What kind of drama is Peony Pavilion?

Question 1: What kind of drama is Peony Pavilion? Pingju is of course a local opera. But you can't simply say what kind of drama it is. You can perform any drama, but the most famous one is Kunqu Opera.

Question 2: What kinds of plays are there in China? For example, there are more than 300 kinds of operas in China, such as Kunqu Opera-Peony Pavilion. No one can fully answer your question, so we can only take five kinds of operas as examples.

Beijing Opera: Farewell My Concubine, Borrowing Dongfeng, Being a Female General in Yangmen

Henan Opera: Mu in command, Mulan and Qipin Sesame Official.

Pingju: Flower as Media, Du Shiniang, Tea Bottle Project.

Yue Opera: A Dream of Red Mansions, Praying for Fish.

Huangmei Opera: Fairy couple, Cowherd and Weaver Girl, Female Xu.

Question 3: What kind of drama is Peony Pavilion? It should be Kunqu opera.

Question 4: What plays have been rehearsed in China at present? 1. Peony Pavilion of Peking Opera

Excerpts from Magnolia Singing Video:

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2. Cantonese Opera Peony Pavilion

Tang Tisheng's Plays

3. Huangmei Opera "Peony Pavilion"

Video excerpts from Huangmei Opera: 56/u5 1/v_MjQxMDcyMDA

4. Kunqu Opera "Dream in the Garden"

Video material: 1960 Master Mei's film.

5. Yue Opera Peony Pavilion

Zhejiang Yue Opera Troupe Performance Video:

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6. Chao Opera Peony Pavilion

Chaozhou opera audio: potato/program/view /rcz6dai0sno/

7. Peony Pavilion of Fujian Opera

Audio excerpt: fjminju/...&; id=28

8. Gan Opera Peony Pavilion

Speaking of it, Thomas himself is from Jiangxi. )

9. Peony Pavilion of Wu Opera

It is also a local opera in Zhejiang.

10. Ballet Peony Pavilion

The original ballet produced by the Central Ballet Company in 2008.

That's about it.

Question 5: Where is the Peony Pavilion? Peony Pavilion is the representative work of Tang Xianzu, a playwright in Ming Dynasty. Because it is so famous, many operas have Peony Pavilion, such as Beijing Opera, Henan Opera and Kunqu Opera, which are circulated in most parts of the country.

Question 6: What are the four major operas in China? Romance of the West Chamber, Peach Blossom Fan, Peony Pavilion and Palace of Eternal Life.

The Palace of Eternal Life and Peach Blossom Fan are two peaks in the development of drama in Qing Dynasty, and they also have a high position in the history of drama in China. Together with The Romance of the West Chamber and The Peony Pavilion, it is known as the four classical dramas in China, and has been deeply loved by the general public.

The creation background of "The Palace of Eternal Life" and "Peach Blossom Fan" is roughly the same. Both plays are written by real people, and there are many similarities in plot arrangement. They are all carried out in a grand background, describing a wide range of social life events, but as far as its central theme is concerned, there is only one, that is, "love and politics." The difference is that the two plays have their own emphasis. The characteristic of the Palace of Eternal Life is the rare "love of imperial concubine" since ancient times. In the first biography, the author immediately said: "It's just love to spread new words through too many reasons"; The first sound of Peach Blossom Fan: "Write the feeling of ups and downs through the feeling of clutch", which shows the author's creative intention.

Although the emphasis is different, the theme of "love" occupies a very important position in both plays, and "love" is one of the important ways for them to express their creative intentions. Judging from the creation of love stories in the two plays, they are inextricably linked with the novels of talented people and beautiful women, or they can be said to be copies of the novels of talented people and beautiful women. In the Palace of Eternal Life, the box (the second Love) given by Ming Chengzu to Guifei and Yue during the engagement with Yang Guifei runs through the whole play as their love letter. After Ma Wei's life and death parting, the love between Li and Yang finally reunited in heaven. Peach Blossom Fan is similar. When they got engaged to Li, they gave it to the Peach Blossom Fan in the future. When threatened by Ruan Dacheng's persecution, Hou Fangyu had to take refuge and run away; After the Qing army invaded Jiangnan, Nanming perished, Hou He fled, and finally met in Baiyun Temple. Under the awakening of Taoist Yiu Sing Cheung, both of them became monks and tore off their fans as a symbol of their love (that is, their love for the past and the secular). This is no different from the model of "love-twists and turns-reunion/tragedy" of talented people and beautiful women, but why are the Palace of Eternal Life and Peach Blossom Fan so successful? I think one of the most important reasons lies in the depth of thought expressed in the works, which is also the biggest difference between them and the general novels of talented people and beautiful women. The identity of the characters in the work and the background of the times determine that the work can't go to a vulgar "happy ending" like the novels of gifted scholars and beautiful women.

