Traditional Culture Encyclopedia - Traditional stories - How does China's animation move towards the exploration of national art films?
How does China's animation move towards the exploration of national art films?
The following are Japanese comments on this animation.
1975, Japan Film Monthly published an article by Kazuo Komatsu, who thought that "the bold and unrestrained picture vividly depicts the bizarre theme, and the attempt of Japanese dubbing is quite successful." 1959, Japanese animator Zhichong pointed out in the article "Vivid": "People who look at China's first minister's cartoon with contempt are shocked to see that this film is so interesting and luxurious. I also have a chance to get a copy of a movie. At first glance, you can clearly know that this is a work that embodies the spirit of resistance. The Japanese army that brutally ravaged China was defeated by Qi Xin, the people of China. The intention of this film is very clear. "
The well-known China animation "Make a scene in Heaven" is a perfect fusion of national culture, traditional art and many other unique cultural elements in China.
The following is the information
The background of the film is magnificent and magical, full of ancient mystery. Sun Yat-sen, Water, Cloud, Dragon Palace, Palace Que and other films are all based on China's painting form, absorbing western watercolor and gouache techniques, which are realistic and poetic. From Mountain to Curtain Cave and the Monkey King; Think of crystal palace and dragon king from water; From "Cloud" to the recording of "Treasure Hall" and "Jade Emperor", the audience has always been immersed in the ever-changing and bizarre mythological atmosphere, which has produced the artistic charm that "the environment can seize people". The Monkey King, Jade Emperor, Dragon King, Taibai Venus, Nezha and Tota Wang Li in the film all have strong national characteristics. This is the first color animated feature film in China. It took four years to draw more than154,000 pictures, with a total length of 3.140m and a screening time of1/7 minutes, which is 34 minutes longer than the American animated film Snow White. After the film was released, it was well received by audiences at home and abroad. The British magazine Film and Photography published an article praising the film as "the most sensational and lively film at 1978 London Film Festival". The article specifically pointed out: "This film is a great discovery of the West." The Finnish press commented on the film "animation technology is first-class in the international animation industry, which combines the most prominent characteristics of animation technology with the traditional oriental painting style." 1June, 983, Tiangong was released in Paris for one month, with an audience of nearly 65438+ 10,000. The French newspaper Humane pointed out: "The Heavenly Palace directed by Wan Laiming is a real animation masterpiece, just like a set of wonderful picture symphonies." Le Monde said: "Making a scene in Heaven" not only has the beauty of ordinary American Disney works, but also has plastic arts that Disney-style art can't do. It perfectly expresses China's traditional artistic style. "1963, this film won the second Hundred Flowers Award Best Art Film Award, 1980, the first prize of the second National Children's Creation Award Committee, 1962, and the special prize of short film of the 13th Karlovi Farley International Film Festival in Czech Republic, 1978.
On the other hand, with the emergence of economic globalization and the development of the Internet, China's social thoughts have been "corroded". China culture is gradually being eroded and replaced by foreign culture. What comes from this is the loss and stagnation of China's animation self-development. Modern China animation is increasingly lacking in national characteristics and humanistic spirit, which is followed by the complete obliteration of innovative spirit. Plagiarism and plagiarism are common! Even the original unique mark is slowly disappearing!
Therefore, only by attaching importance to culture, respecting culture and remembering our own culture can the problem be contained and solved! When the cultural problems are solved, China animation will naturally embark on the road of national art again.
I just read the answer on the second floor today. The first half is ok, but the second half is beside the point! Although what you said later is animation, it has nothing to do with the questions raised by LZ.
But also said
"Also, the eldest brother upstairs said," Since you are a coolie, you don't want to be lazy, and your salary is high. Do you think those coolies are paid well? "Because China didn't do animation in the early stage, foreign animation companies took it in the later stage. People say that he will do anything he is asked to do. Do you think there is a way to innovate? "
Did I mention that? Or are you just saying this to pave the way for the following copy and paste? People ask how to take the road of national art, not why China's animation is poor ~ ~ ~ ~!
Since you refute my point of view, I will refute you.
First of all, "Why can Korean animation develop? You are right. They protect local culture and are supported by the government. But what about China? Although the country has attached importance to the development of animation industry since 2004, it has also given some policy and financial support to the animation industry in the last two years. However, due to the immaturity of the domestic animation market, the animation industry needs a lot of investment, which restricts the financing scale of enterprises. "
Speaking of Korea. . . . . . . LZ and I didn't mention this keyword, so I won't say it.
