Traditional Culture Encyclopedia - Traditional stories - Reasons for the Formation of Case Language of Ancient Lacquerware in China
Reasons for the Formation of Case Language of Ancient Lacquerware in China
Chinese Traditional Patterns Section III China Ancient Lacquerware Patterns Geometric Patterns on China Ancient Lacquerware Page 33 Geometric Patterns on China Ancient Lacquerware Chapter II Chinese Traditional Patterns Section III China Ancient Lacquerware Patterns Page 34 4 4. Based on natural phenomena and scenery, landscape patterns abstract various decorative symbols. Yun Leiwen, water vortex pattern, sun, moon, stars, mountain pattern, etc. Each model has many different forms of expression. Moire, Cirrus, Cross Moire, Yun Leiwen. Moire patterns on lacquerware during the Warring States Period. Yun Leiwen patterns on lacquerware during the Warring States Period. Yun Leiwen, Yunlong and Moire in Han Dynasty. With the change of the times, the style of the pattern is also changing. Patterns Chapter II Chinese Traditional Patterns Section III China Ancient Lacquerware Patterns Page 35 Abstract Expression of Natural Phenomena Chapter II Chinese Traditional Patterns Section III China Ancient Lacquerware Patterns Page 36 Patterns Chapter II China Traditional Lacquerware Patterns Section III China Ancient Lacquerware Patterns Animal and Plant Patterns Page 37 China Ancient Lacquerware Pattern Language is characterized by smooth, mysterious and elastic curves, and the reasons for the formation of pattern language are social aesthetic consciousness; The reason of process materials. The economy of Han Dynasty was developed, the thought was active and the society was stable. Chu, with the most developed lacquerware, is the hometown of Qu Yuan, a great thinker and writer, and the birthplace of Chu Ci and Li Sao. Chu's ideas and cultural consciousness at that time played an important role in the formation of lacquer painting style in Han Dynasty.
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