What Chinese painting developed during the Tang and Song dynasties is painting

Chinese painting in the Tang and Song dynasties developed, figure, landscape, flowers and birds.

Tang Dynasty painting, on the basis of Sui comprehensive development, figure, landscape, flowers and birds have made major achievements, for future generations to admire. According to the era, it is divided into the early, middle and late three periods.

The figure painting of the early Tang Dynasty inherited the fine painting style of Sui Dynasty, and the characteristics of the era were reflected in the material.

The style was divided into the Central Plains style represented by Yan Liben and the frontier style represented by Yuchi Yisheng. Landscape painting is characterized by the green landscape represented by Li Sixun and the ink landscape of Wang Wei. Flower and bird paintings, both in color and ink, were represented by Xue Ji and Yin Zhongrong.

Late Tang painting began to turn in a new direction. Figure painting, represented by Zhou An, became more complete. The landscape painting represented by Wang Mo had begun to change, and finally completed the "change of steps into ancient" landscape painting.

This period of flower and bird painting also gained prominence in the development of fine flower and bird painting is becoming more mature at the same time, sparse and simple flower and bird painting also began to form. Bianluan, Fuji Changyou, Diao Guangyin and other representatives of this time. Other famous painters include Li Zhen and Sun Bit.

Extended information:

Chinese painting is a very ancient process, dating back to the Neolithic era of primitive society, at least seven thousand years ago. Initially, Chinese paintings were painted on pottery, floors, and rock walls, and gradually evolved to be painted on walls, silk, and paper.

The basic tools used were brushes and ink, as well as natural mineral pigments. Under the efforts of countless painters who have continued to explore and innovate, a distinctive national style and national flavor have gradually been formed, and have their own independent aesthetic system of painting.

The history of Chinese painting can be traced back to the Neolithic era of the primitive society, the colorful ceramic decorations and rock paintings. Although the primitive painting skills were childish, they had already mastered the preliminary modeling ability, and were able to capture the main features of the animals, plants, and other forms of animals and plants, which could be used to express the beliefs and aspirations of the forefathers as well as the beautification and decoration of their lives.

Pre-Qin painting has been recorded in a number of ancient books, such as the Palace of the Zhou Dynasty, Hall of Fame, temples and shrines in the historical figures, the Warring States lacquer ware, bronze decoration, the excavation of silk paintings in Chu, etc., have reached a high level.

The Qin and Han dynasties are the early history of China's establishment of a centralized system of power, a vast territory, the country's strength, the Silk Road communication between Chinese and foreign art exchanges, the art of painting unprecedented development and prosperity.

Particularly in the Han Dynasty, the trend of generous burials was prevalent, and its tomb murals, painted bricks, painted stones, and burial paintings on silk vividly portrayed real, historical, and mythological figures, with dynamics and plots, and made great achievements in reflecting real life.

The painting style tends to be grand, flowing brushwork, both rough and bold, but also fine and magnificent, rich and varied content, colorful forms.

Wei-Jin and North-South Dynasties period, wars are still frequent, people's livelihood suffering, but painting still achieved greater development, suffering to Buddhism provides the soil for the spread of Buddhism, Buddhist art flourished.

Such as the Xinjiang Kizil Grottoes, Gansu Maijishan Grottoes, Dunhuang Mogao Grottoes have preserved a large number of murals of the period, the artistic attainments are very high. Due to the upper class's love and participation in painting, in addition to craftsmen, there

emerged a number of cultured and educated upper-class well-known painters, such as Gu Kaizhi. During this period, metaphysics was popular, and the literati admired the ethereal and free-flowing style. Writings such as the history of painting and theories of painting began to appear, and landscape painting and flower and bird painting began to sprout.

The paintings of this period focused on the portrayal of the state of mind and the expression of temperament, and paintings with literary themes became increasingly popular.

Baidu Encyclopedia-Painting