Traditional Culture Encyclopedia - Traditional stories - What are the verses about idyllic life
What are the verses about idyllic life
1. Two Absolute Sentences (Du Fu)
Late in the day, the rivers and mountains are beautiful, and the flowers and grasses are fragrant in the spring breeze.
Mud melt flying swallows, sand warm sleep mandarin ducks.
2, Bamboo Pavilion (Wang Wei)
Sitting alone in the secluded grove, playing the piano again long whistle.
Deep forest people do not know, the moon to shine.
3, the old man Zhuang (Meng Haoran)
The old man with chicken and millet, invited me to the field house.
The village is surrounded by green trees, and the green hills are slanting outside.
The old man had a chicken and millet, and the green hills were slanting away from the village.
When the sun comes up, I will come back to the chrysanthemums.
4, rim Sichuan leisure gift Pei Xiucai Di (Wang Wei)
Cold mountains turn verdant, autumn water gurgling.
Leaning on a stick, I listened to the cicadas in the wind.
The sun is setting over the ferry, and the smoke is rising in the marketplace.
In the summer, when I was drunk, I sang wildly in front of the five willows.
5, the return to the garden, a (Tao Yuanming)
Custodial birds love the old forest, the pond fish think of the old abyss.
The southern field of the open field, the return to the idyllic garden.
The square house is more than ten acres, and the grass house is eight or nine rooms.
Elm and willow shade after the star, peach and plum in front of the hall.
The first time I saw this, I was in the middle of a journey to the countryside, and I was in the middle of a journey to the countryside.
How to hold the white calf, drinking water to the clear stream.
7. Deer Chai (Wang Wei)
Empty mountains, I do not see people, but I hear the sound of people's voices.
Return to the scene into the deep forest, and then shine on the moss.
8, Mountain Dwelling Autumn Night (Wang Wei)
After the new rain on the empty mountain, the weather is late in the fall.
The moon shines between the pines, and the spring flows over the stones.
The bamboo is noisy, and the lotus is moving, and the fishing boat is moving.
The spring fragrance rests at will, the king and grandchildren can stay.
9. April in the Countryside (Weng Roll)
The green mountains are full of white rivers, and the rain is like smoke in the sound of Zi Gui.
The countryside in April is less idle, and it is only after the silkworms are inserted into the field.
10, four times the garden miscellany (Fan Chengda)
plum golden yellow apricot fat, wheat flowers snow white vegetable flowers rare.
Day long hedge no one over, only dragonfly nymphs fly.
11, tour of Shanxi village (Lu You)
Do not laugh at the farmers wax wine muddy, the year of plenty of guests to stay enough chicken and dolphin.
There is no way out of the mountains, but there is a village in the darkness.
The ancient road was flooded with rain, and the sun filled the deserted reservoirs.
When will the five crops be harvested?
The river is in a state of chaos, and the leaves are rotting in the fall.
The new woodcutter is wet in the evening, and the old fisherman in the morning.
The remaining chrysanthemums of last year are empty.
13, Xinyiwu (Wang Wei)
Hibiscus flowers at the end of the wood, the red calyx in the mountains.
The streams are quiet, and no one is there, but the flowers are falling from the sky.
The garden on the Kishang River (Wang Wei)
The garden is on the Kishang River, and there are no mountains in the eastern field.
The sun is hidden outside the mulberry and the cudgel, and the river is bright between the wells.
The shepherd's children are looking at the village, and the hounds are returning with the people.
What is the matter with the quiet ones, who close their doors by day?
15, return to Songshan (Wang Wei)
The clear river with a long thin, car and horse go idle.
The water is flowing like an intention, and the birds are still with each other at night.
The deserted city is near the ancient ferry, and the sunset is full of fall mountains.
The first thing you need to do is to get to the top of the mountain, and then return to the top of the mountain.
16, Cui Puyang brother season heavy mountains before the Xing (Shanxi to go also on the Weimen) (Wang Wei)
Autumn colors have a good Xing, not to mention the gentleman on the pool leisure.
The first time I saw you, I was in the middle of the night, and I was in the middle of the night.
A thousand miles of color, a few peaks out of the clouds.
