China Traditional Lacquer Art Works

Lacquer, also known as "national lacquer", is a kind of natural paint taken from lacquer trees in nature. It was discovered and used by humans as early as 8,000 years ago in Hemudu period.

The use of lacquer also began with bamboo slips, which were used as utensils, black lacquer, jade as ritual vessels, black lacquer for external use and Zhu as internal paintings. This historical record in Lu's Preface confirms the ancient lacquer history in the history of the Chinese nation.

Lacquer art runs through the history of the Chinese nation and people's daily life, ranging from tableware to the coating of submarine optical cables. The development of lacquer art is closely related to people's lives.

Lacquer is natural and lacquerware is very healthy and safe. Lacquerware can be seen from ordinary fireworks to Chun Xue.

Pen, ink, paper, inkstone, piano, calligraphy and painting, lacquer ware are common objects in literati books. Literati wrote a letter to coachable, punishing corrupt officials with a pen as a knife and writing legends. The luster of big paint.

The weapon rack is deep and solemn, much like the border guards defending the country.

Soldiers gallop on the battlefield and defend the territory based on flesh and blood. The rack in the chancellorsville silently waited for the sergeant's return.

Cups, plates, bowls, rouge boxes, guqin pipa and small ones.

Lacquerware is all-encompassing, elegant, vulgar and frugal, which not only sets off the character of literati, but also is the iron and blood of soldiers. It is a kind of folk fireworks and an elegant art.

People often say that lacquerware is alive, and it is true now. The layer after layer of large lacquer coating on the carcass seems to be a warm protective layer, which makes the lacquer ware not rot for many years. With the passage of time, lacquerware constantly exudes different tastes and luster. For a long time, the immortal waited quietly in a corner for the right person.

Lacquerware has added unparalleled brilliance to the technological history of Chinese civilization. After thousands of years, it is still fascinating. In the thousands of years of inheritance, the aesthetics of each dynasty are different. What changes have taken place in the style of lacquer ware?

The king of Qin swept Liuhe, eyeing up, he Xiongzai!

During the Qin and Han dynasties, lacquerware began to enter its heyday. Its colors are mainly red and black, simple and solemn, with profound texture and great charm. It is not only beautiful and atmospheric, but also anti-corrosion and moisture-proof. "The Carving of Qi Dan" was sought after by the world, and lacquerware began to be applied to all aspects of life.

Lacquerware began to replace bronze vessels to some extent from daily utensils, musical instruments, sacrificial ceremonies and weapons. Step by step towards your own legend.

Clouds want to dress up, flowers want to be beautiful, and spring breeze blows the threshold to show Revlon.

In the Tang Dynasty, lacquerware began to shine brilliantly, and the prevalence of various techniques made lacquerware more luxurious and gorgeous. Jian Zhen Dongdu spread China lacquer culture to Japan, and lacquer technology was further promoted in Japan.

Gold and silver flat bronze mirror

Workers should not be clever. This device can transport national materials.

In the Ming and Qing dynasties, folk lacquerware and official lacquerware factories kept pace, lacquerware began to spread all over the country, and lacquer technology shined brilliantly. There is even a masterpiece of lacquer decoration, which records 497 lacquer crafts. Unfortunately, when it spread to later generations, lacquer art almost died out.

Zhu Ming lacquer gold printing box

Lacquerware, in the final analysis, lies in the word "vessel". Metaphysical refers to the Tao, while physical refers to the device.

Due to the difficulty in obtaining materials, complex technology, long time-consuming and expensive price, traditional lacquerware products gradually faded out of people's daily home life, but gradually developed from traditional industries to literary circles.

The old craft handed down by our ancestors for thousands of years has stood the test of time, and a good lacquer can live for thousands of years. You can't just refuse such a good thing. Zhenbaotang designers are committed to combining traditional skills with modern aesthetics, paying equal attention to practicality and aesthetics, and creating works that meet the aesthetics of a new generation of consumers. Let good lacquerware get better inheritance and development.

The process of making lacquerware is very complicated and requires great patience. A slight mistake, all previous efforts will be in vain. It is in bit by bit polishing that the beauty of lacquerware can be slowly released in later years.

With the improvement of comprehensive national strength, people began to pursue art and aesthetics. Lacquer art is a treasure of oriental culture, and the texture of lacquerware is as warm as jade, and its charm is rich and profound. Facing the new era and new world, the development and inheritance of lacquerware has opened a new chapter.