Practical analysis of Bayer's basic piano course

The course of Baie is divided into three parts: the first stage, the second stage and the appendix. There are mainly 109 etudes, 34 appendix exercises and 22 music clips. Today's study can be selective, planned and targeted. Of course, if the conditions permit (if there is enough time to practice the piano), playing correctly one by one will definitely gain more in music learning. In the basic piano course, it is also an effective way to learn the piano by taking "Bye Eritrea" as a sight-reading exercise. The following will be analyzed and discussed according to the Basic Piano Course of Bayer published by People's Music Publishing House in August 2000.

The right-hand key-touching exercise (page 6), left-hand key-touching exercise (page 6) and two-hand key-touching exercise (page 7) in the first stage of Worship, as well as the right-hand key-playing exercise (page 76), left-hand key-playing exercise (page 77) and two-hand exercise (page 79) in the appendix behind can be assigned to a certain stage of daily practice as staccato and staccato in a planned and purposeful way.

The appendix "Twenty-four scales" (page 83) at the back of "Bai" can lay a good foundation for the later study and development of the four octaves in "Hanon", and you can practice alternately with the scales in "Hanon" to further straighten out the fingering order and familiarize yourself with the keyboard position. The "relationship between sound order and sound" in the appendix of "Baie" can be practiced by combining tonal listening, scale playing, tactile memory and auditory memory, thus obtaining the double benefits of piano learning and music learning.

From the analysis of the types of performance techniques, "Bai" can be divided into the following eleven categories: First, performing in a fixed position, such as 12-3 1, 56, 44-45. Second, chord accompaniment modes are played, such as 46, 48, 50, 52, 55, 59, 66, 74, 77, 80, 8 1, 82, 88, 89, 90, 9 1, 9 1. The third is the balanced development of both hands, such as Article 60, Article 72 and Article 83. The fourth is the keyboard action practice of playing "five-tone short sentences" with both hands, such as 62. Fifth, scale playing and scale training, such as articles 65, 75, 8 1, 82 and 83. The sixth is the practice of two tones, such as 68-7 1, 67, 84, 90, 97. Seventh, the practice of playing tone sandhi and decorative sound, such as: Article 80, Article 100, Article 102, etc. Eight is the practice of music rhythm, such as: Article 88, Article 89, Article 98, Article 102, etc. Nine is the practice of playing chromatic scales, such as 108 and 109. Ten is smooth practice, such as 87. The eleventh is to practice playing small songs, such as the Irish folk song "Years ago" (Article 78).

For the preparation exercise before playing the scale in C major-"the practice of changing fingers up and down" (repeated at least eight times), the content (page 46) should be mastered as extremely important, which is a key to getting the gist of the scale and must not be taken lightly.

All the major and minor scale exercises (after page 46) and the basic fingering exercises of chromatic scales (pages 73-74) that appear in the course should be mastered as excellent performance contents.

In the study of "worshipping the city", we can put 60, 62, 65, 66, 72, 80, 8 1, 82, 83, 84, 87, 88, 89, 90, 96, 97, 98.

For the practice of Article 84, staccato and Legato can be used to improve the sense of standing and the ability to move your fingers independently.

The course "Baie" is a collection of etudes, which belongs to a genre form of characteristic music. Its main purpose is to train playing skills and achieve certain technical goals. However, it is a modern and more scientific learning concept to take etudes as music exercises and have rich musical expression.

Many objects in "Baie" can form distinct musical images if they are psychologically rich in corresponding musical aesthetic content and musical speed. For example, articles 66 and 89 have the nature of graceful and stretched dance music; Articles 8 1, 82 and 98 can play a lively and cheerful waltz image; Articles 80, 88 and 100 can give play to the relaxed and lively image of a mime; Article 90 The genre characteristics of hunting songs can be played.

The first volume of "Steel Edition" selects four articles from "Worship", which are 22, 37, 4 1 and 42 pages of etudes respectively.

The etude on page 22 of the first volume of Steel Base is article 77 of Baie, and the music speed is marked as Moderato (medium speed, about 88 beats per minute), but the music speed can be 76- 1 16 beats per minute during practice. Pay attention to the breathing of short sentences and long sentences in the right hand, make clear the rhythm of chord accompaniment in the first and third bars of the left hand (the same below), and emphasize the rhythm imitation of the melody in the second and fourth bars of the left hand. The strength of playing the eighth note should be uniform, and the penciled second note should maintain its duration. Pay attention to the dynamic changes in the music, the fingers should be highly consistent in the strong play, and the sound should be round, full and coherent; When playing weakly, your fingers should be dexterous, clean and balanced, so that the sound is weak and not floating. Playing this song at the music speed of 120 beats per minute can show the genre style of competitive music.

On page 37 of the first volume of Steel Base, Etudes is the 88th article of "Worship", and the music is marked with medium speed. When practicing, the music speed can be 80- 1 16 beats per minute. The left hand is accompanied by chords, the bass is the main tone, and the little finger should be played deeply for a long time. The sound pattern of the left hand also pops up the layering of the sound. Left-handed accompaniment is two beats and a phonetic unit. Play with the fingering of "5 13 1" or "5 12 1", and pay attention to the continuity of five fingers and one finger in the left hand. The rhythm of the dotted notes in the right hand should be accurate, especially the combination with the left hand should be natural and coherent. When practicing, you can practice your right hand first, then practice a bar with your left hand, and then develop the later practice after finding the feeling of playing, so that you can get twice the result with half the effort. The 7th-8th section of the right hand is that the scale in G major runs upward within two octaves, so it needs to be divided and practiced carefully according to the playing method of the scale (the same below). In the eighth quarter, the highest note in the right hand was changed to octave jump, which should be accurate. The jumping and rebounding point of this note is also the falling point of the elasticity of the lower octave, and the wrist and arm should be smoothly connected with nature. At the end of the music, the octave jump should not be too short, and the music should be completed successfully. Dolce at the beginning of the song means graceful and gentle, so we should try our best to achieve the contrast change of strength and the trend of gradual strengthening when the scale goes up, and pay attention to the expression of strong notes. Playing this song at the music speed of 120 beats per minute can show the characteristics of relaxed and happy silent music.

