Serina Liu's Calligraphy Works

Serina Liu, a famous calligrapher, was born in 195 1. Proficient in all kinds of calligraphy, especially in calligraphy, Cao Zhang and small letters. Member of Chi

Serina Liu, a famous calligrapher, was born in 195 1. Proficient in all kinds of calligraphy, especially in calligraphy, Cao Zhang and small letters. Member of China Calligraphers Association Shanghai Branch. His works have participated in various calligraphy exhibitions many times. The following is what I arranged for you, I hope it will be useful to you!

appreciate

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Brief introduction of Serina Liu

Serina Liu, a famous calligrapher, was born in 195 1. I like calligraphy since I was a child. He studied under the famous calligrapher Mr. Li Tianma, a member of China Calligraphers Association. His works have participated in various calligraphy exhibitions many times. Proficient in all kinds of calligraphy, especially in calligraphy, Cao Zhang and small letters. His works were selected in Selected Works of China Calligraphers, Selected Works of Contemporary Calligraphers in China and Appreciation of Contemporary Calligraphy Art in China. I went to Japan in the 1980s and returned to China in the early 1990s. After returning to China, I began to study Ci and Fu literature behind closed doors, and selected more than 300 pieces from China's classical Ci and Fu. I created calligraphy works of various fonts and styles on the fan. I spent ten years writing fan calligraphy, with a total of 1.5 thousand words, and advocated the five-in-one work: bone, face, chapter, text and character.

Calligraphy Style and Silk Materials

Silk books and silk books, like bamboo slips and paper books, are all concrete manifestations of ink books. However, before the popularization of paper books, ordinary people used bamboo and wood as cheap writing materials, while those nobles in Huayan who embroidered clothes and sat high had the conditions to use cloth and silk as books. The expensive value of cloth and silk adds a luxurious atmosphere to noble calligraphy. This style is not available to everyone. Silk material itself has texture effect, and its warp and weft interweaving mostly presents rough texture. Although it is much smoother than linen, compared with the efficiency of paper, it is still vertical and horizontal, giving ink a bright or dark organizational effect, especially bulk ink. In addition, the thinning of the lines will make the lines become astringent, and the later stay time will be long, resulting in a special aesthetic taste. Considering that the texture of ancient silk is not the same as that of hanging silk, and the silk itself is still raw and ripe, the change range is not inferior to that of rice paper. There is an ancient saying that "clothes are embroidered with paintings", which means that silk and silk paintings evolved from the decoration of clothes. But in ancient times, fabrics were made of coarse fibers, mostly hemp. Its roughness is self-evident. Although it was woven with silk in the Yin and Shang Dynasties, it was also made of stiff and uncultivated wild silk, which was quite slippery and quite different from later silk. Therefore, we might as well point out that silk calligraphy painting itself has a history of its material development, with its coarseness and fineness. Its hemp and silk not only determine its own evolution, but also determine the development style of calligraphy in it: it is impossible to use coarse hemp for masterpieces in the Ming and Qing Dynasties.

It's one thing to have an occasional whim, but it's another to be prescribed by fashion. We can totally imagine that Dong Qichang's elegant style was useless in the era of rough linen, but it had excellent line effect on silk.