China ancient black pottery culture refers to that era and its characteristics?

Black pottery culture-Qinyuan black pottery

Known as "the art of earth and fire, the crystallization of strength and beauty", the black pottery culture appeared in the late Neolithic period from 2600 BC to 2000 BC, that is, the "Yangshao Banpo painted pottery art" tended to decline, marking the peak of China's pottery-making technology in history and showing the historical process from practicality to aesthetic requirements for future generations.

The Discovery of Black Pottery Culture

1928, Mr. Wu Jinding, a famous archaeologist in China, discovered the prehistoric relic-black pottery, which is the representative work of primitive culture in the middle reaches of the Yellow River. Black pottery culture is also called Longshan culture because of the excavation site. Longshan culture is mainly distributed in Shaanxi, Shanxi, Henan, Shandong and other places.

Recovery of black pottery process

After Mr. Wu Jinding discovered the fragments of black pottery, several generations of scholars made unremitting research and excavation for 6 1 year, and the production technology of black pottery was finally interpreted and deciphered in 1989. The research shows that our ancestors mastered the advanced kiln sealing technology as early as 4600 years ago, and through the scientific "smoke carburizing" technology, the thick smoke permeating the kiln penetrated into the blank and turned black. The "smoke carburizing method" of black pottery has been recorded in the history of arts and crafts in the world.

Development of Qinyuan Black Pottery

Mr. Liu Qingyuan of Shaanxi is obsessed with the inheritance and development of black pottery culture. After numerous bumps and explorations, people have experienced the scientific process of "smoking charcoal" in black pottery by "molding" finished products and forming.

Qinyuan black pottery inherits the four characteristics of traditional black pottery: black, thin, bright and new, and combines with modern aesthetic requirements to maintain the noble essence of black pottery, such as black as paint, bright as a mirror, and endless sound, without losing innovation.

National is the world's. Qinyuan black pottery integrates traditional culture, black pottery culture, enterprise culture and regional culture, and is committed to the promotion and development of black pottery culture, aiming at enriching regional cultural products, promoting the culture of the Chinese nation to the world and making black pottery culture shine in the world art forest.