The famous China Mingjian handicraft

China folk arts and crafts have a long history and rich contents. Most of these handicrafts are related to folk customs, and the materials are ceramics, clay sculptures, fabrics, wood, lanterns, pendants,

Lijiang woodcut, birch bark craft, lacquer craft, animal skin craft, inkstone craft, bamboo weaving craft, lacquer pottery, jade craft, marble craft,

Tujia boxwood carving, porcelain, kites, paper-cuts, grass paintings, New Year pictures, pencil pictures, Thangka, Tuozhen paintings, silverware.

Decoration, paper weaving, Suzhou embroidery, fish skin clothing, etc. Most of the contents are lively and uplifting, good luck, good health and long life, and rich children and grandchildren. , used in traditional folk festivals, traditional religions and ethnic ornaments. These folk crafts are widely spread, vivid and interesting, representing the traditional culture and daily activities of the people of China. China Folk Art Network has specially classified and selected some fine products to introduce to you for your appreciation and reference.

China Folk Painting Art

China folk painting art is an artistic treasure of the Chinese nation, an important part of China folk culture and a treasure of world culture and art. Since the founding of New China, especially since the reform and opening up for more than 20 years, China folk painting art has gradually developed into a modern folk painting with a distinct sense of the times and a strong flavor of life. China Folk Art Website has selected some representative introductions here for your appreciation and reference.

Chinese folk

China is a multi-ethnic and multi-religious region. Different ethnic groups and even different surnames and families have different religious beliefs. "Cili County Records" records: "It is rare to worship the mountain screen with great courage and patience. There are thousands of people who stab the skin and stab the blood to serve the gods, which is ridiculous. " Qin Long's Yue Zhou Zhi in Ming Dynasty also said: "In Yuanli Valley, people believe in ghosts and worship, and their worship will make witches sing and dance to entertain the gods." The genealogy of Zhen Shi in Qing Dynasty also describes the religious belief of Wulingyuan: "Its popular belief is that witches and ghosts are still attached, which is related to the king and other gods and public security. It is important to worship wizards, compete with God, play the trumpet and dance the drums ... "This is the characteristic of our national religious belief. Historically, the ancestors of China family experienced the historical stages of animism and totem belief. Due to the introduction of Taoism, Buddhism, Christianity and Catholicism, it gradually evolved into a variety of worship. Even today's folk customs.

China Folk Artists

One day, I visited tengxian Museum in Guangxi. The museum, formerly known as Li Zhenya Conference Hall, was built at 1979. On 1986, it was transformed into the * * * National Art Museum and opened to the outside world. The museum has a collection of national art created by the most famous artists and poets in China, as well as several works by folk artists in China. Known as one of the famous art museums in China. At present, my China folk art website mainly promotes the splendid folk art heritage of the Chinese nation, protects the sustainable development of China folk art culture, and further excavates, sorts out, inherits and studies China folk art, especially endangered folk songs, dances and music.

China Folk Film and Television Art

In the history of human art development so far, the most brilliant chapter is probably the film art and television art that came into being at the end of 19 and the beginning of the 20th century. Film and television art, as a new art category, reproduces real images and sounds close to real life on the screen with the help of photoelectric magic, which not only realizes the popularization of information dissemination, but also integrates the artistic content containing the most extensive and universal life experience into the process of dissemination and acceptance. It makes people's spiritual world expression and entertainment life unprecedented.

Chinese folk dance art

Folk dance art has a long history, which came into being in the Neolithic Age 5000 years ago. From generation to generation, it has been passed down to this day. Its types vary from region to region, and its content is very rich.

Dance "Running Curtain" and "Running Dance" evolved from Chen Bing's disposal in ancient wars. Playing unicorns and dancing with boxes reflect the struggle between ancient people and animals. Dragon dance, lion dance, unicorn dance, donkey driving, bamboo horse dance and cat butterfly dance are all typical simulated dances. "Beating spring cattle" and "Dancing while the iron is hot" are scenes that imitate people's productive labor. Eight beautiful pictures, lotus lantern, chrysanthemum lantern, roller boat dance and stilt dance, show the yearning of working people for a better life. Large-scale mass dances "Yangko" and "Waist Drum Dance" are revolutionary dances produced during the War of Liberation. "Holding Pavilion" and "Elbow Pavilion" are typical props dances. The inspiring "encouragement" and "big bronze dance" are spectacular and full of enthusiasm. Performing with props, combining singing and dancing, and using virtual and symbolic expressions are the obvious characteristics of folk dances in the Central Plains. China Folk Art Website has selected some representative introductions here for your appreciation and reference.

