On the Reading of Calligraphy Prose

I came across an article by Zuo today. Today's criticism of calligraphy is very unique, and the incisive exposition is unique. The simplest understanding of calligraphy is a form of language expression, which shows the beauty, elegance, ornateness and profundity of words. He has evolved into a cultural carrier for thousands of years in our country with a long history.

From the appearance of characters to the aesthetic evolution of calligraphy, it can be said that it embodies the painstaking efforts of Chinese cultural inheritors and sages.

How many dynasties have passed from Oracle Bone Inscriptions, bronze inscriptions to seal script, official script and regular script? In this long process, calligraphy has been used to express ideas, transmit information, make speeches, promote human development and advocate ancient civilization, and played an important role.

Before there is no other way to write, writing with a brush is inevitable, and it is also a way to inherit the Chinese civilization, historical memory and aesthetic presentation.

But it is the evolution of this writing style that embodies the basic principles of white and black, setting each other off as interesting, cadence and cadence, and forms the basis of calligraphy beauty.

In the early days, Zhao Shu, a famous calligrapher, put forward that nature is the origin of calligraphy from a philosophical point of view, which corresponds to the theory that calligraphy art originated from the heart, and it still shines in the history of calligraphy.

Zhang Huaiguan, an outstanding calligrapher in the Tang Dynasty, first proposed that calligraphy has a silent voice and compared calligraphy with music for the first time.

In form, calligraphy pays attention to discipline, rhythm, symmetry and echo, which is equivalent to a beautiful piece of music.

There is strength in strength, softness in rigidity, urgency in speed, and intermittent.

The structure is undulating and symmetrical, and its rich sense of rhythm gives music a beautiful enjoyment.

As calligraphers and calligraphers, the mind can't explore things wonderfully, and pen and ink can't be absorbed in the heart. Think about it, the potential will be in harmony with the vitality, and God will move in combination with purity.

Su Shi, a writer in the Song Dynasty, famously said: It is not enough to retire with a pen like a mountain. Only by reading and writing can we understand God.

Calligraphy should have a certain literary foundation and knowledge accomplishment, and at the same time, it should have skills and brushwork details in the writing process, and it should not be sloppy.

Ancient people's moral cultivation is often manifested in calligraphy, and all calligraphy sages who have a great influence on later generations are no exception.

What future generations admire is not only the massiness and exquisiteness of books, but also their personality charm.

Looking at various styles of famous posts seems not to appreciate the writings of sages, but to travel through time and space, ask them for advice and have a cordial conversation with them.

From every stippling, it seems to tell future generations how great the hardships and efforts they have experienced are.

For a long time, what we know is not only the tall and straight brushwork and beautiful posture, but also the ancient civilization that has carried thousands of years and the deeper cultural heritage than art.

Every exquisite stippling reveals the great spirit and perseverance of the sages.

At the same time, it encourages future generations to make continuous progress and carry forward.

The essence of this culture is broad, which makes our descendants follow closely in exclamation and never surpass it, so we have different understandings of calligraphy, even different questions or praises.

The Chinese characters of our Chinese nation are as square as our nation in calligraphy and stand upright in the dazzling East.

The term art is basically imagination and fiction.

Calligraphy carries a thousand years of civilization.

It is the sublimation of words and the responsibility and inheritance of our Chinese nation.

We have no reason to think that calligraphy is only a form of expression of spreading words.

He is too abstruse for us to understand.

Because in calligraphy, we can appreciate the evolution beauty of Chinese characters in thousands of years of historical development. Is it not a fantasy in our hearts, surging in the future tomorrow?

In the process of modern high-tech development, I changed my writing style and even beat our sadness on the keyboard. It seems common to forget words when writing. China's cultural heritage has changed this ancient habit.

He is no longer the only ladder for a cultural person to show off, take an examination of scientific research and get promoted.

Even so, calligraphy will not be eclipsed in our country.

Because he jumped to our unattainable height.

Like the starry sky we look up at all day.