The first time I saw the movie, it was the first time I saw the movie, and the second time I saw the movie, it was the first time I saw the movie, and the third time I saw the movie.
The moonrise birds, singing in the spring stream.
18, Zhongnan Mountain (Wang Wei)
Taiyi near Tiantu, even the mountains connected to the corner of the sea.
The white clouds are looking back and forth, the green mist into the see nothing.
The mountains in the middle of the field are different, and the gullies are different in cloud and sunshine.
The white clouds are the same as the peaks in the middle of the field, and there are many different gullies in the cloud and the sun.
(2) Artistic techniques in the Sheng Tang idyllic poems mostly use the technique of white description, elegant and natural style, fresh and faraway mood; in the Tang idyllic poems are more typical events to reflect the general social phenomena. The following specific analysis: Sheng Tang: the arrival of the prosperity of Tang poetry, landscape poetry appeared in the spectacular Li Ri Jing Tian.
Wang Wei and Meng Haoran inherited the tradition of Tao and Xie's landscape poems, forming a school of landscape and idylls that mirrored the Border Poetry School. There is no poet in the Tang dynasty who did not write poems on the subject of natural landscapes.
Such as: Wang Ji "Wild Hope", Wang Bo "in the mountains", Chen Zi'ang "degree of Jingmen"; Zhang Ruoxu "Night of the Spring River and the Moon"; Zhang Jiuling "Hukou Wang Lushan waterfalls water"; Wang Zhihuan "climbed to the stork tower"; Du Fu "looking at the Yue", "Jiangcun," "Ascension"; Wei Yingwu's "Chuzhou Western Stream"; Gu Gu Fong "over the mountain farmers"; Zhang Ji "Maple Bridge Night Mooring"; Dai Shulun "Su Xi Pavilion"; Shu Guanxi "fishing bay"; Chang Jian "broken mountain temple"; and Chang Jian "the title of the mountain", "the mountain"; and "the mountain". Changjian, "The Zen Garden after the Broken Mountain Temple"; Han Yu, "Visiting the Temple of Heng Yue and then the Temple of Su Yue"; Meng Jiao, "Traveling to Shilong Vortex"; Bai Juyi, "Spring Walk on Qiantang Lake", "Twilight River", "Peach Blossoms in the Temple of Dalin", "Spring Hope in Hangzhou"; Liu Yuxi, "Temple of the Goddess of Mount Wushan"; Liu Zongyuan, "Fisherman", "Jiangxue"; Li He, "Mount Wushan"; Du Mei, "Walking on the Mountain"; Li Shangyin, "The Original of the Leyou"; and Wen Tingjun, "Early Walk on Shangshan". ...... There are many poets of the Tang Dynasty who are famous for their landscape poems, but the ones who can represent the maturity of landscape poetry are mainly Meng Haoran, Wang Wei, and Li Bai. Meng Haoran, who lived in Xiangyang Lumen Mountain, sent his love to the landscape and did not serve in his life, and was one of the few poets of the feudal era who remained famous for ages.
Li Bai has a poem "Gift to Meng Haoran": "I love Meng Haozi, the world is known for its style. I love Meng Haoran, his style is known all over the world. He abandons his red face and crown, and his white head lies in the pine clouds.
The drunken moon is often in the holy, the lost flowers do not serve the king.
Meng Haoran is a true recluse. In the ancient times, the scholar was "not to be able to help the world, but to be able to do good to himself".
He chose the second way, clear mind, indifferent and tranquil intoxicated in the natural landscape, the pursuit of the highest state of poetry - natural beauty.
"Steaming clouds and dreaming, waves shaking Yueyang City", "the waves come like snow, a sitting Rin Sheng cold," this kind of meteorological and majestic poems are not common. It is also representative of those poems that present a quiet, cold mood, y imprinted with the mood of the hermit.
He wrote about the feelings of the hermit: "In the white clouds of the northern mountains, the hermit is happy. The hermit is happy in the white clouds of the northern mountains.
......". (He wrote a poem about the joys of his family: "The old man had chickens and millet, and invited me to his family's home in the field.
The green tree forest edge together, the green mountain Guo outside diagonal.
They are the first to be able to do so, and they are the first to be able to do so.
