Traditional Culture Encyclopedia - Traditional stories - Record my traditional Chinese painting-Mei Zhu Lan Ju
Record my traditional Chinese painting-Mei Zhu Lan Ju
? Orchid is one of the top ten famous flowers in China. The ancients regarded orchid as a symbol of nobility and elegance. Began to learn orchid leaf painting, orchid leaf painting formula, one long, two short, three broken, four fish heads, five six.
Orchid leaves have changed, and the shade of ink is not easy to distinguish. Blue heart pen, real income, it is difficult to do.
The ancients called a good article "Zhang Lan" and a friend with deep feelings and friendship "You Lan". Orchid is a very beautiful symbol in China traditional culture. Thorns are thorny shrubs, and thorns and orchids are opposites. Putting orchids and thorns in the same picture symbolizes gentlemen and villains.
The stone painting has a sense of texture, and the orchids and thorns on the left are too dark.
Su Shi, a great writer in the Northern Song Dynasty, said that eating without meat is better than living without bamboo. Bamboo is a symbol of a gentleman because it has a knot and is quite sharp.
Bamboo leaves can be distinguished in depth, and bamboo poles hesitate to draw straight.
Snow bamboo, dye the background with light ink, and leave blank to reflect the snow pressing bamboo. Thick background ink, less white space.
Chrysanthemum is called longevity flower. I blossomed, and it blossomed, but Ao Shuang persevered and showed her unique skills. The ancients praised him as a gentleman and was loved by literati. Tao Yuanming's works in the Eastern Jin Dynasty have the character of picking chrysanthemums under the east fence and seeing Nanshan leisurely, showing indifference to fame and fortune.
The first time I painted chrysanthemums, I held the flowers in the wrong posture and couldn't let go of my hands. The ink on the leaves is so thick that the plaid can't be seen clearly. There is too much light ink and the stains are serious. The depth of ink is really difficult to control.
The chrysanthemum petals in this picture are a little loose, with different shades of flowers, but the leaves are still black.
Chrysanthemum crab fertilizer. The petals of chrysanthemum are a little heavy, and some of them can't be closed when painting, which is smoother than before. Leaves have shadows, but pine cones are painted like honeycombs.
There are many poems describing plum blossoms in ancient poems. Wang Anshi's corner was full of beautiful flowers, while hanling was alone, knowing from a distance that it was not snow because of Dimfragrance. In the Yuan Dynasty, Wang Mian's Mo Mei was the first tree in Xiyan Lake, with pale ink marks. Don't boast of lewdness, just leave the air full of dry Kun. Li, one of the eight eccentrics in Yangzhou, used the technique of "painting plum blossoms", and the old tree in front of the court was my teacher. The painter's portal is to be established after all. He didn't learn from Bird and didn't make it up. There are also plum blossom pictures drawn by Qi Baishi and Wu Changshuo. Scholars of all ages have expressed their love for plum blossoms. I also like plum blossoms.
It can reflect the vigorous rotation of the old pole, but the ink color of the old pole is a bit thick. There is a difference between tree skill and plum blossom shade, but the level of plum blossom is lacking.
With the previous experience of Xue Zhu, the color of Xuemeiji is light ink this time. The white spots on the picture are made by sticking titanium dioxide with a pen, tapping the pen with titanium dioxide with another pen, and scattering titanium dioxide on the picture to make snowflakes. As a result, how much the picture fell, but a lot fell on the clothes.
The first time I challenged the paper for more than one meter, I drew a bamboo pole with my hands shaking. The bamboo pole leans to the left and the bamboo leaves don't lean to the right, so there is no wind bamboo.
The radian on the right side of the vase is crooked, just fill it with the same one on the left.
The meticulous orchid in the above picture is a work of the Song Dynasty, and the original painting is now in the Palace Museum. At first, I saw that two classes were arranged for the meticulous painting class, and I felt very strange why such a simple painting should be arranged for two classes. It turns out that meticulous painting is really not simple. First dye it layer by layer to increase the ink color about three or four times, then dye it two or three times, and then cover it. Test patience and care. Meticulous painting is more like making handicrafts, presenting exquisite pictures. My level is still very lacking.
Compared with meticulous boneless painting, it is simpler to use dyeing to transition from light color to heavy color. Then the leaves are colored and the water impact method is used.
After more than a month's study, I have never understood paper and ink pen, and I can distinguish between shade and density, and I have gained a lot. It is also necessary to improve the proficiency in using pens. Every painting has no handwriting or inscription. Lao Liang said he wanted to practice calligraphy, and then he mentioned calligraphy. My daughter who came back from vacation saw my painting and asked her if she was shapeless first. My daughter learned gouache. Gouache is a western painting, which is easy to modify and has strong coverage. As the teacher said, Chinese painting can only be added, not reduced. It is difficult to correct the failure of stroke by stroke, and even the more you change, the more you fail, so you should have a picture in your heart and write with God. Looking forward to the next flower and bird project.
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