What font is the standardized font for calligraphy

The canonical font for calligraphy is italic. The canonical font of calligraphy is regular script.

I. Introduction: Regular script is also called Zhengkai, Zhenshu, Zhengshu. Gradually evolved from the official script, more simplified, horizontal and vertical. The Dictionary explains that it is "square in form, with straight strokes, and can be used as a model". This kind of Chinese character font is upright, is the handwritten Chinese character handwritten orthographic characters in modern times.

The evolution and development of the Regular Script

The Regular Script, as it is commonly known today, evolved gradually from the Han Clerical Script, and can be divided into the Wei Bei Script and the Tang Regular Script according to the time period.

Weibi refers to the Wei, Jin, North and South Dynasties period of the calligraphy, it can be said to be a kind of transition from the official script to the Regular Script, Zhong Zhishuai "Xuexuan book," said: "Weibi Calligraphy, on the Han and Qin can be seen on the old model, and under the Sui and Tang Xi style." Weibi often with the Han dynasty clerical writing in which, so it is the nature of the Regular Script is immature, but because of this immaturity, but also caused a blossom of the scene, the mood of the strange, the formation of a unique beauty, kang yuowei evaluation of the "weibi ten beauty".

And the narrow sense of the Regular Script refers to the Tang Dynasty after the gradual maturation of the Tang Regular Script, its representatives are the early Tang Ouyang Xun, Yu Shinan, Chu Suiliang, Xue Ji, the Tang Yan Zhenqing, the late Tang Liu Gongquan. We often say that the four great masters of the Regular Script "Yan Liu Ou Zhao", the first three in the Tang Dynasty.

Toward the end of the Tang Dynasty, the Regular Script had reached its peak, and the style had become too regular, so it gradually went downhill. However, "Tang calligraphy emphasizes the method, Song calligraphy emphasizes the meaning", Su Shi of the Song Dynasty with his poet's style created a rich and tumbling, naive and romantic "Su style", known as "Song Dynasty first".

Zhao Meng_of the late Song and early Yuan dynasties, with its quiet, smooth, formed the "Zhao style", that is, the four major "Zhao", but "Zhao style" strictly speaking should belong to the But "Zhao style" strictly speaking should belong to the regular script, is no longer the rules of the regular script, so beginners generally from the "Yan Liu Ou" three body to choose one to start, which is also recognized as the right way to learn the book.

Expanded Information

Traditional Calligraphy Fonts

Traditional Calligraphy Fonts include Running Script, Cursive Script, Clerical Script, Seal Script and Regular Script.

I. Running Script Fonts

1. Interpretation: Running Script is a general term, which is divided into two kinds: Regular Script and Cursive Script. It developed on the basis of the origins of the Regular Script, between the Regular Script, Cursive Script, a font, is to make up for the Regular Script writing speed is too slow and Cursive Script is difficult to recognize and produce. The word "xing" means "walking", so it is not as scribbly as cursive, nor as upright as regular script. In essence, it is the cursiveization of the regular script or the regularization of the cursive script.

2. Representative works: The Lanting Preface by Wang Xizhi of the Eastern Jin Dynasty, the Draft of Offering to a Nephew by Yan Zhenqing of the Tang Dynasty, and the Huangzhou Cold Food Post by Su Shi of the Song Dynasty.

Second, cursive script

1, interpretation: formed in the Han Dynasty, is to write simple in the official script on the basis of the evolution out. Characterized by the structure of the provincial, continuous strokes. Cursive Script is divided into Zhangcao and Jincao, and Jincao is divided into Da Cao (also known as Fan Cao) and Xiao Cao, which feels beautiful in the midst of frenzy.

2. Representative works: Zhang Xu's "Bellyache Post" and "Four Posts of Ancient Poetry" of the Tang Dynasty, and Huaisu's "Self-Recounting Post" of the Tang Dynasty.

Three, official script font

1, interpretation: official script, there are qin li, han li, etc.? It is generally believed that it was developed from the seal script, and its characters are broad and flat, with long horizontal and short vertical strokes, and it emphasizes "silkworm head and goose tail" and "one wave and three twists and turns".

2. Representative works: Zhang Qian Stele, Cao Quan Stele, Shi Chen Stele and so on.

Four, Seal Script Fonts

1, interpretation: Seal Script is the collective name of the Big Seal and the Small Seal. Seal Script is a general term for both the Big Seal and the Small Seal. The strokes are thin, strong and upright, with more straight lines. There are square strokes, round strokes and pointed strokes, and there are more "hanging needles" in the handwriting. The Big Seal Script refers to the Golden Script, Pre-Han Script, and the Six Kingdoms Script, which have preserved the distinctive features of the ancient hieroglyphic scripts. The Small Seal Script, also known as the Qin Seal Script, was the common script of the Qin Dynasty and a simplified version of the Big Seal Script, characterized by its uniformity of form and easier to write than the Preliminary Script.

2. Representative works: Li Si's "Yishan Stele", Li Yang Bing's "Record of the Three Graves" and so on.

Fifth, the regular script font

1, interpretation: also known as the regular script, the true book, the book. Gradually evolved from the official script, more simplified, horizontal and vertical.

2, representative works: Ouyang Xun "Jucheng Palace sweet spring inscription", "Huadu Temple monument", Chu Suiliang "wild goose pagoda holy religion preface" and so on.

Baidu Encyclopedia - Calligraphy Fonts

Baidu Encyclopedia - Regular Script