When it comes to the sun, I will come back to the chrysanthemum flower."
Holding the volume of meditation, we seem to see a high-minded and proud poet walking alone on the mountain road, the mountain wind blowing the long flowing shirt. Wang Wei wrote political poems, border poems, but it is his landscape poems that reflect his unique accomplishments.
After he witnessed the official tumble, the world's situation overturned, and he himself experienced the uncertainty of the career, "I wish to get the Yan bow to shoot the generals of the sky, even if the death of the fragrance of chivalrous bones," the heart of the work and enthusiasm quickly cooled down. After middle age, that is, holding a "paint garden is not a proud official, since the queue by the world affairs.
But send a micro-official, the hovering several trees."
But send a small official, a few trees."
The attitude of life, hidden inside and outside, and chose a life path also official and hidden.
His landscape and idyllic poems are not only a reflection of his own mind, but also a projection of the times in the country of poetry. Wang Wei's landscape poems are characterized by majestic natural scenery and more elegant landscapes.
For example: "Han River", "Chusei Sanxiang building, Jingmen Jiupai pass. The river flows beyond heaven and earth, and the color of the mountains is there or not.
The county is floating in front of the river, and the waves are moving far away from the sky. The first is "Xiangyang", which is a good place to get drunk with a mountain man."
Another example is "Zhongnanshan Mountain", "Taiyi is still the capital of heaven, and even the mountains reach the corner of the sea. The white clouds look back, the green mist into the see nothing.
The peaks in the field are different, and the gullies are different.
This is the first time I've ever seen a book like this, and I've never seen it before.
The first poem, written about the scenery of Jianghan, the use of ink landscapes and brushwork, large ink, sketching out the majestic and magnificent Jianghan, water and sky floating together, the mountain color if there is no scenery. After a poem, write the victory of the South Mountain, the image is hazy, contains a very rich, the mountains of the green verdure, thousands of rocks and ravines are all covered in a vast "white clouds", the "green mist".
However, Wang Wei's poems are more of those with a few Zen thoughts of the elegant picture, he is a person of great enlightenment, superhuman talent not only in poetry, calligraphy, painting, and many aspects of outstanding achievements, but also in the Zen enlightenment, but also the wisdom of the great enlightenment. The painter's vision, the musician's hearing, the poet's feeling, the Buddhist's mentality, endowed him with an extraordinary artistic power, and he injected almost every scene with his unique soul and feeling, and dissolved his ego in the scene, forming the Zhuang Zen realm where the object is me, and I am the object.
Wang Wei's landscape poems, to write the mind, no trace, the elephant outside the elephant, the scene outside the scene, accidentally intentional, rhyme outside the chi, there is a kind of faraway mood. Such as "Deer Chai", "Bamboo Huang", "Birdsong Stream", "Grass Catkin Dock" and so on.
Empty mountains, bamboo, streams, bright moon, flowers and birds ...... Here is a how quiet and beautiful, pure and unadulterated heaven and earth, and how independent and closed world. This kind of quiet, ethereal no man's land is precisely the poetic Chuang Zen realm of forgetting things and self! Rim River Collection and those landscape works in his later years are shining with a still Zen metaphysical thinking, showing a kind of thing I meditate on one, thinking about the picture of the realm of harmony.
Here, the poet draws nature into himself, and dissolves his own life in the scenery, forming a "no man's land" where things are me and I am things; the "sunlight on the moss, the bright moon in the forest, the birds under the moon, and the birds that bloom and fall from the sky". "catkin flowers"......, they are both external objects, but also the poet's silent inner illusion. Wang Wei this kind of thought and the realm of harmony of landscape poetry, not only connotes a static beauty, but also shows the "clear and exquisite" "deep leisure and elegant" artistic characteristics.
After Wang and Meng, Li Bai opened up new horizons for landscape poetry. The distinctive feature of Li Bai's landscape poetry is the personalization of natural landscape scenes.
Landscape poetry was originally an objectification of the poet's aesthetic ideals.
3. What are the verses describing the idyllic life, and what are the names of the poems?All night in the mountains
(Tang) Wang Wei
The weather is late in the autumn after the new rain.
The moon shines between the pines, and the clear spring flows over the stones.
