Traditional Culture Encyclopedia - Traditional stories - Guzheng famous song appreciation (Guzheng famous song appreciation 100 online listening)
Guzheng famous song appreciation (Guzheng famous song appreciation 100 online listening)
What are the famous Chinese classical guzheng songs?
The top ten ancient Chinese guzheng masterpieces: "High Mountains and Flowing Water", "Guangling San", "Pingsha Falling Geese", "Plum Blossoms", "Ambush on Ten Sides", "Sunset xiaojiao drums", "Fisherman and Woodcutter Q & A", "Hu Jia 18 Beats", "Han Palace Autumn Moon" and "Yangchun Baixue"
Expanded Information:
The guzheng has a beautiful tone, a wide range of sound, rich playing skills, and a fairly strong expressive power, so it is is y loved by the general public. Nowadays, there are also small guzhengs, portable guzhengs, mini guzhengs, half guzhengs, new guzhengs, and twelve equal-tempered guzhengs. The guzheng is an ancient national musical instrument that accompanies China's long culture and grows natively on this fertile yellow land.
The traditional zheng music was divided into two schools in the early days, i.e., the "Southern Zheng" and the "Northern Zheng", and the "Singing Grove Dictionary of Music" published in Britain wrote: "Chinese music" in the article The Singing Grove Dictionary of Music, published in the UK, in its entry on "Chinese Music", states: "The northern part of the Chinese zheng is represented by the Henan and Shandong schools, while the southern part is mainly represented by the Chaozhou school of zheng."
With the development of the times, in the 20th century, on the basis of the north and south zheng, several other schools were derived, namely, the four schools of "Chaozhou, Shandong, Henan and Zhejiang", and in the contemporary era, the difference between the schools has been very small, and almost every school has the strengths of each family. Nowadays, there are nine schools of zheng, and as Cao Zheng said, "nine schools of zheng flow in China", and each school has its own characteristics of zheng music and playing methods.
What are the top ten guzheng masterpieces?
The ten most famous Chinese guzheng pieces are:
The first one, "The Fishing Boat Sings the Night", is a traditional guzheng solo piece.
The second "Out of the Water Lotus" is a Hakka zither piece from Chaozhou, Guangdong.
The third song "High Mountains and Flowing Water" is one of the top ten ancient tunes in China and a representative work of the Zhejiang zheng school.?
The fourth song "Lin Chong Night Run" Lin Chong Night Run. Composed by Wang Xunzhi, the piece depicts Lin Chong going up to Liangshan Mountain on a snowy night. Composed for solo zheng, Lin Chong's running to Liangshan Mountain on a snowy night is a wonderful chapter in Water Margin, which has been brought to the stage many times.
The fifth piece, "Dong Dance", shows the Dong village flavor and expresses the joyful emotions of the children of the Dong family who love a good life.
The sixth song "Autumn Moon in the Han Palace" is also one of the top ten ancient songs in China.
The seventh song "Crows Playing in the Water" is one of the most famous Hakka zheng songs.
The eighth song "Fishing Song of the East Sea" was composed by Zhang Yan in the 1970s.
The ninth piece "Xiangshan Shooting Drums" was composed in 1980, and was honored as an excellent musical work in the Sixth Asian Music Forum in 1983.
The tenth piece, "Fighting the Typhoon," was composed in the mid-1960s by Wang Changyuan, who was inspired by the spirit of Shanghai's dockworkers as they fought the typhoon.
What are the top 10 guzheng compositions
Thanks for the invitation
Besides Liang Zhu, what other guzheng compositions keep you coming back for more?
1, "High Mountains and Flowing Water" - Legend has it that the pre-Qin zither master Bo Ya once played the zither in the wild mountains, and the woodcutter Zhong Ziqi was able to comprehend that this was a depiction of the "lofty ambition in the high mountains" and "oceanic ambition in the flowing water". ". Bo Ya was astonished and said, "Good, Zi Zi's heart is the same as mine."
