All the names of Hayao Miyazaki's anime

1～The Prince of the Sun The Great Adventure of Hors (1968)TV

2～Puss in Boots (1969)TV

3～City of Kaliostro (1971)TV and Theater

4～The Panda Family (1972)TV

5～The Maiden of the Alps (1974)TV

6～Mother's Search (1976)TV

7～Future Boy Conan (1978)TV

8～Mother's Search (1976)TV

9～Mother's Search (1978)TV

10～Mother's Search (1976)TV

11～Mythical Adventures of Hayao Miyazaki Sanli (1976)TV

7～Future Boy Conan (1978)TV

8～Anne the Redhead (1979)TV

CHIBULI Studio Works List (The latter unsigned are works by Hayao Miyazaki)

9～Kaze no Tanaka (風の谷のナウシカ) (1984)TV

10～City in the Sky (天空の城 (天空の城) (天空の城 (天空の城 (天空の城 (天空の城 (天空の城 (天空の城 (天空の城 (天空の城 (天空の城 (天空の城 (天空の城 (天空の城 (天空の城 (天空の城))))) City in the Sky (天空の城ラピュタ) (1986) theater

11 ~ Totoro (となりのトトロ)(1988)劇場

12 ~ Goodbye Fireflies (火垂るの墓) (1988) theater Isao Takahata

13 ~ Witch's House (魔女宅急便)(1989)劇場 Takahata Isao

14 ~ The Age of Fairy Tales (おもひひのナウシカ) (1984)

14 ~ Years On your mark (On Your Mark) (1991) theater Isao Takahata

15～Red pig (Red dolphin) (1992) theater

16～Hear the sound of the waves (Hai ga ki koeる)(1993)剧场 Tomotsuharu Kizuki

17～Heisei kawabushi (Heisei kawabushi ぽんぽこ)(1994)剧场 Takahata Isao

18～On your mark (On Your Mark) (1994) theater Takahata Isao

18～On your mark (On Your Mark) (1989) theater Takahata Isao

18～On your mark (On Your Mark) (1989) theater Takahata Isao

19 On your mark (1995) short film

19～Listening to your ear (耳をすませば)(1995)劇場 Kifumi Kondo

20～Phantom Princess (ものけ姫) (1997)劇場

21～My Neighbor Yamada-kun (ホーホケキョとなりの山田くん)(1999)劇場 Takahata Isao

21～My Neighbor Yamada-kun (ホーホケキョとなりの山田くん)( 1999) theater Isao Takahata

22～Sen and Chihiro (千と千寻の神隠し)(2001)劇場

23～Cat's Retribution (猫の恩返し)(2002)劇場 Hiroyuki Morita

24～Hal's Howl's Castle (哈尔的移动城堡) (2005)劇場

Introduction to Hayao Miyazaki

Hayao Miyazaki was born in Tokyo on January 5, 1941, the second of four brothers. The family originally lived in Bunkyo Ward, Tokyo, but later moved to Utsunomiya City and Kashinuma City during World War II due to wartime evacuation. His uncle, who lived in Kanuma, ran an airplane factory, and Miyazaki's father worked as a supervisor in that factory. Miyazaki's mother was a strict and intelligent woman who had a great influence on Miyazaki's life. Miyazaki's brother later recalled that he could not help but think of his own mother when he saw the pirate granny in Castle in the Sky, who looked nothing like her but had a similar personality.

Hayao Miyazaki attended an elementary school in Utsunomiya City from the first to the third grades, and then moved back to Tokyo, where he was transferred to a school.

In 1947, Hayao Miyazaki's mother was stricken with tuberculosis, and she stayed in bed for nine years. Shadows of these gray days for Miyazaki's family can be seen in the movie Totoro.

In 1958, the first full-length color film animation in the history of Japanese cinema, "The Legend of the White Snake" (produced by Toei Animation) was released, and Hayao Miyazaki, who was a high school senior, was fascinated by this film, and he began to take interest in animation as he was originally fond of manga. Miyazaki liked to draw warships, airplanes, and other things, but he wasn't very good at drawing people, and he also aspired to be a cartoonist. Even some years later, he still recalled with reverence, "I saw what a prudent and cherished endeavor the production of animation is."

After graduating from high school, Miyazaki enrolled at Tokyo Gakushuin University, where he majored in political economy, and in 1963, he graduated from the university and joined Toei Animation. His first production was Toei's theatrical animation "Wanwan Tadashin Zou" in December of the same year. Immediately after that, Miyazaki took part in the first TV anime produced by Toei for the first time, "Wolf Boy KEN".