The bamboo is noisy, and the lotus is moving, and the fishing boat is moving.
The spring is a time to be free, and the king's grandson can stay.
The Old Man's Village
(Tang) Meng Haoran
The old man has invited me to his house with his chickens and millet.
The village is surrounded by green trees, and the green hills are beyond.
The old man had a chicken and millet, and invited me to his home, where the green trees were close to the village, and the green hills slanted away from the countryside.
I will come back to the Chrysanthemums on the day of the Chrysanthemum Festival.
The Village Dwelling
Gao Ding
The grass is long and the warblers are flying in February,
The willow on the embankment is drunk with spring smoke.
The children return home early from school,
They are busy releasing paper kites in the east wind.
"The Night at Xu Gong Dian (宿新市徐公店)"
(Southern Song Dynasty) Yang Wanli
The path is deep, and the flowers on the trees are not yet in the shade.
The children rush after the yellow butterflies,
and fly into the cauliflowers.
A Child Fishing
(Tang) Hu Linneng
A child with a shaggy head learns to fish,
and sits on the berry grass.
A passerby beckons to me,
for fear that the fish will not respond.
4. What are the verses describing "the beauty of life in the countryside"1. The old man invited me to his house with his chickens and millet.
2. Tonight, I know that spring is warm, and the sound of insects is newly penetrating the green window screen.
3, planting beans under the South Mountain, grass and bean seedlings rare.
Translation: I planted beans under the south mountain, and the weeds in the ground are lush and the peas are sparse.
4. Plums are golden and apricots are fat, wheat flowers are snow-white and vegetable flowers are scarce.
The translation: a tree tree plums become golden, apricot is growing bigger and bigger; buckwheat flowers a snow white, rape flowers appear sparse.
5, ambiguous far people village, according to the market smoke. --Tao Yuanming - Wei Jin "Returning to the Garden - one of the"
Translation: The neighboring villages in the distance can be seen vaguely, the villages are drifting with curls of cooking smoke.
6. In the rain, the chickens are crowing in one or two houses, and the plank bridge on the village road in Zhuxi is slanting. A boardwalk crosses the village road above a bamboo stream.
7. The wild is rare, and the poor alleys are not harnessed.
Translation: The countryside is less traveled with the world, and the back alleys are less traveled with cars and horses.
8. The white heron flies in the desert paddy fields, and the yellow oriole warbles in the shady summer trees.
Translation: A line of egrets flew in the sky on the vast flat paddy fields; the oriole's twanging cries were heard in the lush woods by the fields.
9, Lu I new cooked wine, only chicken to invite near the game.
Translation: filtering the new wine at home, cooking a chicken to entertain the neighbors.
10: "We are together in the field, and the children have opened the door to the thorns".
5. What are the poems that describe the yearning for the idyllic life1. Summer idyllic garden miscellany - its seven
Song Dynasty: Fan Chengda
Cultivating the fields in the day and performing the hemp in the night, the children in the villages are in charge of their own families.
The children and grandchildren have not yet begun to plow and weave, and they are learning to plant melons in the shade of the mulberry tree.
2. Seven Songs of Music in the Garden - Part 6 / Idle Habitation
Tang Dynasty: Wang Wei
Peach is red with rain, willow is green with smoke.
The flowers are not swept away by the children of the family, and the warbler cries that the mountain guests are still sleeping.
3. Seven Songs of Music in the Garden - One of Them
Tang Dynasty: Wang Wei
I am tired of seeing thousands of doors and tens of thousands of households, and passing through the northern and southern neighborhoods.
The government has the bottom of the song, kongdong emanate who.
4, the garden
Tang Dynasty: Meng Haoran
The poor hut from the noise of the dust, but the first to raise the quiet.
Plotting neighboring three paths, planting fruit surplus thousands of trees.
The first time I saw this is when I was a student at the University of California, Berkeley.
The book and sword will be late, Qiuyuan day has been twilight.
Since the morning, the morning is more pregnant, daytime sitting is often not understanding.
I am envious of the swan, and I am ashamed of the chicken and the ducks.
The door to the golden horse is broken, and the road to the woodcutter is full of songs.
I have no close friend in the countryside, and I have no friends in the countryside.