But as for the scale of financing, I want to say that through the investment of some companies in recent years, the development of China animation industry has reached the point where it can be said without copying and pasting. Don't talk about financing in the development of enterprises now. If this continues, it will soon become a monopoly, okay? ! I wonder if you can go and see if Toy Dealer will ruin the future of the animation industry? "This article.
Keep reading what you said.
"In the United States, video games, toys, etc. Produced by animation has formed a huge industrial chain, and at the same time promoted social development and led fashion in economy and culture. "
"China has lagged far behind them in the comic industry, and only Hong Kong comics are still occupying their own territory. The glory of China's animated image is no longer there. "
"It seems that few people pay attention to China animation. Just as few people know about the 5 155 project, no one has come out to take responsibility, and no one can shirk the responsibility to any individual or group. It is even more incompetent to impose its reasons on Japanese animation. "
Is it interesting to compare China with the United States? It is true that we can find the short board in the middle, but don't you think the short board here depends on more than just people and technology? ! The development of China animation needs more time.
The comic industry is indeed backward, but it does not mean stagnation! No chasing! Take a good look at the development of chinese comic industry now. We haven't been despised for a long time. Whether teenagers or children, there are corresponding comic books!
Not many people pay attention to China's animation. . . . . . . Ha ha ha ha (laughs) If not many people really pay attention, there will still be you and me to answer.
Question, will anyone ask questions? Will someone scold China Animation? ! Pass the buck? It is not unreasonable for me to say that Japanese anime has been banned. As for the reason, I will explain it at the end.
Go on, go on.
"The most fundamental thing is the problem of China's animation aging."
"What China animation lacks is the recognition of the whole society. Adults think that animation is only for children, and the view of "child's play" is deeply rooted. Most of the animation materials are concentrated in China's ancient history, allusions, stories, fairy tales, Chinese virtues and other aspects, and there are few breakthroughs, which leads to the narrowness and naivety of the original field of China's animation works. "
Child's play. That's just now. You know, when China animation just started to make money, society wouldn't treat it as a "child's play" (typically online games). Do you see that after online games make money, more and more people are involved? ! )。 Now, the concept of "child's play" is increasingly abandoned by China animation, because China animation has realized that there is no way out just by being young, and has begun to move towards the older generation. Among these works, you can see Agent Bao Guo and Armed Superbeast. Compared with the previous China animation, the live-action special film "Armoured Warrior Sky" has made great progress in the market and audience.
One more thing. Don't you think there are other factors besides your "child's play" view? !
Domestic animation is generally for children.
That's because only children are willing to spend some money on animation! Not to mention China, even Japanese animation is for us. You may not be able to earn our money in China! "why"? ! Because we are all online now, how many of us will buy genuine anime CDs to support it? ! Who will buy genuine comics to support it? ! Who will buy the animation we watch around us? ! Who else will pay for themselves when they are used to surfing the internet for free in the era of piracy? ! I don't deny that some people do buy genuine products! But how many more? ! Don't say far, say near. China's stand-alone game was soon harmed by us who like freedom? !
I don't copy it down very much, so I'll just pick the point and say it.
"The existing problems of China animation are nothing more than two factors. One is the system, not the technology."
Technology can catch up, but not overnight! On the one hand, the system is fundamental and internal, on the other hand, it is external and people's ideological progress! Both must be done at the same time to change the system! Do not worry about the system. Are there no other problems except the system? )
The pace of similar foreign enterprises has begun to move forward in China animation, among which the animation Romance of the Three Kingdoms, which appeared two years ago, is not a model of Sino-Japanese cooperation? There is also a real-life feature film "Armored Warrior Xingtian" at the beginning of this year, which was produced with the assistance of Japanese action guidance and photography. What it brings is that compared with the first film, this film is more original, less plagiarized and more interesting.
However, even in cartoon animation, there is no such skilled experience and technology as Japan, but there are still some attempts in this regard. Just in April this year, the first beautiful girl in China turned into the theme animation "Balala Little Magic Fairy Rainbow Heart Stone". Adapted from the domestic comic book of the same name! Although there is an obvious gap compared with foreign animation with the same theme, its production ideas and attempts are second to none in these two years!
