Extremely complicated graphic design style

Extremism is a complex artistic phenomenon in the movement of "New Painting" proposed by Wilton in 1980s. In the field of contemporary art, the definition of extreme complexity is not particularly clear, and works with complex elements are usually labeled as extremely complex. In China's pure art, minimalism emphasizes the suppression of personal feelings and the pursuit of extremely repetitive elements in the artist's own creative process. At the end of the 20th century, minimalism was tried to be used in the design field in Europe and America, involving visual art, music and design. Mainly used in architecture and interior design, the most complex and decorative structure and interface design. Nowadays, ultra-complex style has been widely developed in the field of graphic design. In graphic design, super-complexity is not limited by material conditions, ideas and politics, and purely visual expression is carried out in graphic images with highly decorative graphic elements. In the 2 1 century, complex style was widely used in the western graphic design field with brand-new expression, intuitive graphic language and profound cultural connotation, and those graphic designs full of complex graphic elements entered the design stage in the new century.

? Characteristics of extremely complex graphic design

Complex painting styles and design elements have come all the way from the long river of history, and formed a brand-new style in graphic design under the background of contemporary pluralistic society. This paper will elaborate its characteristics from three aspects: design concept, expression of design elements and graphic communication mode. ?

Extremely complex design core?

The design concept of extremely complex graphic design is openness, interaction, refusing to interpret meaning, paying more attention to the reading experience of the audience and deconstructing the traditional graphic generation method. It breaks the traditional way that graphic design requires designers to choose the appropriate graphic language to complete the design according to the design requirements of Party A and the information that the other party wants to express, and breaks the way that designers are the readers of graphic design texts and audiences passively accept the information conveyed by graphics. In graphic design, graphic language and its interpretation, as a general means of graphic design creation, will inevitably restrict the development of graphic design. The core idea of ultra-complex graphic design is to refuse the interpretation of meaning, attach importance to the perceptual form of art, pursue the direct communication between graphic design works and the audience's mind, and attach importance to the openness and interaction of graphic design works. In extremely complicated graphic design, the traditional graphic semantic expression cannot be completely erased. If it is completely erased, graphic design will show itself as something that pursues style and become a pile of graphics. Extremist design thought attaches great importance to graphic elements and visual forms.

Expression of design elements?

In graphic design with extremely complicated style, there is such an obvious feature in the expression of design elements, and the graphic elements used to organize graphic design pictures are decorative. In the extremely complex graphic design composition, a graphic element will not be the combination of the visual center of the design picture and the meaning center expressed by the picture, but other elements on the picture will become the auxiliary decorations of this center. In the ultra-tedious graphic design, those luxurious, gorgeous and highly decorative graphic patterns are no longer just for beautifying the subject, but also woven into the subject in the design image by the designer, and together with the subject image, a charming ultra-tedious image is constructed. Secondly, in the extremely complicated graphic design, the language characteristics of decorative graphics are also reflected in the complexity and hybridity of graphic elements. There are a large number of graphic elements, and these graphic elements are mixed with each other, and the graphic languages are rich and diverse. In addition, the high decoration in the ultra-complicated graphic design is not necessarily the oversaturation of the picture composition, forming a sense of panorama. In the design picture, it is still necessary to leave blank space to relieve the busy sight of the audience, which produces a strong contrast between simplicity and complexity in the picture, thus achieving the purpose of enhancing the visual effect.

How to convey graphics?

In the contemporary graphic design with extremely complicated style, the pursuit of pure and intuitive visual forms can arouse the feelings and experiences of the audience and realize the communication purpose of graphic design. Therefore, the extremely complex style of print communication first pursues the rejection of rationality, mainly in a purely intuitive form, emphasizing the perceptual characteristics of the work and the psychological relationship between the work and the audience. Therefore, the graphic communication of graphic design with extremely complicated style firstly puts the spiritual value of designers and audiences in the first place by weakening the utilitarian requirements of instrumental rationality for graphic design. Secondly, the graphic expression of ultra-fuzzy graphic design is based on arousing the emotions and emotions of the audience, which is also an important feature of ultra-fuzzy style in pursuing perceptual forms. Emotion is mainly used to express feelings, which has great stability and profundity, while emotion is used to express feelings, which has great situational and sudden. The graphic design with extremely complicated style is based on the emotional trigger of the audience, which strengthens the perceptual visual experience of the audience and triggers its internal emotional response. Secondly, in the contemporary graphic design with extremely complicated style, there is another feature of graphic communication, that is, the pursuit of multi-dimensional perceptual experience. For contemporary graphic design, it is not limited to the visual field, and graphic works can add tactile, auditory and even olfactory information. ?

Summary?

In contemporary graphic design, ultra-complex style is a design style that emphasizes form and pursues the ultimate. It is not a bunch of patterned visual elements. Designers should be clear about the inner spirit of ultra-complex design, understand the scope of application of ultra-complex, and emphasize the perceptual aesthetics of ultra-complex, rather than simply gathering graphic units. Only the design style that conforms to the purpose and context can be truly recognized and appreciated by the society. In recent years, the ultra-complex style has been developing in the field of graphic design in China, and it has been integrated with the social and cultural context, resulting in the China ultra-complex with local characteristics. Extremely complex graphic design, around the characteristics of openness, interaction and anti-interpretation, is showing the unique charm to the world with luxurious, fashionable, highly decorative graphic language and perceptual visual communication. ?

Jianyinpai design