Who can be Yang Xiong, a recommended Ganquan Fu.
5. Jiangnan Spring
Tang Dynasty: Li Bai
Youthful geometry, yellow bird song never stop.
The end of the world, the old Chinese hair outside the river.
The heart flies to the Qinsei clouds, and the shadow stagnates in the Chuguan moon.
The world has been a place of great sorrow, and the fields have long been overgrown.
The first time I saw this was when I was a young man. The first thing I want to do is to get out of the way and get out of the way.
6, Nanxiangzi - March from the county returned to his hometown over the district Bengwu West Garden to talk about the old
Qing Dynasty: Chen Xun
Do not have to ask the field, ten years back to the old joy. A smile from the know spring intention, hedge, three or two remaining flowers to my Yan.
The letter of sadness and happiness has no reason, but I feel that my heart is here in peace. The first thing I want to say is that I'm not sure how much I'm going to be able to do this, but I'm sure I'm going to be able to do it.
7, the rain in the middle of the autumn garden
Tang Dynasty: Geng flow back
Desert heavy clouds dark, Xiao Xiao dense rain hanging. The first time I saw it, it was a very long time ago, and it was a very long time ago that I saw it.
When will the five crops be harvested?
The first time I saw the world, I saw the world, I saw the world, I saw the world, I saw the world.
The new woodcutter is wet in the evening, and the old fisherman in the morning. The only thing that's left is the chrysanthemum from last year, and it's in the east fence.
8. The Case of the Green Jade
Song Dynasty: Cao Group
The plan to return to the garden must be early. I'm not sure if I'll be able to do it. I'm not sure if I'm going to be able to do that, but I'm sure I'll be able to do it. The time of the day is over, the poor green temples, secretly chasing the flow of years old.
These are the first time I've ever seen a movie in my life, and I've never seen a movie in my life. The first thing you need to do is to get your hands dirty. The first thing you need to do is to get your hands on a new pair of shoes or boots. The first time I saw this was when I was a kid, and it was the first time I had ever seen a kid in my life.
9, under the send Xin Dazhi E
Tang Dynasty: Meng Haoran
South Xin Jushi, said to return to the old bamboo forest. I have not been able to use it to adjust the tripod, but I have a heart to help the river.
I also forget the machine, the garden in the Hanin.
I'm not sure if I'm going to be able to get a good look at this.
10, Tangxi search for the old man
Tang Dynasty: Meng Haoran
flowers accompanied by Chenglong bamboo, the pool is divided into jumping horse stream. The first time I saw him, he was in a cave, and I thought he was going to live in a cave.
6. Poems about idyllic lifeFive poems of Tao Yuanming (陶渊明), one of which is about a young man's love of hills and mountains. I have been away for thirteen years. The birds love the old forest, the fish miss the old pond. I started to work in the south field and returned to the garden. The square house is more than ten acres in size, with eight or nine grass huts. Elm and willow shade the back eaves, peaches and plums line the front of the hall. Ambiguous faraway villages and smoke in the ruins. Dogs bark in the deep alleys, chickens crow in the mulberry trees. There is no dust in the house and no clutter in the court, and there is spare time in the empty room. I have been in a cage for a long time, but I have returned to nature. In the second place, there are few people in the wilderness, and there are few wheelchairs in the poor alleys. In the daytime, I cover my thorns, and drink wine without thinking about the dust. Sometimes the people in the marketplace come and go in the grass. They say nothing but that the mulberry sisal grows long. The days of mulberry and sisal have grown long, and the days of my land have grown wide. I am always afraid that the frost will come and I will be scattered like the grass. In the third part, I planted beans under the south mountain, and the grass was full of bean seedlings. In the morning, I cleaned up the filth and returned with the moon to pick up my hoe. The grass and trees are long and narrow, and the evening dew stains my clothes. It's not enough to stain my clothes, but it's enough to make my wish come true. Fourth, I have been traveling in the mountains for a long time, and I have been enjoying myself in the forests. I tried to take my children and nephews with me to walk in the deserted ruins. Wandering among the ridges, I can see where I used to live. The wells and stoves were left behind, the mulberry and bamboo plants were rotten. I asked the salaryman where he was, and he said to me, "There's nothing left to die for. I've given up my life in the marketplace. It's true. Life is like an illusion, but it will end in nothingness. Fifth, I'm disappointed to be alone in my journey, but it's been a long and difficult one. The mountain stream is clear and shallow, so I wash my feet. I drink freshly brewed wine, and two chickens invite me to a game. The sun is dark in my room, and I have to pay for the candle. The evening is short, but the day is still young. Poet Introduction Tao Yuanming (365-427), the word Yuanliang, said that the name of the submarine, the word Yuming, alias Mr. Willow, died after friends and relatives private posthumous Jingjie.