The hero of the Palace of Eternal Life is Li Longji, the emperor of the Tang Dynasty, who is the supreme ruler of a country. As an emperor, his job is to govern the country well, but he indulges in the wrong country; As the son of heaven, he has three palaces and six hospitals for empresses, and it is inevitable that he is not good at feelings; Because of this, he seldom has a single-minded side of love. Facing the parting of life and death on Mawei slope, as an emperor, he can't choose double suicide like ordinary people looking for an object. However, at this time, he was "speechless and confused", "suddenly crying and attracting the imperial concubine, so that I could not ban the war" and lamented that "the emperor is not as expensive as Mochow's family". For an emperor, this kind of taste is by no means common to find an object to get married.

And what is the cause of this tragic scene? Yes, it was an Anshi rebellion, but what caused the Anshi rebellion? The reason is that Emperor Ming of the Tang Dynasty was addicted to the love with Yang Guifei, ignoring state affairs and favoring courtiers (Li) and consorts (Yang), which led to their "wrong country" at first. An Lushan was originally delayed by a military plane going to Beijing for trial, but by bribing Yang, he was not only excused, but also promoted instead. Finally, he took the lead in rebellion; The rebels were trapped in Tongguan, and Ming Chengzu fled with his imperial concubine. Yu Mawei was forced to kill them at the strong request of the soldiers of the Sixth Army. When "Buried Jade" came out, the soldiers of the Sixth Army killed Yang Guifei, which was not too much for Yang Guifei; But only one Yang Guifei was killed because of Ming Chengzu himself, so it seems that Yang Guifei was wronged. There is nothing wrong with the love between Li and Yang, but as an emperor, he "overstepped the throne and occupied the love field", which brought disaster to the country and the nation and also led to the tragedy of their love.

In Peach Blossom Fan, political factors not only made the love between Hou and Li, but also made the love between Hou and Li. Hou Fangyu's "home" is near Luoyang County ... Since last noon, overseas Chinese have lived in this Mochou Lake. The smoke is still, and the letters from home are hard to pass ... I am a loner who avoids chaos. "Because Li Chuangwang's army invaded Beijing, Hou Fangyu had to live in Jinling. I met Li when I visited Cui in Jinling. Ruan Dacheng is pulling ... >>

Question 7: What kind of drama does Peony Pavilion Peach Blossom Fan belong to? There are many kinds of dramas that rehearse Peony Pavilion and Peach Blossom Fan. Generally speaking, there are Kunqu Opera, Yue Opera, Huangmei Opera, Beijing Opera, Henan Opera and so on.

Question 8: Peach Blossom Fan is the oldest ending in China-the grand ending of Kunqu Opera, and it is called "the mother of thousands of operas". In addition to Peach Blossom Fan, there are also classic tracks such as "The Palace of Eternal Life" and "The Peony Pavilion", which are still often performed today.

Question 9: There are many kinds of four major operas in China, namely, Qing Dynasty, Yuan Dynasty and China. According to incomplete statistics, there are about 360 kinds of operas and tens of thousands of traditional plays in ethnic minority areas in China. Among them, Beijing Opera, Yue Opera, Huangmei Opera, Pingju Opera and Henan Opera are called the five major operas in China. Other operas include: Kunqu Opera, Gaoqiang Opera, Bangzi, Hebei Bangzi, Jin Opera, Pu Opera, Yan Opera, Shangdang Bangzi, Shaanxi Opera, Errentai, Hebei Opera, Longjiang Opera, Yuediao Opera and Henan Opera.