At the time, some of his ideas were often not adopted, but Miyazaki stuck to his vision. After watching the Russian animated film "Queen of Snow", the creative flame in Miyazaki's heart was even more vigorous, he later recalled: "I saw how the production of animation is a prudent and cherishable cause ...... animation is a so pure, simple, and can let us through the imagination to express the art ...... It does not lose its power to other forms of art such as poetry, fiction or theater."

In 1964, Miyazaki became secretary-general of the Toei Animation Labor Association, of which Takahata Hoon was then vice-president -- Miyazaki was said to be a socialist. That year Miyazaki began dating his colleague, Ms. Jumi Ota, and in the fall of 1965, Miyazaki volunteered to help out on the production team for director Takahata's Prince of the Sun as a set designer and original artist. This was the beginning of their collaboration and the first step in Miyazaki's animation career. In October of the same year, Miyazaki and Ms. Jumi Ota got married, and in January 1967 they had their first son. After the release of Prince of the Sun in 1968, Miyazaki and his wife worked together on Puss in Boots. The next year, the two were together again in the production of "Air Flybuyulei Ship". a second son was also born in April 1969.

In 1971, Hayao Miyazaki left Toei Animation, and Takahata, Odabe Yamaichi, etc. together into the "A-Pro" work. 1973, he and Takahata, two people collaborated on the animation "Panda - Little Panda" was released, the work of Hayao Miyazaki one person in four positions --original design, script, scene design, and original drawings, with a considerable amount of personal style. In June, Miyazaki, Takahata and Odabe left "A-Pro" and joined "Zuiyo Picture". In July, Miyazaki traveled to Switzerland for location filming, looking for inspiration for his next work, "Heidi of the Alps", in which he worked as a set designer and picture composer, and in 1975, he traveled to Italy and Argentina for location filming in preparation for the production of "3,000 Miles in Search of My Mother", also as a set designer.

In 1978, the first full production supervised by Hayao Miyazaki, "Future Boy Conan" was broadcast on NHK, and was very well received, and Hayao Miyazaki's ideas and style were shown in this movie. The boy known as "Conan" has a pair of hands and a pair of useful feet. When people see Conan's energetic movements, they can't help but feel the need to work hard. The story is composed without any delay, and the cute characters have their own personalities, which makes people fascinated. Unlike large-scale anime depicted in a series, the fun of the work lies in the growth of Conan, who is considered by almost all the women to be the "ideal son". However, as the story progresses, Conan, who has always been a wild child in the eyes of the women, says, "I'm going back to Coral Water Island, and at that time, I hope I can come back with Lana." We can see from this passage that he has grown into a mature man. Instead of saying "I want to come back together", he says "I hope to come back together".

The structural composition of Intasdoria, which depended on the old civilization, and Haihaba, which survived naturally in nature, was inherited by Miyazaki's later works, and this was the first TV series supervised by Miyazaki among the anime shown on NHK. This was the period when Miyazaki's style and ideas gradually took shape: romantic temperament and courage to take risks, pure juvenile and growing up mood.

In 1979, Hayao Miyazaki entered Tokyo Movie Shinsha, and in 1980, he directed "Lupin the Third - Cagliostro Castle" (theatrical version), which once again demonstrated the adventure movie style of "future teenagers".

1982 was an important year for Miyazaki fans, as the manga "Kaze no Kani" was serialized in Tokuma Shoten's Animage magazine until 1994. This 12-year, 7-volume manga masterpiece not only contains epic chapters, a quest that spans life and death, and deep philosophical reflections on mankind and nature, but it is also the culmination of Miyazaki's own long and deep thinking about environmental protection and humanism. It can be said that Miyazaki has changed from concern for the environment to doubt about the justice of "environmental protection", from concern for human beings themselves, from thinking about the growth process of teenagers and young people up to middle age, to questioning and interpreting the origins and meaning of human beings themselves, and finally, in the chaotic darkness, he puts forward the idea that "life is the light that shines in the darkness. Life is the light that shines in the darkness", and therefore, no matter how hard it is, one must "live! The "final message" of "life is the light that shines in the darkness" is reflected in this profound and magnificent manga.

This was also the year that Miyazaki Hayao met with another person who influenced his life, that is the famous Tokuma Yasuko. Tokuma, as the president of the largest bookstore in all of Japan, was keenly aware of Miyazaki's talent and sponsored Miyazaki and Takahata to start a studio. In November of the same year, Miyazaki quit Tokyo Movie Shinsha and became a freelance writer.In 1983, planning began for the animated version of Valley of the Wind directed by Hayao Miyazaki, with Takahata serving as the producer, and Topcraft Studios in charge of the entire film. In July of the same year, Miyazaki's mother died at the age of 71.