After Ziqi's four years, Bo Ya lost his soulmate and broke the strings of his zither, hence the song "High Mountains and Flowing Water". The song "High Mountains and Flowing Water" was recorded on a gold record and launched into space on August 22, 1977, to preach the message of Chinese wisdom and civilization to the advanced creatures of the cosmic planets.
2, "Guangling San" - according to the "zither drill" records: the warring states Nie Zheng's father, for the king of Han casting sword, because of the delay in the date, and was brutally killed, Nie Zheng determined to avenge his father, into the mountains to learn the zither for ten years, the body into a masterpiece, famous in South Korea.
The king of Han summoned him to the palace to play, and Nie Zheng finally realized his long-cherished dream of assassinating the king of Han, but he himself died of disfigurement. Based on this story, the descendants composed a zither piece, which is generous and magnificent, and is one of the famous great pieces of the guqin.
3. "Falling Geese in Pingsha" - started in the Ming Dynasty, the tune is melodious and smooth, depicting the scene of geese circling in the sky and looking around before they land through the sound of geese singing at times.
For the understanding of the mood of the song, there is the "take the meaning of the autumn lonesome, wild geese flying" to describe the autumn scenery; there is the "take the high and refreshing autumn, the wind is quiet, the sand is flat, the cloud range is ten thousand miles, the sky is flying, borrowing the swan's ambition, writing the heart of the escapees"; there is also from the "wild goose" back to the sky, and the "wild goose" to the "wild goose" to the "wild goose". The geese "fly back to look at the feelings, up and down the fly down attitude, Xiang and after the set of the image, startled and get up again God".
Now circulating more trees is seven paragraphs, the main tone and musical image is more or less the same, the melody rises and falls, stretches on and on, beautiful and moving; the tone of quiet beauty.
4, "Ambush on Ten Sides" - 202 BC China's history of the Chu-Han conflict as the theme, depicting Liu Bang and Xiang Yu in Gaixia duel.
The music mainly glorifies Liu Bang, the victor of Chu and Han, and tries its best to portray the mighty and majestic posture of the "victorious division"; the whole piece is magnificent and filled with the solemn and murderous sound of jingo and iron horses.
The "Ambush on Ten Sides" can be said to be the ancient pipa performance art to the point of excellence, creating a single instrument solo form of expression of the magnificent epic scene
Gu zheng famous song which
Casually list it, the most often heard on TV what the advertisement, as long as you want to look for the guzheng soundtrack will surely be used in the tune called "Fishing Boat Singing the Night", in addition, "Spring River", "Spring River", "Spring River", "Spring River", "Spring River", "Spring River", "Spring River", "Spring River", "Spring River", "Spring River", "Spring River", and so on.
In addition to this, the Spring River and Moonlit Night, the thirty-three boards, the purple bamboo tune, the high mountains and flowing water, the wave of sand, the Liuyang River, the new song of the dongting, the Yao dance, the Yi dance, the Dong dance, the splashing of water, the Yashan sadness, the spring to Lhasa, the happiness of the canal, the Xiangshan shooting drums, the Qin Sangqu, the snowy mountain spring dawn, the peacock flying southeast, the fragrance of the jasmine, the crows playing in the water, the East China Sea fishermen's song, the sun red in the Jinggang Mountain, the Milky Way blue, the four brocades, the rhyme of the Han River, the eight scenes of Chang'an, the Hedi Mountains, the Hanyang Mountains and the Han River, and the eight scenes of the Han River, and the eight scenes of the Han River.
There are quite a few. These are some of my favorites. I am from the north. There may be some differences in the guzheng music heard in the north and south.
Famous Guzheng Songs
Top Ten Famous Chinese Guzheng Songs
The first one, "The Fishing Boat Sings in the Evening", is a famous traditional guzheng solo song.
