Why is Old Tune shocking?

Everyone has the experience of writing a composition in daily study, work or life, so you are familiar with it. With the help of composition, you can vent your emotions and adjust your mood. What is the composition you have seen? The following is a perfect composition about how shocking the "old tune" I collected for you is. Welcome to learn from it, I hope it will help you.

Why is Old Tune shocking? This article wins with a perfect beginning and profound thinking.

At the beginning of the article, the old artist's words are quoted, and we can analyze Mr. Chen's "hearty" words in combination with the text. Then it analyzes the language in Lu Xun's essays about Jiejie Pavilion, and points out that the charm of Huayin old tune lies in its rich background and profundity, which is also expressed by metaphor, similar to the vitality of loess and has a unique reasoning method. The text of the article is accurate and profound; Starting with the charm of the old tune, this paper traces back to the traditional techniques and analyzes them, quoting the famous sayings of Lu Xun and Hegel. The use of rhetorical questions in writing is amazing: coordinate rhetorical questions and smooth transition. It not only summarizes the above situation, but also leads to the following discussion. The article is profound in thought and runs through the whole article. It is the examinee's thinking about the old tune and the analysis of contemporary phenomena.

"The middle finger bites like ink, and the dragon robe tears like paper." When the old artist shouted this sentence when playing Qin Yue, the feeling of heartbreaking was completely desolate. Although Mr. Chen came up with countless indescribable words, he wrote the word "hearty" helplessly. Wooden stools and bricks, ordinary and extreme objects, are full of the ability to clear the world, which is really thought-provoking.

Mr. Lu Xun said in On Jieting: "Only the national is the world." This "nation", I think, is by no means a sculpture in an ivory tower, but a treasure of the soul produced in the ups and downs of the vast and magnificent history. Perhaps this is the charm of Huayin old tune, which is different from the "old tune" sung by some pop singers. When a native artist speaks, he is not round, but covered in loess. I'm afraid I don't know how long it will take to be buried in the loess before I can contaminate the vastness of the loess.

The old tune transcends its own artistic form and becomes a cultural symbol. This symbol represents not only the old tune itself, but also the culture and skills passed down by folk artists. Some time ago, the popular documentary "I am repairing cultural relics in the Forbidden City" pointed out a worrying fact to us. Those cultures and skills that have been passed down from mouth to mouth have no successors. I once heard the descendants of "Clay Fighter Zhang" say, "Before I was six or seven years old, I always cultivated my interest in the mud room, but now my children don't have such time." Mr. Chen also frankly admitted in his article that he had never heard of this old tune before. Does this give us a warning? At present, do we attach too much importance to foreign culture and lack the inheritance of our own nation? Did you not learn well in middle school and learn from the west for use? Have the teachings of ancient sages been silently forgotten by people?

The shock of the old tune is, of course, because it is different from the classical beauty and full of the beauty of life, and also because few traditional folk techniques are as complete as the old tune at this time. China's going to the world is based on the needs of these lost civilizations and the world, not the imitation of China, but the inheritance of China. Hegel said: "history is a pile of embers, and there is a residual temperature in the depths of the embers." After all, the afterheat is a pile of embers. Only by giving suitable conditions and broad space can we expect him to rekindle, comfort the soul, support the people, consolidate the foundation and cultivate the yuan, and warm the world.

We need to work hard for this. What is popular at present is not necessarily the best. What we need to leave is enough for future generations. Look at how much soul treasure and art China has left us for 5,000 years, and think about Kunqu Opera and Peking Opera. And what can we leave for future generations? Perhaps we prefer to see that the old tune is no longer shocking, because it is not just the old tune that shocks us.

The same old story is thought-provoking.

Why is Old Tune shocking? Why is Old Tune shocking?

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Huayin is an old school, and it was a little-known track a few years ago. However, such a niche and even unknown old tune made Mr. Chen unable to help but indulge in it. I can't help thinking, why is the "old tune" shocking?

Maybe it's a loud and powerful roar that hits people's hearts, maybe it's a melodious tune that turns around, maybe it's the enthusiastic singing of actors on and off the stage, the infection of people's passion ... or the homesickness that is deeply rooted in the heart. Needless to say, the first three have really touched many people, but it is difficult for people to have a deeper, heartfelt tremor and * * * sound-this kind of * * * sound needs the same memory and emotion. Born and raised in Guanzhong, Chen has known and loved Guanzhong for decades. However, in the old tune, he couldn't see the face of his hometown clearly and couldn't hear the song of the land god he was proud of.

That's why it's the same old story. This profound sense of national belonging and cultural identity makes us burst into tears in the folk tunes that are in line with western civilization, gradually westernized and gradually forgotten. This is really a gratifying and sad thing. Fortunately, folk culture like the old tune can still easily arouse our touch and shock; Sadly, folk culture like the old tune can easily touch and shock us. Valuable, the harder it is to get, the more precious it is and the brighter it is. When will the local customs that should be deeply rooted in daily life be swept away?

Are people now so far away that they can't see the way home?

Two years ago, the candidates sitting at their desks were still at a loss in the face of the "old Beijing rules". The scene of quadrangles and hutongs in every household no longer exists, and those ancient and warm habits seem to have gone with them. Only when you hear it mentioned by others will you suddenly realize that the surprise is very: it should be like this! The old tune is so old, and the old rules are so old. Even the famous national quintessence Beijing Opera, I wonder how many children have heard the whole drama. The memory style of this land has been gradually changed in our generation; The essence of this land culture is gradually buried in our generation. What you hear, see and feel occasionally will bring a short-term shock, followed by a long-term forgetting. What we need is never to forget.

In the pursuit of a more diversified future, sometimes it is necessary to stop and look at the road that seems to be the time. Even if he reaches the peak, a person without his own unique memories is not a complete person; Even if it develops rapidly, a country without its own unique culture is not a respectable country. I hope that in the near future, when we appreciate folk art similar to the old tune, we will not be so "superficial" shocked again.