The theatrical animation "Valley of the Wind" was released in March 1984, and the film concentrated many features of Miyazaki's animation production, beautiful and delicate images, colorful characters, humorous and witty dialogues, and a positive spirit of upward ...... all of which made Miyazaki Hayao's reputation as a national animation artist that is popular with young and old rise. And the film embodies the nature that has been revolted by mankind's foolish wars and excessive plundering, and the rotting sea composed of huge fungi emits poisonous gas because of the toxins produced by mankind, which is even more cherished as a bible by environmentalists, and Miyazaki's identity as the godfather of "environmentalism" is thus determined. Although the content of the animation "Valley of the Wind" is only a little more than the plot of the manga due to the limitation of the length and inclusion of the movie, and as a representative production of Miyazaki's animation sleek period, the film's obviously melodramatic ending and religious complex have been criticized by the critics, but its rich imagination and deep content shocked the audience and the entire film industry. In April, with Tokuma's financial support, Miyazaki and Takahata founded Ni-Mari, the predecessor of Ghibli.

Together with "Kaze no Kani," "Sherlock Holmes - The Treasure of the Blue Ruby" was released, with a script by Miyazaki. Originally the film was produced in collaboration with the Italian Television Authority, but was halted for a while due to copyright issues. In the film, the famous detective Sherlock Holmes is a German beagle, assistant Dr. Watson is a naive Scottish long-haired dog, the beautiful heroine of the big family of Mrs. Hudson, the beautiful widow is England Yorkshire poodle, the villains are of course non-Sharpei. The characters who appear in the story are replaced with animals, which is the privilege of animated films. The film has since been adapted into a TV anime, and a special "Future Teen Conan" was released at the same time.

In 1985, Studio Ghibli was founded and began production on Castle in the Sky. From there, Miyazaki began the most glorious decade of his personal animation career, and a decade of great animation growth.

"Castle in the Sky" is a movie based on Jonathan Swift's novel "Gulliver's Travels," and some people consider its storyline to be more traditional, but that doesn't mean it's uninspired; on the contrary, "Castle in the Sky" is filled with many new elements. The movie is a near-perfect portrayal of the landscape of the world in the time period in which the story takes place, with a bit of sci-fi, a bit of mythology, and a bit of Europe during the Industrial Revolution, with things like old-fashioned trains on elevated railroad tracks and blackened mining caves. Released in 1986, Castle in the Sky was Ghibli's groundbreaking film, with Hayao Miyazaki doing all four of the duties of original production, supervision, scripting and characterization, making it a work infused with pure Miyazaki philosophy from start to finish. Miyazaki's musical partner, Jean Hisaishi, also reached the peak of his soundtrack career this time. In fact, the movie explores the theme of man and nature, and the eventual destruction of the great city of Laputa, which floats in the air, seems to warn the world that in the century of machinery and steel, what we are facing is in fact an undefined future.

The 1988 film "Totoro" and the 1990 film "The Witch's Home Companion" were transformative chapters in Miyazaki's oeuvre. On the one hand, Miyazaki's focus gradually shifted from nature to human beings, and on the other hand, because his past works were all visually stunning fantasy worlds, Miyazaki's worlds seemed to be nothing more than tense plots and illusory time and space. Totoro and The Witch's Home Companion, which have given up all exaggerated performances and complicated plots, focus on ordinary human beings and the world around them. The depiction of family love in "Totoro" and the detailed description of a young girl's growth in "The Witch's Home Companion" are intimate and touching. And the release of "The Magical Girl's House" signaled the beginning of Ghibli's rise as a guaranteed box office hit, attracting some 264 million viewers and becoming Japan's biggest-grossing film of the year.

In 1992 came "Red Pig," a fairly important but often easily skipped over work by Miyazaki. In fact, it's a work that can't be ignored, both in its own right and in terms of its significance to Miyazaki's creative career. Miyazaki's animation, which has long been characterized as "depicting simple people and simple stories, full of anti-urbanism, emphasizing environmentalism, full of the depth and vastness of love, and suitable for family viewing," began to change from this point onward, rather than suddenly in '97. Although from the outside, this story set in Italy in the 1920's, describes the story of a pig called Red Pig, and alludes to the process of growing up in middle age, whether it is from the beautiful graphics, warm and beautiful music or light and humorous storyline, all of them are all marked with the obvious "Miyazaki's productions, must be fine! "But Miyazaki, who has been focusing on teenagers, especially young girls, suddenly switches to a middle-aged, pig-faced ajisan, which is a warning sign in itself. Although the red-haired girl in the movie, Fie, assumes the role of an encourager who brings light and hope to the red pig, the so-called growth of middle-aged people is just, "Although many things can't be changed, as long as you like yourself, you can make your own life different," only, Miyazaki has always embodied the spirit of optimism, and at this time, it has actually changed. Miyazaki's optimistic spirit, which he has always embodied, has actually changed by this time. In particular, although Miyazaki's films had been unsatisfactory since "Kaze no Kani," it was the first time that a movie like "Red Pig" had an ending that could be described as "unconscionable. Therefore, from this time onward, Miyazaki had already begun to reflect on all of his previous works, y reflecting on "the environment," "humanity," and human nature, and the ending of this reflection was directly reflected in the manga "Valley of the Wind," which was declared to be the final volume in '94. The end of this reflection is directly reflected in the manga "Valley of the Wind", which ended in '94.

