Traditional Culture Encyclopedia - Traditional stories - Details of Dongchangfu Daokoupu suona blowing music

Details of Dongchangfu Daokoupu suona blowing music

In Dongchangfu District, Daokoupu Office Tianmiao Village, there is a Song family suona playing music class passed down from generation to generation. Song's ancestors wandered and migrated, fled and wandered, and made a living by playing suona. The Song family music class settled in Tianmiao Village Song Kaijian as the first generation, and its traceability is also for generations of family inheritance, but there is no way to find out the evidence of fleeing and wandering. Since Song Kaijian has been passed down for six generations, with a history of more than a hundred years. Before the liberation of the social status of folk music artists is low, the world called "sitting on the bench head" or "eating cold dishes". After the liberation, the folk music artists in the political and economic completely turned over, the folk music by the party and the people's government attention, music theory knowledge and cultural level continues to improve, in the inheritance of tradition, based on the creation and study of a number of reflecting the new socialist countryside thriving music. Such as "Spring Plowing Busy", "Nongjiale", modern opera "Chaoyanggou", etc., which used to be active in the place of weddings and funerals, but is now active in opening ceremonies and festivals, and is active in the countryside towns and villages all the year round. The countryside towns, for the dissemination and promotion of national music, rural cultural and recreational activities play a positive role.

Song Xinggui, the fifth-generation heir apparent, participated in the National People's Comfort Mission to North Korea in 1953, and visited the Korean battlefield to perform for the Chinese People's Volunteer Army in the fight against the United States and in support of the Democratic People's Republic of Korea, and then went to Shanghai to console the volunteers in North Korea, and he played the "Glorious Flower", "Dabao Guo", "Yibao Guo", "Yibao Guo", "Yibao Guo" and "Yibao Guo". He played "Glorious Flower", "Dabao Guo", "One Flower" and other pieces were very popular, won more than ten medals and returned; subsequently, in the provincial and municipal competitions won the first prize in the folk folk music competition, in 1987 in the Shandong People's Broadcasting Station, "Literature and Art Half O'Clock" special recording of his blowing the "Hundred Birds Toward the Phoenix" piece. The "Hundred Birds to the Phoenix" program was specially recorded in 1987 by Shandong People's Radio "Literary Half O'Clock".

As a folk artist in the north, Songjialeban has inherited and created many difficult and complicated playing skills, which are extremely rich, with suona as the main instrument, sheng flute, erhu as the auxiliary, and equipped with percussion instruments such as gongs and drums. Suona playing can be roughly divided into intraoral techniques and finger techniques, and the two are often used in combination in playing, among which there are legato, single spit, double spit, triple spit, flick, flower tongue, xiao yin, glissando, trill, superimposed sound and cushion sound, etc., and it can also imitate the sound of birds and insects as well as the singing of human beings, which greatly develops and improves the expressive power of suona.

The music classes often play "one and a half lines", "two and a half lines", "small lifting kong", "small open door ", "Big Open Door", "Three Turns", "Ten Turns", "Climbing Tiger ", "Treasure Bottle", "Water Falling Sound", "Nodding Phoenix", "Big Sawing Jar ", "Sending the Lovers", "Baizi Le", "Clapper Dolls" and so on. Blowing the most skillful opera tune is "Hundred Birds Toward the Phoenix", which imitates the cries of hundreds of birds, but also exquisite, one never tires of hearing.