The second song "Out of the Water Lotus" is a Hakka zither song from Chaozhou, Guangdong.
The third song "High Mountains and Flowing Water" is one of the top ten ancient tunes in China, and a representative work of Zhejiang zheng school.
The fourth song "Lin Chong Night Running"
The fifth song "Dong Dance" expresses the Dong village flavor and expresses the joyful emotion of the children of Dong family who love the beautiful life.
The sixth song "Autumn Moon in the Han Palace" is also one of the top ten ancient songs in China.
The seventh song "Crows Playing in the Water" is one of the most famous Hakka zheng songs.
The eighth song, "Fishing Song in the East Sea", was composed by Zhang Yan in the 1970s.
The ninth piece "Xiangshan Shooting Drums" was composed in 1980 and was honored as an excellent musical work in the Sixth Asian Music Forum in 1983.
The tenth piece, "Fighting the Typhoon," was composed in the mid-1960s by Wang Changyuan, who was inspired by the spirit of Shanghai's dockworkers who fought the typhoon.
Top Ten Ancient Chinese Guzheng Songs
Top Ten Ancient Chinese Guzheng Songs: "High Mountains and Flowing Water", "Guangling San", "Flat Sand and Falling Geese", "Three Plum Blossoms", "Ambush on Ten Fronts", "Sunset Whistling and Drumming", "The Woodcutter and Fisherman's Question and Answer", "Eighteen Beats of Hu Jia", "Autumn and Moon in the Palace of Han", and "White Snow on the Spring Festival"
Expanded Information:
Gaoshan and Flowing Water
The legend has it that the two guqin pieces, "Narcissus Exercise" and "Gaoshan and Flowing Water From then on, his zither skills reached the state of perfection, but he was never able to find a soulmate. Later on, Yu Bo Ya went to the state of Jin to become a grandmaster. One day, he was ordered to go to Chu. Due to a strong wind, he had to stay at the mouth of the Hanyang River. When the wind calmed down, a mid-autumn moon strolled out from the floating clouds. Bo Ya stood on the bow of the boat, looking up at the moon, looking down at the river waves, the qin was so excited that he played the qin. At the end of the song, a woodcutter jumped out of the bushes and marveled at Bo Ya's skill.
Beoya was shocked and asked, "Do you know how to listen to the zither?"
Being astonished, Bo Ya asked, "If you can listen to the zither, can you recognize the quality of the instrument?"
The woodcutter took the qin and replied, "This qin is called the Yaoqin, and it was made by Fuxi's family, who took the middle part of the sycamore tree, which is a good material among the trees, and made it. The tree must be three feet high, cut into three sections, the upper section of the sound is too clear, the lower section of the sound is too turbid, only the middle section, clear and turbid, both light and heavy. After the wood diffuse in the water for seventy-two days, choose an auspicious time, chiseled into a musical instrument. Initially, the qin had five strings, the outer press gold, wood, water, fire, earth, the inner press Gong, Shang, horn, zheng, feather. Later, King Wen of Zhou added one string and called it Wenxian, and King Wu of Zhou added another string and called it Wuxian. Therefore, this qin is also called the Wenwu seven-stringed qin."
Bo Ya listened to this, and was pleased and convinced, so he tuned the strings again and stroked the zither, sometimes majestic and high-pitched, sometimes soothing and fluent. The woodcutter sometimes said, "It's good, it's like Mount Tai." Sometimes he said, "Good! The ocean is like a river."
Bo Ya was delighted, pushed the qin and got up, made a gift and asked: "The world sage, please teach the high name and elegant name?" The woodcutter returned the salute and said, "My name is Zhong, cheap word Ziqi." Bo Ya sighed: "acquaintances all over the world, know the heart can be a few people." He ordered the boy to burn incense and candles, and he and Ziqi became brothers. They promised to meet again in the coming autumn.
