What are the painting methods of Chinese painting?

Chinese painting methods include the following: stick figure, meticulous painting, freehand brushwork and writing. A boneless painting. Sketch mainly uses lines to represent objects. Hooks are divided into single hook and double hook, and sometimes light ink is used as rendering. Hook a line into a single hook at a time, with one color of ink, or with two shades of ink according to different objects. Re-hook is to use light ink, and then re-hook part or all according to the situation. The lines do not overlap once according to the original road, and its purpose is to increase the texture and the change of light and shade, making the image more vivid. The double hook line must be smooth and natural, otherwise it will be stiff. It is very difficult to express the shape, spirit, light, color, body and texture of an object with lines. Because the choice is simple, and the relationship between virtual reality and density is deliberately compared, line drawing has the characteristics of simplicity and clarity. Meticulous painting mainly includes painting, dividing, dyeing and covering according to the order of creation. The so-called description refers to line drawing, and the manuscript is described by rough grinding and light grinding respectively. Divide refers to coloring with ink and evenly dividing with clear water to show the level of the picture. Dyeing means the same as dividing, except that ink color is no longer used, but color is used to divide the picture. Cover color refers to the overall coloring, which is repeated with lighter colors layer by layer according to the different objects to be represented. Freehand brushwork is to describe the scenery with concise brushwork. Painting is more about the propaganda of life. Using vertical pen and flying ink can better reflect the charm of the scenery described and directly express the author's feelings than meticulous painting. There are many ways to break light ink with thick ink, but few with light ink. One way is to write the branches and leaves of flowers in ink first, and then paint them in light colors. There is an essay about splashing a lot of uneven ink on rice paper. There is a fingering that is drawn with fingers as pens. There is a glue ink method for painting with glue ink. Part-time writing is mainly a neat work, but also a more indulgent freehand brushwork. There are two kinds of brushwork: using and writing to express the form and spirit of the object. Boneless painting is different from meticulous painting and freehand brushwork, and the word "nothing" without bones is submerged and implicit. Its essence lies in the organic integration of brushwork and color setting, and there is no need to hook the outline, type the manuscript, and put the bottom sample for extension. When painting, the painter is required to have a careful plan and do it in one go. In calligraphy, strokes are called "bones" and the rest are called "flesh". Painted directly with color or ink, there is no "pen bone"-that is, the outline outlined with ink lines. Boneless painting skillfully combines ink, color, water and pen on paper, paying attention to it and writing it according to the situation.