 degrees Celsius. The big red glaze officially passed the expert group appraisal. This kind of porcelain was meaningfully named "China Red".

China Hongzhi China red porcelain

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China red porcelain is called China red for short. China Red is a ceramic product. Because red is easy to decompose at high temperature and extremely difficult to color, it is very difficult to fire red ceramics for thousands of years. At present, China has been able to produce China red, and the color is very bright.

China Red is famous for its exquisite porcelain-making skills, and it has spread all over the world long before the four great inventions appeared. Red is the favorite color of the Chinese nation and the most popular color in the world. Purple sand carries auspiciousness and dignity, and has been a treasure pursued by the royal family since ancient times. Nowadays, China Red Porcelain applies the red porcelain technology to daily life appliances, which makes the ancient red porcelain that only the royal family can enjoy come into our modern life. Every product of Zisha, from design to research and development, has been carefully selected and conceived by professional designers, and combined with different concepts, to create exquisite workmanship. No matter the appearance or connotation, we can see the ingenious idea of the designer, so the product has high artistic value and ornamental value. We have a group of professional cooperation teams with avant-garde ideas and great personalities. We take the information foundation and demand provided by customers as the starting point, carry out overall scheme planning, carefully design with brand-new creativity and unique techniques, and show the customer image in red porcelain with diversified products. Strong design ability, high sense of responsibility, standardized operation, reasonable price and perfect service are the consistent pursuit of red kiln porcelain industry. Not only that, but more importantly, it once again proves to the world that the Chinese nation has a long history and splendid ceramic culture, and its leading position in the world is unshakable. Now, China Red has become a master artist's indoor elegant play and a treasure sought after by collectors all over the world.

Four wonders of red porcelain in China

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A strange saying is "difficult":

It is difficult to mix ingredients, process, fire and shape. Purple sand must be fired at a high temperature of 13 10, and "ten kilns and nine decays" can be described as "a rare treasure among thousands of kilns".

Second, it is called "expensive":

The main material is rare metal tantalum. Tantalum is several times more than Huang Jingui, so it is not an exaggeration to burn red porcelain with gold.

Three wonders are called "running":

General ceramics are fragile, bright, strong and bright; And red porcelain exudes a warm and moist, warm and thick, thick and transparent, transparent and elegant, but it is smart and clumsy, soft and rigid.

These four wonders are called "auspiciousness":

Red is the color of a gentleman's virtue, auspicious and peaceful, warm and sincere, elegant and rich, broad and graceful. Gentlemen like red, Suntech likes red, so purple sand is really a good product for gentlemen to collect or give.

China Red and the Olympic Games.

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Mr. Ma, a famous collector of China Tibetan porcelain, used eight key words to explain the amazing collection value of "Olympic porcelain China Red".

Open giant system:

The starting position is irreplaceable.

"Olympic Porcelain China Red" is the first commemorative collection of ceramics in the centennial Olympic history, which is of epoch-making significance.

"Olympic Porcelain China Red" is a powerful theme, because it, like the Beijing Olympic Games, created history, put the iconic image of China into the Olympic collection, and engraved the names of China and China in the century-old Olympic cultural history, which is a rare collection element.

Authority problem:

"Chinese seal" means authentic blood.

"Olympic Porcelain China Red" is the first Olympic porcelain authorized by BOCOG, and it is also the first time that the Olympic emblem is printed on porcelain. It can be said that the gold-plated "Chinese seal" on the bottle, like the ancient official kiln, symbolizes the authentic lineage officially released by the Beijing Olympic Games, which is essentially different from other unofficial products. Judging from the future collection value, authentic Olympic pedigree will determine whether it will appreciate.

China logo:

Millennium civilization attracts international collectors.

China Red, an Olympic porcelain, embodies the long-standing cultural heritage of the Chinese nation. Red, the Great Wall, the Chinese seal, the Olympic Fuwa and the harmonious culture all reflect the charm and glory of China culture from the senses to the connotation.

At present, a large number of foreign collectors pay attention to the 2008 Beijing Olympic Games, while international collectors pay more attention to the Olympic collections with China characteristics and symbolic significance of China. It can be boldly predicted that if there is any collection in this Olympic Games that can cause the international Olympic collection market to shake, it must be "China Red, an Olympic porcelain".

Missing process:

"A thousand kilns and one treasure" is rare in the world.

"A thousand kilns and one treasure" vividly illustrates the difficulty of firing "China Red". The firing technology of purple sand has been lost for a hundred years. It was not until the beginning of this century that China scientists successfully solved the worldwide problem of high-temperature red glaze, and "China Red" reappeared in the world.

"China Red for Olympic Porcelain" uses Linchuan kaolin, which is increasingly rare and precious, as the porcelain tire. The fetus is delicate and white as jade. According to the technological level and quality requirements of 1974 for firing "Leader Porcelain", it is divided into "plain firing, glaze firing, braising and gold firing" for four times, 1400℃ and * * *.

Famous programs:

Red official kiln "creates classics handed down from generation to generation"

China Red, an Olympic porcelain, was fired in Liling, Hunan, which is known as the "Red Official Kiln". Liling kiln is famous at home and abroad for its first underglaze colored porcelain, and won the gold medal of Panama Pacific World Expo in 19 15. After the founding of New China, it became a "red official kiln" specializing in the production of national porcelain. These modern fine products, known as "red porcelain", are highly sought after by collectors, and their prices are constantly rising, reaching tens of thousands or even hundreds of thousands of yuan, and some fine products even reach millions of yuan.

China emperor red:

Wealth and auspiciousness have profound meanings.

Red porcelain is the most difficult to fire in the history of ceramics, especially "Zhen Hong" porcelain with pure hue, which has never been fired since ancient times. "Olympic Porcelain China Red" adopts a special "Imperial Red" red glaze and is sintered into gorgeous, pure, elegant and quiet red porcelain. It is "red and elegant, gorgeous and beautiful, bright and soft", auspicious and festive, magnificent. It can be said that it is a court instrument, and red porcelain is rare.

Only 2008 sets:

Absolutely rare, absolutely appreciated.

"Olympic Porcelain China Red" is the first commemorative collection of ceramics in the centennial Olympic history. Only 2008 sets are issued worldwide. Compared with more than 300 million Olympic collectors in China, an average of 65.438+0.5 million people can own one, not to mention the huge foreign collectors. With the increasing temperature of Olympic collections, especially representative collections with the characteristics of initiative, authority, uniqueness and artistry, the appreciation rate is as high as several times or even dozens of times. The "red porcelain" produced by Liling, the "red official kiln", is very active in the collection market, and a set of "red porcelain" wine utensils has been sold for more than 80 million yuan. "Olympic Porcelain China Red", as a representative collection of the Beijing Olympic Games, is also a modern fine porcelain made by 1974 special porcelain making process, and its collection potential is immeasurable.

Wax anti-counterfeiting

Cultural relics standards guarantee authenticity.

"Olympic Porcelain China Red" is a collection-level Olympic licensed ceramic that maintains the national cultural relics management standards. In order to identify the authenticity and ensure the collection value, wax was used for the first time in accordance with the national cultural relics export standards. At the bottom of each porcelain, there is an inscription "Authorized by the Organizing Committee of the 29th Olympic Games" and a collection number, and next to the inscription, there is a wax seal with the emblem of the Beijing Olympic Games. The application of this brushwork and wax seal fully shows that the Beijing Olympic Games attaches importance to the distribution of this porcelain collection. At the same time, it also adds a convincing basis for the collection itself, and collectors can buy it with confidence.