On page 4 1 of book 1 of Steel Base, "Etudes" is the eightieth chapter of Baie, and the speed is marked as Allegro (Allegro, 108 beats per minute), but the music speed can be 86- 1 16 beats per minute during practice. The left-hand accompaniment is marked with leggiero, which means light or soft, and should play the rhythm of four or three beats and half broken chords (see lesson 8-9 for specific requirements). When playing inflected short sentences with your right hand, you should adjust the position of black and white keys. Pay attention to the weak voice in your right hand. The right-hand forward-leaning sound should occupy the length of the standard sound and pop up synchronously with the left-hand quarter note, but it should not occupy the length of the standard sound more, so as to play a light and flexible decorative sound effect. In section 9- 12, the right hand and the left hand cross. When practicing, we should pay attention to the distance sense of the keyboard in vision and feel to ensure the accuracy of playing. Left-handed chord accompaniment can be played with Legato on the first beat and the second beat. The single tone on the first beat is deep, which is connected with the double-tone skipping on the second beat, and the third beat is played with double-tone skipping, which forms an obvious "weak" beat sense and makes the music more lively and lively. When playing, you should listen to the timbre changes in D major and G major, and pay attention to the contrast between strength and weakness in music. Playing at the music speed of 126 beats per minute can show the humorous musical image of a humorous song.

The "Etudes" on page 42 of the first volume of "Steel Base" is article 8 1 of "Worship", and the speed is marked Allegro (Allegro), but the music speed can be 86- 125 beats per minute during practice. The playing essentials of left-handed chord accompaniment are the same as those of "Bayer" 80, which is also marked leggiero. However, the former is D major and G major, and this exercise is A major and D major, with seven chords (the third bar, etc. ) with a long bass, so pay attention to the change of keyboard position and tonality. This song is Aba Three Steps, and paragraph A is 1-8. In a major, the right hand is the scale melody in a major. It is necessary to display the fluency of phrases and the characteristics of weak melody, pay attention to the general characteristics of rising and falling, and be rich in personal practice. Section b is section 9- 16. D major is a subordinate tone sandhi (this is a western tradition), 9- 10 is a right-handed fingering,1-12 is a right-handed fingering, and 13-662 is a right-handed fingering. 16 The octave jump of the right hand should be decisive, and two strong notes will pop up. 17-24 is the reproduction of paragraph a, so we should pay attention to the perfection of the ending feeling of the music. Playing at the music speed of 140 beats per minute can show a lively waltz music image.

Playing "Bey" with musical image can bring some interest in learning, but in the end, we should be clear about the technical content cultivated by "Bey". Such as: mastering the weight of the arm supported by fingers, the playing method of the arm weight (before Article 64), the basic hand shape of pentatonic phoneme, the polyphonic texture on the basic hand shape (such as Article 19), the polyphonic factors and residual sounds on the basic hand shape (such as Article 29), the imitative polyphonic features on the basic hand shape (such as Article 60), and the rhythm training (such as.

It is the ideal pursuit of quality optimization to pop "Baie" out of the level of "599" or even "849", which can be enriched in practice, such as: repeating the entry of "Baie" many times to speed up the performance; Playing an object with faster music speed and different playing methods is the best way to make "worship" qualitatively change. Excellent "worship" performance level is an important guarantee for the smooth success of "599" learning. Ferdinand Baer is an excellent piano educator with rich teaching experience. His "Worship to Eritrea" course was written in the 1950s of 19, which nurtured generations of musicians to thrive. Her practical value and significance are extremely far-reaching.

When discussing the musical image played by "Baie", we mentioned dance music, waltz, humorous songs and hunting songs, all of which are the names of musical genres. The following describes its genre characteristics.

Dance music is a kind of accompaniment music originated from dance, which has a distinct beat and is often accompanied by typical rhythm and national character. Such as minuets and gavotes.

Waltz, transliterated as "waltz", is a three-beat dance music. It originated from German folk, and was introduced to the court of Vienna in the18th century. /kloc-from Weber to Johann Strauss, the king of waltzes, in the 0/9th century. Waltz is divided into fast, medium and slow three, with flexible rhythm and expressive melody. Light and warm, melodious and lyrical, and soft meditation can all be shown in this kind of dance music. The accompaniment is mostly bar chords, and the stress is in the first beat. The accompaniment sound pattern of quarter note rhythm shows "weak strength" rhythm fluctuation in triple time. Such as johann strauss's "Blue Danube" waltz.

Humor, also known as Funny Music, is humorous, optimistic, lively and full of life, with special emphasis on the power of rhythm. The most popular is19th century Czech composer and pianist dvorak.

Hunting song is a kind of western hunting song, which was produced in14th century. Often sing in the same degree. It artistically depicts the capture and shouting scenes during hunting, vivid, lively and full of vitality.