The next year in the middle of the fall, Bo Ya arrived as scheduled, who expected that at this time has been separated from his friend, Ziqi has left him. In front of Ziqi's grave, Bo Ya cried on his zither and played a song called "High Mountains and Flowing Water", and at the end of the song, he broke the strings with his sword. At the end of the song, he broke the strings with his sword. He looked up to the sky and sighed: "My soulmate is gone, for whom do I play the qin?" After saying this, he struck the altar with his zither, and the zither broke and the strings were extinguished. The later generations were so moved by this event that they built an altar at the end of Turtle Mountain in Hanyang, on the side of Lake Yuehu, to commemorate the event.
The song "High Mountains and Flowing Water" was recorded on a gold record and launched into space on August 22, 1977, to preach the message of Chinese wisdom and civilization to the advanced creatures of the cosmic planets.
High Mountains and Flowing Water Meets the Soulmate
Guanglengsan
One of the Xianghe Chu-tune group compositions of the Han and Wei Dynasties. Jikang was killed for opposing the dictatorship of the Sima clan, and before his execution, he played this piece with ease to send his hopes. The earliest surviving sheet music is found in the "magical secret score" and another said: the original is the end of the Eastern Han Dynasty popular in the Guangling area of folk music. It was played by qin, zheng, sheng, zhu and other instruments, and the only surviving qin piece is the earliest recorded in the "Magical Secret Score". There is no record of its content in the early days, and most zither players now interpret it according to the folk legend of Nie Zheng stabbing the King of Han.
According to "The Qin Exercise", Nie Zheng, a Korean during the Warring States period, was killed when his father missed the deadline for casting a sword for the King of Han. In order to avenge his father's death, he went to Taishan Mountain to learn the qin diligently for ten years, and then he swallowed charcoal, changed his voice, and returned to Korea, where he played the qin not far away from the palace, and his excellent qin skills stopped the pedestrians from walking and the cows and horses from stopping their hooves. When the king of Han was informed of this, he summoned him to the palace to play the zither, but Nie Zheng took advantage of his surprise and stabbed the king to death with a dagger drawn from the belly of the zither. In order to avoid involving his mother, he disfigured himself and killed himself.
Subsequent generations have added segmented titles to the guqin piece "Guangling San", some of which are named after episodes corresponding to the story, and the emotions expressed in the piece are indeed quite similar to this tragic legend.
The "Guangling San" contained in the "Miraculous Secret Score" is divided into forty-five segments, including a finger, a small preface, a big preface, a positive sound, a chaotic sound, and a post-preface ****. This song has long been extinct, after the liberation of a number of zither players to translate it out. The music is special, the second string and the first string of the same tone, so that the bass melody at the same time can be played on these two strings, to achieve a strong acoustic effect.
According to the "piano discussion" records: Jikang very favorite "Guangling San", often play it, so that attracted many people to come to ask for advice, but Jikang does not teach. Before his death, he played this song, and sighed long and hard: "Guangling San" is now out of the question. Nanjing Xishanqiao Nan Dynasty tomb unearthed molded Jikang portrait brick, depicting Jikang sat down to play the piano, the image of the air.
Fallen geese in Pingsha
This song was called "Fallen geese in Pingsha" in the Ming Dynasty. It describes the scene of geese circling in the sky before landing. It is also known as "Geese Falling on Flat Sand" or "Flat Sand". The authors are Chen Zi'ang of the Tang Dynasty, Mao Minzhong of the Song Dynasty, and Zhu Quan of the Ming Dynasty. The score of this piece was first published in the late Ming Dynasty in the Ancient Tones. Since its introduction, it has been loved by zither players, and has not only been widely circulated, but also processed and developed to form a variety of versions with different numbers of sections, strings, tunings, moods, and other characteristics, making it one of the most popular zither tunes in the history of zither music.
The melody is melodious and smooth, depicting the sound of geese circling in the sky before they land through the sound of geese singing at different times.
