What are the calligraphers' works?

1, Wang Xizhi, his Preface to Lanting: * * 28 lines, 324 words, perfect composition, structure and brushwork, which was his masterpiece at the age of 33. Later generations commented that "the font of the right army changed." Its heroic spirit comes from nature, so it has always been regarded as a model. Therefore, calligraphers of all ages regarded Preface to Lanting as "the best running script in the world". Reached the state of perfection.

2. Yan Zhenqing, in the history of calligraphy, Yan Zhenqing is the most accomplished and influential calligrapher after the two kings. He has a wide collection of books and profound knowledge. He changed the ancient law and became a solemn, square and simple "face style", which had a great influence on later generations.

Yan Ti established his immortal leading position in the history of regular script for thousands of years.

3. Zhao Mengfu and Zhao Mengfu are great painters. They are knowledgeable, good at poetry, understand economy, craft calligraphy, fine painting, good at epigraphy, and have a lot of experience in temperament and appreciation.

In particular, calligraphy and painting achieved the highest achievements in the Yuan Dynasty, creating a new style of painting, which was called "the crown of Yuan people". In painting, landscapes, figures, flowers and birds, bamboo stones and pommel horses are omnipotent; Fine brushwork, freehand brushwork, turquoise, ink and wash, everything is fine. "Stone flies as white as a stone, and writing bamboo is still in the eight methods. If anyone can know this, you will know that painting and calligraphy are the same. " This poem by Zhao Mengfu has become the motto of China's calligraphy and painting circles.

In view of Zhao Mengfu's achievements in cultural history, 1987, the International Astronomical Society named Mercury Crater after Zhao Mengfu to commemorate his contribution to human cultural history.

4. Liu Gongquan, in the history of calligraphy in China, there was a famous calligrapher who was good at regular script and was famous for his strength. This is known as Liu Gongquan.

Liu Gongquan's crown of success is not only woven by hard thorns, but also picked on the shoulders of giants. He is good at absorbing the wisdom and achievements of all calligraphers and turning them into his own calligraphers. Liu Gongquan took the banner of regular script from Yan Zhenqing, created his own "Liu Style" and erected a towering monument. People look at this monument, look back at its books and admire its books, so books and people are immortal.

5. Wang Xianzhi's and Wang Xianzhi's calligraphy, such as fine script, line, cursive script, official script, especially cursive script. His regular script is represented by the thirteen acts of Luo Shenfu, and his running script is duck head pill iron. The cursive masterpiece Mid-Autumn Post is listed as one of the "three wedding invitations" in Qing Dynasty.

6, Su Shi, Su Shi has many literary and artistic talents, poetry, poetry, prose, calligraphy, painting have superb attainments. He is an outstanding writer in China and a literary leader in the Northern Song Dynasty, and has made many literary achievements. Ou Su, whose prose and Ouyang Xiu are known as one of the "Eight Masters in Tang and Song Dynasties".

Su Shi's running script is different from Huang Tingjian's fresh vitality and Cai Xiang's gentle charm, but it is rich in pen and ink, round and hearty. Because of his extensive cultivation, he is naive and simple, elegant in style and wins with charm. His book "Huangzhou Cold Food Sticker" is rich and elegant in content, ups and downs and rich in feelings, and is known as "the third running book in the world".

6, Dong Qichang, Dong Qichang just overflow Wen Min, Zen, poetry, calligraphy and painting, theory are carefully collected. He is a literary school in China and has been an outstanding artist for decades. He was the most outstanding and influential painter in the late Ming Dynasty.

Dong Qichang's paintings are good at landscapes, paying attention to the traditional techniques of imitating others, pursuing a simple and naive style, and paying attention to the ink and rhyme. The ink color is distinct, elegant and elegant. "Painting History and Painting Essentials" comments: "Dong Qichang is full of trees and stones, flowing clouds and flowing water, full of lofty sentiments. Because the pen is elegant, it is the first in this dynasty. " Dong Qichang's paintings had a great influence on the painting circles in the late Ming and early Qing Dynasties, and spread to the modern painting circles.

On the occasion of Kangxi and Yongzheng, his calligraphy had a far-reaching influence, which was unmatched by other calligraphers.

8, Zhang Xu, poetry, cursive, especially long cursive. His cursive script is well-known in the contemporary era, which has a great influence on later generations and occupies an extremely important position in the history of calligraphy in China. When dancing with Li Bai's poems and Pei Wenjian, he was called "Three Musts" and was praised as "the sage of grass" by later generations.

9. Mi Fei and Mi Fei are good at poetry, calligraphy and painting, and their identification is accurate. He is a painter, appraiser and collector. He is one of the "four calligraphers of Song Dynasty" (Su, Mi, Huang and Cai) and is second to none. His writing style is bold and unconstrained, and his statutes are rigorous.

Mi Fei studied hard all his life and made the greatest achievement in calligraphy. Mi Fei claimed that his works were "collections of ancient Chinese characters", and he had a deep understanding of the brushwork, composition and charm of ancient masters, which also showed to some extent that Mi Fei had made great efforts in the tradition of learning books. When he was young, he studied hard Yan, Liu, Ou and Chu, and laid a solid foundation.

10, Huai Su, famous for Weeds. Huai Su became a monk when he was a child. After meditation, he loved calligraphy and practiced hard in the pool. He practiced calligraphy with banana leaves, and the board was made of paper. All the boards were worn out, and his bald pen was buried in the grave. Later, he wrote dragons and snakes all over the camp, just like Zhang Xu, and they were collectively called "ordering the stage to be crazy".

Huai Su's cursive script is thin and vigorous, flying naturally, like a whirlwind of showers. Although his calligraphy is capricious and ever-changing, it has statutes. Huai Su and Zhang Xu formed two peaks of calligraphy in the Tang Dynasty, which were also two unattainable peaks in the history of cursive writing in China.