Eastern Jin Dynasty Xunyang Chaisang people (now Jiujiang City). Writing Background In the second year of the Jin Dynasty, the year after Yuanming's resignation from Pengze, the poet wrote five famous poems called "Returning to the Garden". This is the poet's farewell to the old and an ode to the new. The profound change of thought it reflects and the exquisite and skillful art it expresses are not only emphasized by scholars who have studied Tao Yuanming, but also made the majority of Tao poetry lovers fall in love with it. Appreciation "Return to the Garden" is an inseparable organic whole. So it is, not only in the five poems respectively from the resignation of the officialdom, gather friends and relatives, happy farming, visit old friends, happy night drinking several sides of the poet's rich and full of secluded life, more importantly, in terms of the feelings expressed, is the nature of the natural, happy in the interest to run through this group of poems. Although there are emotional turmoils and twists in the poem, the bright colors of joy and optimism are reflected in the whole poem. Some commentators are happy to say that there is "no adhesion" in Yuanming's mind, but in fact, there is still adhesion. In fact, there is still some stickiness. Even in the "Ridings of Return" written by Yuanming on the occasion of his resignation from the government, there is still the line "Xi is melancholy and sad alone", which means that there is always a trace of melancholy in his heart. A truly pure soul is not inherent (although the poet has repeatedly declared that he is "young and unsuited to the world, and by nature loves the hills and mountains"), but gradually becomes clear in the process of filtering out the impurities of the mind. Just as a person is reluctant to touch the hidden pain in his heart, the poet in "Returning to the Garden" is also very reluctant to mention the filthy officialdom from which he has just been plucked out." Mistakenly fall into the dust net", it is a bit of self-blame regret. And "a go thirteen years", refers to their own from the age of 29 years old "throw Lei to study", to the age of 41 years old "I can not for fifty buckets of rice to the township a few small bend" and resigned from the Pengze magistrate of the eunuchs this sea of thirteen years. However, today, after all, as desired, the mood at this moment is open, relieved. "A square house of more than ten acres, eight or nine grass houses." Which overflows with a kind of hometown still, "I love my hut" of a deep feeling." Elm and willow shade behind the eaves, peaches and plums in front of the hall." Eaves behind the elm willow tree shadow, thick shade ramp, Xi Xi breeze calmed the poet's heart anxiety. In front of the eyes of the peach and plum blossoms and flowers, the poet's heart how much joy is aroused in front of the hall. The poet is exchanging feelings with the ignorant grass and trees. The smoke from the cooker blends into the twilight mist, and when I listen carefully, I can hear the barking of a dog and the crowing of a chicken. Piles of paperwork in front of me are gone, replaced by the beloved "qingqin" "different books". Jikang to "human affairs, piles of cases full of several", "guests sat, chirping sound raucous, clamor and dust, a thousand changes in the place of odor, a hundred tricks" ("with the mountain Juyuan book") as the reason for the unbearable as an official. The poet here, also seems to be between intentionally and unintentionally used the word "dust". He tells us that all the things that we used to suffer from "dusty net" are not and will not be there any more. In this sense, there is a sense of a "virtual room", but within that there is reality, and he has resumed a life that is entirely his own to organize and dominate. "I have been in a cage for a long time, but I have returned to nature." Long" and "thirteen years" mirror, "cage" and "dust net" mirror, "nature" and "nature" mirror, and a "return" word points out the "soul to return" fun. Yes, the officialdom eroded his half-life, tainted his "cleanliness", and today, the bitter end of the sweetness, the poet finally got a gratifying compensation. "Rarely in the wilderness, the poor alleys are not harnessed." I think these two lines should be inverted to understand: "In order to rare personnel, I came to the field, in order to avoid entertainment, I live in the back alleys". It must be realized that this is not an objective narrative, but a subjective choice. The poet retired from the officialdom to the "field", from the "field" retreat to the "poor alley", "daytime cover the thorny door", and meditate