For the understanding of the tune, there are those who describe the autumn scenery by "taking the meaning of autumn lonesomeness and the flying geese"; those who "take the high and refreshing autumn sky, the wind is quiet and the sand is flat, and the clouds are miles away, and the sky is flying, and borrow the far-reaching aspirations of the swan to write about the mind of a scholar"; and those who write from "the swan" to "the geese". The geese "fly back to look at the feelings, up and down the fly down attitude, Xiang and after the set of the image, startled and get up again of God. "Both fall is the sand flat water far away, want to fit the heart free, friends without guessing, male and female have narrative", issued by the world of sinister, not as good as the geese nature of the sentiment. Now most of the circulating is seven paragraphs, the main tone and musical image is more or less the same, the melody rises and falls, stretches on and on, beautiful and moving; the tone is quiet and beautiful, but there is movement in the quiet.
Three Plum Blossoms
The overtones of the song are repeated three times in different emblems, so it is called "Three Plum Blossoms". According to legend
Jin Heng Yi composed the flute "Three Melodies of Plum Blossoms", which was transplanted to the zither by later generations. The piece celebrates the tenacity of the plum blossom in defying frost and snow, and praises people with noble sentiments.
Wang Jianzhong adapted the piece for piano in 1972, and the theme of the piece was Mao Zedong's "Winged Plum Blossom".
The Ambush on Ten Faces
One of the traditional Chinese pipa pieces. The Ambush on Ten Faces is a piece based on the Chu-Han conflict in China's history in 202 B.C. It depicts the duel between Liu Bang and Xiang Yu at Gaixia. The music mainly glorifies Liu Bang, the victor of Chu and Han, and tries its best to portray the mighty and majestic posture of the "victorious division", the whole piece is magnificent and filled with the killing sound of iron and steel.
Also known as "Huaiyang Pingchu", the score was first published in the Huaqiu Frequent Pipa Compendium. The first record of this music was found in the "Pipa Compendium of Huaqiu Frequency". Tang pipa biography" in the record of pipa artist Tang Ying had played "Chu Han". "Chu Han. When its two armies duel is, the sound of heaven and earth, roof tiles if flying fall, Xu and check, there is the sound of gold, drums, gold, the sound of sword strikes, horses and men group easy sound, Russia and no sound. A long time, there are complaints and hard to understand for the sound of the Chu song; poignant and strong for the king of Xiang song of generosity, the sound of Farewell to Ji; trapped in Dazhe, the sound of chasing the horse; to the Wujiang River, the king of Xiang cut his own throat, the remaining riders trampled on the sound of the king of Xiang. So that those who hear the beginning of the excitement, and then sad, and finally snot and tears of no way out of it, its adult so." The scene, sound and color of the painting is very similar to today's "Ambush on Ten Sides". The whole piece is divided into thirteen paragraphs, all the titles can be categorized into three parts:
Part I:
"Lianying" prelude to the whole piece, showing the drums and trumpets sounding before the expedition, and the inspiring scene of the people shouting. The music is fast and scattered, and the complexity of the modes and their alternating transitions add to the instability of the music.
"Blowing and beating".
The theme of "Pointing Generals" is presented in the form of a succession of long wheel finger techniques and the combination of "snap, wipe, flick, and
wipe" fingerings, which expresses the majesty of the generals.
"Formation".
"Walking line" music and the former have a certain contrast, with "cover, points" and "cover, scratch" techniques to further show the army's brave and robust posture.
The second part:
The ambush shows that on the eve of the duel, the Han army ambushed the troops in Gaixia, the weather is quiet and tense, and it paves the way for the following two paragraphs.
Jiming Mountain skirmish Chu and Han armies met each other, swords and spears, the breath rush, the music is initially unfolded.
Nine Mile Hill battle depicts the two armies in a fierce battle of life and death. The sound of horses' hooves, the sound of knives and swords hitting each other, and the sound of shouts are intertwined, which is shocking to the hearts of the people. First, the music is played alternately with "rowing, rowing, playing, rowing", and then with double strings, pushing and pulling, bringing the music to a climax.