China's real drama came into being in Song and Jin Dynasties. Zaju appeared in the Northern Song Dynasty and is divided into three parts: Yan Duan (entering dialect), Zheng Zaju (drama) and Zaju (teasing). "Dream of China in Tokyo" records: Since Chinese Valentine's Day, musicians moved the drama "Mulian Save Mother" to 15, and the audience doubled. It can be seen that this kind of Song Zaju was very popular with the people at that time. At that time, most of the drama stories were religious stories, legends and stories. At this time, influenced by puppet show, Facebook was born. The Yuan Dynasty is the mature period of China's plays, and a large number of outstanding playwrights and plays emerged during this period, such as Dou E's Resentment and Guan Hanqing's Saving the Wind and Dust, Wang Shifu's The West Chamber, Bai Fu's Immediately Climbing the Wall and Wu Tongyu, and Ma Zhiyuan's Autumn in the Han Palace. At this time, the career of China's drama was formally produced and decided. Unfortunately, only the scripts of Yuan Zaju have been handed down in the world, but their performing arts have not been handed down. It is precisely because Yuan Zaju failed to spread to later generations that Kunqu Opera, which appeared later than Yuan Zaju, was called the ancestor of hundred operas by modern people. At the end of Yuan Dynasty, Gu Jiegang and others sorted out and improved the original tune of Nanqu, which was popular in Kunshan, and called it "Kunshan tune", which was the embryonic form of Kunqu opera. During the Jiajing period of Ming Dynasty, Wei Liangfu, an outstanding opera musician, reformed and innovated the melody and singing method of Kunshan tune, absorbing the advantages of southern tune such as Haiyan tune and Yiyang tune, giving full play to the beautiful and distant features of Kunshan tune and absorbing the rigorous structure of northern tune. He used the singing method of northern tunes, accompanied by flute, flute, sheng, pipa and other accompaniment instruments to create a delicate and elegant "ink and wash song" that combines the length of northern and southern tunes. Kunqu opera has beautiful lines and melodies, and is good at touching and feminine. In singing skills, we pay attention to the control of sound, the ups and downs of rhythm and speed, the articulation and pronunciation, and the complete accompaniment of the scene. The famous dramas of Kunqu Opera include Peony Pavilion, Palace of Eternal Life, Peach Blossom Fan, Zhongjing Banner, Fifteen Passes, Leifeng Pagoda, Blue Bell Spectrum, Kite Wrong and so on. Kunqu opera was deeply loved by all walks of life in the early Qing Dynasty. Kangxi, Qianlong, Cao Xueqin and Jiang Chun (the largest salt merchants in Yangzhou during Qianlong period) all loved Kunqu opera very much. However, due to the elegant script and strong popularity of Kunqu opera, the status of Kunqu opera declined rapidly after the rise of other local operas. Zhang Jian's preface to a dream records that the pear garden in Chang 'an (referring to Beijing) is called Sheng, and everyone likes it. However, Qin Sheng (drama), Luo (drama) and Yi (Yiyang dialect) are tired of listening to Wu Sao and listening to Kunqu opera, so they break up. But thanks to Yuan Zaju, Kunqu Opera is still being sung until now, because there is always a group of people who love it in China, and this group of people is the so-called "literati". Kunqu Opera is called the ancestor of China's hundred operas. Besides its early appearance, there is another reason. The period from the Republic of China to the early Republic of China was the most declining period of Kunqu opera, and this generation of Kunqu opera actors was a generation of "biography", which obviously expressed their masters' expectations. Almost none of the artists who sang in this period were engaged in Kunqu opera, but served as artistic directors in other Peking Opera troupes or local troupes. They brought Kunqu opera art into Peking Opera and other local operas, almost all of which were in China. What's the matter with you? The shadow. On 2001May 18, Kunqu Opera was named as "representative work of human oral and intangible heritage" by UNESCO. With the decline of Kunqu Opera, Peking Opera gradually replaced Kunqu Opera as the national drama of China. During the Qianlong period, four Huizhou classes (Sanqing, Sixi, Riverlip and Chuntai) entered Beijing. "In addition to singing Huizhou tunes, the four major classes in Huizhou also sang Kunqu opera, opera blowing, Siping tune and Bangzi tune. They learn from other people's strengths in performing arts, integrate into Huizhou Opera, have a neat lineup and rich repertoire, and are very popular among Beijing audiences. The combination of post-Hui opera and Hubei Han opera laid the foundation for the birth of Beijing opera, which is called the confluence of Hui and Han in history. During the period from Daoguang to Xianfeng, Peking Opera was formed by the confluence of Anhui Opera, Shaanxi Opera and Han Opera, absorbing the strengths of Kunqu Opera and Peking Opera. Since then, famous Peking Opera artists have come forth in large numbers, and Peking Opera has entered its heyday. The most declining period of Kunqu Opera is also the prosperous period of other local operas. At one time, Yue Opera, Sichuan Opera, Henan Opera and Huangmei Opera are in full bloom. Due to the rapid development of society after the reform and opening up, China's traditional culture, including drama, has been abandoned by people. In recent years, > >

Question 10: Are there any operas in China? Is the ancient Peony Pavilion a traditional opera? Opera is a western-style name. China's ancient artistic expression of singing should be called classical drama instead of traditional opera. Just like you can ask Xi Hu if there are novels with chapters in your country, it is the same reason. Different cultures produce different things. Do you understand this? Therefore, the Peony Pavilion is not a drama, but there are operas in China, all of which are from modern western countries. The landlord can have a look, such as the white-haired girl.