For the international market, China has been trying for a long time (always communicating and learning with foreign counterparts at some international film and television exhibitions), but you haven't paid attention to the relevant news.
Let me tell you about the separation of production and marketing ~ China toy manufacturers have been doing this for a long time. You have never set foot in the toy industry, so you don't know the relationship between the toy industry and animation in China. Take Audi toys as an example. Although Audi toys have counters all over the country, they are actually distributed to toy agents all over the country, and then sold by toy dealers all over the country. As for selling well, they are all local toy agents, not Audi toys. But now Audi toys are all marketing strategies to promote toys by playing animation ~! So you know!
For the protection of ontology culture, we can only say that there is a long way to go, which is not a matter of one day or two. The fault after the Cultural Revolution+the infiltration of foreign economy, culture and entertainment, and the impetuous worship of money in society can not be solved simply by saying a word or two.
Then for the information processed by that overseas producer, I will talk about the source ~ ~
It's the article "The Secret Agents Go Deep into the Animation Industry in China", but I don't know if you have read the whole article. In the second half of the article, the author mentioned that the popularization of 20 10 digital TV may promote the development of animation in China. Now it's 20 1 1. Don't you think China animation is what the author said? !
And I found this article as early as 2005 when I found the place! At that time, it was also sent by the reposter! Maybe the original post was sent in 2004! Anyway, haven't you seen the progress of China animation in the past 5-6 years? ! Then I thought, have these anime people been doing it for nothing for 5-6 years? Take a good look at the current China animation! In the past two years, both the TV animation produced by professional production teams and the animation independently created by college students have made much progress in the past two years! Both the plot and character design are much better than before. If I'm lying, let me ask you if there are fewer and fewer traces of anime shanzhai in China recently. !
I don't know if you are an animation major, but I know that whenever you want to give China confidence in animation, you are not afraid these days.
Others look down on themselves, and they are afraid that they will look down on themselves! If you look down on yourself, it's really over!
And there is no reference for domestic animation? ! That can only refer to the current animation!
Do you know where the application of ink technology in Kung Fu Panda, the first American animated film, came from? China's answer!
Want to know where the application of the second opening cut of Kung Fu Panda comes from? China's answer!
Even I haven't seen the classic techniques and expressions of China's animation, so I rushed to learn from foreign countries! As a result, I learned four things, but I was finally taught a "fine" by foreigners. Who can blame this? Who can be wronged by this? I don't even value it myself! Don't dig your own grave But in the end, you talk about yourself without trying to improve? ! Don't you think it's funny ! If ten thousand brothers of the older generation of China animation are still here, they will burst into tears!
The last paragraph is your own summary. Let me talk about the blockade.
If the collapse of China's animation industry chain after the large-scale introduction of foreign animation is only an instant, we can know the influence of Transformers 1 released in the United States in 2007 on the films in China market.
I'm talking about policies, not radio and television. Most people hate it, because the ban on broadcasting prevents people from watching foreign cartoons through formal channels, and because of the intervention of the Internet, this policy seems a bit ineffective. But some people still say that it is like closing the door to the outside world. I used to have this idea, but from my own understanding, I found that this policy is still useful, at least it can make China's animation develop. If there is no ban on broadcasting, the radio, film and television cultural department has approved the large-scale import of foreign animation, so it is conceivable that China animation can survive under such circumstances.
As for the competition ~ ~ ~ You haven't even played in your own country all over the world, and you are still looking for a smoke when you go abroad to find fault.
It's natural to say that even the food tastes terrible, and it's natural to ignore the entertainment, which I agree with! Because China is a developing country, the United States and Japan are both developed countries, and their national conditions are different, the animation development of China, Japan and the United States will be different.
Finally, quote a friend.
Just because this is an animation, according to China's current national conditions, it has already involved politics. I just started watching animation before, but now the level of animation in Japan is getting worse and worse. China's animation technology is not mature, but the comic style is very good. There is a reason to block Japanese animation, because the blocked animation is played late at night in Japan, and even Japan itself can imagine that this animation has a certain influence on children. China blocked these animations in order to open up a road of animation with China characteristics from children in China. Pleasant goat may be mentally retarded in your eyes, but it is a beacon in the pure heart of children. Besides, have you seen the Japanese enlightenment animation? After reading it, I will feel similar to Pleasant Goat.
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