Part 3:
The defeat of Xiang Wang.
Wujiang cut his own throat first rhythmic sporadic homophonic repetitions and rhythmic close alternation of hoofbeats, showing the breakout of the king of Xiang and the Han army in hot pursuit of the scene; and then a section of the tragic melody, the performance of Xiang Yu cut his own throat; the last four strings of a "paddle" and then a sharp "voltaic "The music comes to an abrupt end.
The original song also has:
Zhongsheng Kai.
All the generals are fighting for success.
Back to camp in victory. Mr. Wei Zhongle's performance stops at "cutting one's own throat" and deletes the last three stanzas. Most of today's schools have adopted this
method.
The whole piece is characterized by a layout of "start, carry on, turn and close". The first part contains five sections as the "starting and bearing part", the second part contains three sections as the "turning" part, and the third part contains two sections as the "merging" part.
The Ten Ambushes can be said to have brought the ancient pipa performance art to its highest level, creating a solo performance of epic scenes in the form of a single instrument, and to this day the Ten Ambushes remains the most representative traditional masterpiece in the field of pipa performance art.
The Sunset Pipa and Drums
is a lyrical piece of music. Around 1925, the Shanghai Daitong Music Society adapted the piece based on the sutra
into a silk and bamboo piece called "The Moonlit Night of Spring Flowers".
The earliest version is the "sunset xiaoge" in 1842, before 1864 the book "the present music examination" called the Chinese traditional pipa song "sunset xiaoge", 1895 was adapted to "xunyang pipa" has been since the six paragraphs into ten paragraphs, each paragraph was borrowed from the Tang dynasty music title, to 1932 to the folk music ensemble, named the "Spring River Flower Moon Night". Folk music ensemble, named "Spring River Flower and Moonlit Night", the mood is also from the original "Autumn River late to part" and develop into a more healthy, spring, fresh and beautiful.
After the liberation of the orchestra ensemble the whole song is divided into ten sections, as if ten continuous picture: 1, the river tower bells and drums, 2, the moon on the East Mountain, 3, the wind back to the curved water, 4, flowers and shadows of the layer of platforms, 5, the water and clouds between the depth of the 6, the fishermen sing the evening, 7, back to the waves beat the shore, 8, the coping sound of the music, 9, ___ is the return of the boat, 10, the epilogue.
This is a lyrical piece with a beautiful and smooth melody. Through the euphemistic and simple melody, smooth and changeable rhythm, the music graphically depicts the charming scenery of the spring river on a moonlit night, and praises the beautiful style of the water town in the south of the Yangtze River.
Fisherman and Woodcutter
The piece expresses the disdain for those who pursue
fame and fortune through the enjoyment of the fisherman and woodcutter in the green mountains and waters. The music adopts the way of dialog between the fisherman and the woodcutter, with the ascending tune indicating the question and the descending tune indicating the answer. The melody is elegant and graceful, showing the relaxed and carefree demeanor of the fisherman and woodcutter. Just as in "The First Zither Study", the meaning of the tune is long and deep, while the loftiness of the mountains, the ocean of the water, the ding-ding of the axe, and the nai of the yagura song are all hidden under the fingers. The question-and-answer section of the piece makes one think of the mountains and the forests.
The Eighteen Beats of Hu Jia
The theme of the piece composed according to the poem of the same name is "Wen Ji Returning to Han". At the end of Han Dynasty, Cai Yan, the daughter of Cai Yong, a famous writer and qin master, was captured by Xiong Nu during the war, and stayed in South Xiong Nu with King Zuo Xian as her consort, and gave birth to two children. When Cao Cao sent for her, she wrote a long poem about her tragic life and her longing for her son.
