The source of China's modernist poetry is

The sources of China's modernist poetry are as follows:

The Book of Songs and Songs of the South are regarded as the source of realism and romanticism in China's poetry.

China Poetry (Monthly) is a large-scale poetry magazine edited by the famous poet Yan Zhi, the executive editor Xie Keqiang and the deputy editor, the famous critic Professor Zou Jianjun. Edited in Wuhan at the beginning of each month and published by Beijing People's Literature Publishing House. In the seventh issue of 2008, I began to edit Poetry Monthly (the second half of the month), and in June of 20 10, I started to edit China Poetry, and now I have published 30 issues.

The main columns are headlines, selected poems of China, poet files, original positions, powerful poets, new poetry classics, poetry reviews, college students' poetry groups, interviews with poets, poetry viewpoints, female poets, discovery channels, etc.

Brief introduction of The Book of Songs and Songs of the South;

The Book of Songs is China's first collection of poems, which collected poems from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period (1 1 century to the 6th century). In content, it is divided into three parts: style, elegance and fu (six of them are poems of prosperity, that is, only titles, no content), reflecting the social outlook of about 500 years from the beginning of Zhou Dynasty to the weekend.

The Book of Songs is rich in content, reflecting labor and love, war and corvee, oppression and resistance, customs and marriage, ancestor worship and feasting, and even astronomical phenomena, landforms, animals and plants. It is a mirror of the social life of the Zhou Dynasty.

Chu Ci is the earliest collection of romantic poems and the source of romantic literature. The name "Chu Ci" first appeared in Records of the Historian and Biography of Corrupt Officials. It can be seen that this name already existed in the early Han Dynasty at the latest. Its original meaning refers to Chu Ci in general, and later becomes a proper name, which refers to the new poetic style represented by Qu Yuan's creation during the Warring States Period.