in the room, "to the wine to stop thinking about the dust". Layers of precautions, avoiding the world lest it is not far away, to cut off socializing lest it is not as good as, to give up the common thought lest it is not enough. The poet is not too lonely, to some unsympathetic it No, as if the poet intends to eliminate this illusion, and for us to develop their own life and spiritual world: "Sometimes the market curve people, cloak grass **** to and fro." Although he did not have the "three paths", but he had his own fellow travelers frequently." "There are no words when we see each other, but we say that the sambucus is long." They **** have a favorite topic. Life in the countryside is simple and even poor, quiet and even lonely. However, it is also such an environment that enables people to acquire the **** same language and cultivate a simple and sincere feeling." I have heard that many people with a simple heart are happy to count the mornings and evenings with each other." ("Moving Home") the poet does not spare all the hardship, the children "young and hungry" ("with Ziyan and other sparsity"), and diligently seek, it is this true love between heaven and earth. A new life begins with the humiliation of being a eunuch, which is washed away by plowing. Perhaps it is because the official body is bound, the physical condition has declined, or perhaps it is because of a long absence from the field, the farming skills are a bit neglected, "grass flourishes and bean seedlings are scarce", the plowing is not good. What comes out here is a kind of self-shame, self-motivated feelings." "I clean up the dirt in the morning, and return with the hoe in the moonlight." Only from the time, also can be seen in the poet's determination, hard work. He cleared the "barren filth", but also.
7. The poems of the idyllic life are those1.
The wild eider is sleeping on the shore, and the old tree has no ugly branches. The first thing you need to do is to get a good look at the water, and the second thing you need to do is to get a good look at the water.
Although I am not tired of living in the house, I am tired of coming back to the house in the twilight.
Leaning on my staff, I listen to the cicadas in the wind. The sun is still setting on the ferry, and the smoke is rising in the marketplace.
I've been drunk with a carriage, and I've been singing in front of the five willows.
The swallows on the beam come and go, and the gulls in the water are close to each other. The old wife draws the paper for the chess game, and the child knocks the needle for the fishing hook.
But there is an old friend who provides us with rice, so what more can we ask for? 4. Water Fairy. The water lily is a section of autumn light, see the gulls dance again and again, roll the fragrant wind ten miles of pearl curtains.
Painted boat to the sky, wine flag outside the wind, love kill Jiangnan. 5. The early summer of the secluded residence Lu You, the lake and mountains, the home of the liberation of the Weng family, acacia willows in the shade of the wild path slanting.
The water is full of herons sometimes under the view, the grass is deep everywhere not singing frogs. Culm sheaths have been the first bamboo shoots, wood pen is still blooming the first flower.
Sighing at the end of the old, who sleeps to **** afternoon ou tea. 6. West Stream in Chuzhou Wei Yingwu alone pity the grass growing by the side of the stream, on the oriole deep tree singing.
The spring tide with the rain comes in the evening, no one in the wild boat crosses the river. 7. Rainy Rims Chuan Zhuang Wang Wei The rain is late in the forest and the fire is late in the sky, and the corn is steaming in the field for the first time.
The desert rice fields are filled with egrets, and the shady summer trees are filled with orioles. In the mountains, they are quiet and watch the hibiscus, and under the pines, they fold the dewy sunflower.
The wild old man and the people have finished competing with each other, and the seagulls have no more doubts about each other. 8. Raining over the mountain village Wang Jian, one or two chickens crowing in the rain, bamboo stream village road slanting board bridge.
The women and nuns call each other to bathe the silkworms, and the gardenias in the courtyard. 9.Questions on Yangzhou Zenzhi Temple Du Mu The rain is over, the cicadas are noisy, and the pine and laurel are in the fall.
The moss is all over the steps, and the white birds are late to stay.
The moss is all over the stairs, and the white birds are late.
Who knows that the West Bamboo Road is Yangzhou?
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