The poem contains eighteen stanzas and eighteen songs. According to Guo Moruo, the Turkic language called "first" for "beat", eighteen beat means eighteen songs. And because the poem was composed by her because of the mournful sound of Hu Jia, so it was called "Eighteen Beats of Hu Jia" or "Hu Jia Song". Originally it was a zither song, but after Wei and Jin Dynasties, it gradually evolved into two different instrumental pieces, called "Big Hu Jia Song" and "Small Hu Jia Song". The former is the direct descendant of "Eighteen Beats of Hu Jia".
Huang Tinglan, a zither player in Tang Dynasty, was famous for playing this piece. Li Chip had a poem "Listening to Dong Da Playing Hu Jia": "Cai female made Hu Jia sound in the past, and she played it for eight beats, the hu man shed tears and stained the grass, and the Han ambassador broke his heart and returned to the guest." This is the summary of the content of the song. The earliest surviving sheet music was published in 1425 in the book of <
Autumn Moon of the Han Palace
The pipa song was later adapted for erhu and jiangnan silk and bamboo. It expresses the feelings of the oppressed palace maidens in ancient times, who were crying in sorrow
Autumn Moon in the Han Palace
. During the war at the end of the Han Dynasty, Cai Wenji was exiled to South Xiongnu for twelve years. As the wife of King Zuoxian, she missed her hometown very much. When Cao Cao sent to take her back to the mainland, she had to leave the two children, the joy of returning to their hometown was drowned out by the pain of parting with their flesh and bones, the mood is very contradictory. The erhu is said to have been handed down from Mr. Liu Tianhua. The "Autumn Moon in the Han Palace" is intended to express the ancient feelings of the oppressed palace maidens, and to arouse people's sympathy for their unfortunate situation.
Yangchun Baixue
It is said to have been composed by Shikuang of the State of Jin or Liu Juanzi of the State of Qi during the Spring and Autumn Period, and "Baixue" is taken as the sound of
Yangchun Baixue
Another clean sound, the sound of snow and bamboo. With its fresh and smooth melody and lively rhythm, it vividly expresses the early spring scene in which the winter is over, the earth is recovering, and all things are flourishing and full of vigor.
There have been two different versions of "Big Yangchun" and "Little Yangchun". The former refers to the ten- and twelve-part scores compiled by Li Fangyuan and Shen Haochu; the latter, which was handed down by the modern pipa artist Wang Yuting, has only seven sections, which can be divided into four parts, and it is a piece of variations with a cyclical element. The title of the "Beginning" section is "Taking the lead", and it uses the commonly used folk melodic methods such as the addition of flowers, "spacer", and structural expansion and tightening to change and develop the prototype of the "Eight Panels", and The tune is embellished with half-wheel, push and pull playing techniques, and is full of lively, bright and happy emotions. The eight bars at the beginning of the piece are reproduced later in the cycle, and are the "head" of each part of the piece. The two sections of the "Bearing" section*** are: "The Wind Swinging Lotus" and "The Moon". After the reproduction of the "Harmonization" in eight bars, the melody in the soprano area is more flowery, the structure is enlarged, and the mood is more enthusiastic than that of the "Beginning" section. The "Turning" section consists of three sections, "Jade Plate Zen", "Iron Cracker Sound", and "The Sound of the Zither in the Taoist Courtyard", which are contrasting passages. This is a contrasting passage.
The "Eight Boards" variant unfolds by dividing and inverting, changing rhythms, and introducing new musical material in the sixth section. In the performance, sometimes the wrenching technique is used to play strong notes; sometimes the offerings are used to play light tunes, especially in the sixth section around the levitation of a series of overtones, more like "big pearls falling from a jade plate", crystal four, full of vitality. The "Harmony" section, entitled "Donggao Crane Song", reproduces the second section and expands it at the end. The slow and fast tempo, the continuous sixteenth notes, and the "scratch" on the head of each beat increase the intensity of the music, ending the piece in a strong atmosphere.
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