Knowing this, there's no need to be shocked by the appearance of Ghost Princess after a five-year hiatus. Though it's a bit stiff and obscure because it's been scaled down from its original five hours to two, and despite the fact that it's overloaded with emotional scenes for commercial purposes and its characters are less well-drawn than Miyazaki's previous works, "The Phantom Princess" is still Miyazaki's pinnacle, a work of painstaking effort to understand Miyazaki's relationship with nature and mankind, and a work that he himself doesn't have the answers to. Hayao Miyazaki, faced with the only hope he could see in this era. Therefore, this story, which is set in the Muromachi era when Japan started to invade the mountains and forests, depicting the war between two sanctuaries, the materialized people in the mountains and forests and the developing human beings, can be explained. And it is only at the end of the film, when Ashitaka realizes that the war is far from over and says "Let's live together" to Kuwabara instead of the usual happy ending, that it can be truly understood. This is the bitter smile and expectation of Miyazaki, who has overturned the ideals and doctrines that he had been preaching even though he did not believe in them in the past, and who has no answers to give. The noble dignity of life, the inviolability of nature, and all that he had believed in before had been annihilated, and without any support, Miyazaki, who did not know what the future held for him, threw the question back to the audience. The theme of "living" has become a constant and ever-changing idea that penetrates everyone's heart.

At one point, there were rumors that Miyazaki would retire after the production of "The Phantom Princess," and would no longer produce animated films. He himself once said that the job of directing animated films was a bloodless one, so due to health problems, he couldn't direct some of the big productions such as "The Phantom Princess" himself, and that he could also provide opportunities for the younger generation. But this does not mean that he will give up the work of animation production, Miyazaki can also be involved in some animation production in the less tiring work, such as screenwriting, characterization and so on.

Since "The Phantom Princess" announced his retirement, Miyazaki finally couldn't let go of the lure of animation, withdrew his declaration of closure, and announced that he was planning to make a work set in the 21st century with population and environmental issues as the background. And so came "A Thousand and One," a movie that became the highest-grossing in Japanese film history two months after its release, setting a record that no one has ever matched.

Released in July 2001, "A Thousand and One" recounts a small slice of Chihiro's life, telling how she gradually unleashes her potential and overcomes adversity when faced with difficulties. This is exactly what Miyazaki wanted the audience to understand. Miyazaki himself considers this to be a film that is different from his other previous stories. In the past, he has written protagonists that he loves, but this time Miyazaki deliberately portrays Chihiro as an ordinary character, an unassuming, typical ten year old Japanese girl, with the intention of making every ten year old girl see herself in Chihiro. She is not a pretty girl, nor is she particularly attractive, and her timid personality and listless demeanor are even more annoying. When he first created the character, Miyazaki was a little worried about her, but by the time the story came to a close, he was convinced that Chihiro would become a likable character.

In 2002, Miyazaki established the Ghibli Museum in Mitaka City, a place that all Miyazaki fans are eager to visit, but Miyazaki hopes that the number of visitors will be smaller, so that everyone can appreciate the art better during the visit. Although it is to build an art museum, in fact, it feels like in the production of a new movie, must do a lot of new things to be able to, in fact, is quite a big project, and even if the current completion, does not mean the end, must always continue to be able to. Miyazaki also set a goal for himself for the summer of 2004, because due to the economic depression, environmental problems, population expansion, terrorist acts and wars and other things, people will have to the future uneasiness and the future can not hold any hope, he believes that such a situation, to the summer of 2004 will be more obvious. So the children will have the uneasiness, doubt and curiosity by that time, and it is necessary to make something that can solve those doubts. Miyazaki emphasized, "What kind of movies should we give to those kids who are living at that time in that situation, and this time I have to do it with that in mind."

Hayao Miyazaki started drawing manga as a child and worshipped manga titan Osamu Tezuka, but later in the creative process, he realized that what he drew was only Tezuka's imitations, and no matter how hard he tried, he couldn't break through the shackles. Therefore, Miyazaki Hayao criticized Tezuka's manga for destroying the development of the Japanese animation industry.