China Folk Opera Art

Traditional Chinese opera is a traditional form of drama in China. It integrates literature, music, dance, fine arts, martial arts, acrobatics and performing arts. Its origin has a long history. After more than 800 years of continuous enrichment, innovation and development, a relatively complete China opera art system has gradually formed. Although its origin comes from three different art forms: folk song and dance, rap and burlesque, the biggest feature that distinguishes a drama is that it comes from different vocal systems. These musical vocals are based on the language, folk songs and folk music in the region where they are produced, and are produced by absorbing music from other regions. Most of the characters in various dramas are filled by foot color quotient with different faces such as life, Dan, Jie and Ugliness. The focus of the performance is to use routine movements extracted from life and virtual space processing. Paying attention to singing, doing, reading and looking for art, performing and dancing are rich and high in technology, which constitutes a complete opera art system different from other operas.

According to incomplete statistics, there are about 360 kinds of traditional operas and tens of thousands of traditional plays in ethnic minority areas in China. After the founding of New China, many traditional plays have been adapted, and new historical plays and modern plays that express the theme of modern life have been warmly welcomed by the audience. The more popular and famous operas are Beijing Opera, Kunqu Opera, Yue Opera, Henan Opera, xiang opera Opera, Guangdong Opera, Qin Opera, Sichuan Opera, Pingju Opera, Shanxi Opera, Han Opera, Chaozhou Opera, Fujian Opera, Hebei Bangzi Opera, Huangmei Opera and Hunan Opera. There are more than 50 kinds of operas, especially Peking Opera, which is the most popular, covering the whole country, regardless of geographical restrictions.

China folk T-stage

On the "T" stage, beautiful fashion show models dressed in ancient costumes and enthusiastic pop singers are combined to form a new scene of simplicity, mystery and vividness. An avant-garde modern fashion vane and a unique landscape are presented to modern people. Each performance will reinterpret the beauty of China's classical costumes and the artistic and cultural connotations of ancient costumes.

China Folk Architecture Gardens

China garden architecture art is the most distinctive in the world culture. It develops with other categories of China traditional culture and is an important part of China traditional culture. It has experienced more than two thousand years of historical development, and has extremely rich literary and aesthetic connotations. Its development can be roughly divided into three periods, that is, the "natural period" in the pre-Qin, Qin and Han dynasties, which is a period from "cave" to "garden", characterized by a wide area, huge projects and an increase in artificial facilities; During the formation of classical gardens in Tang and Song Dynasties, the development of China gardens began in Han Dynasty. After the transition from the Eastern Han Dynasty, Three Kingdoms, Wei, Jin, Southern and Northern Dynasties to the unification of China in Sui Dynasty, the development of gardens has two characteristics. First, attach importance to the role of entertainment and appreciation in garden construction; Second, the development of painting technology and gardening art promote each other. The outstanding achievement in the formation period is the combination of garden, literature and painting. The Ming and Qing Dynasties were the heyday of classical gardens in China. So far, the landscape architecture in China has three characteristics: full function, diverse forms and strong artistry.

China civil furniture

China folk furniture is an important part of China culture, and it is a "magnificent poem created by wood". It has a long history, is self-contained, and has a strong national style and China characteristics. When the ancient furniture in China developed into the Tang Dynasty, with the popularity of sit-and-talk, the chair and stool furniture developed into high-type furniture in the Song Dynasty, and the indoor furnishings, tables and chairs, and techniques became more and more mature. The Ming and Qing Dynasties were the golden age of traditional furniture in China. Not only colorful lacquered furniture has reached an unprecedented historical peak, but also the mature and outstanding Ming furniture and rich and excellent qing-style furniture in the history of ancient furniture in China. The furniture in Ming and Qing Dynasties used high-grade hardwood as the main material, which abandoned the traditional furniture making method used in China for thousands of years. Furniture has a brand-new charm, quality and unique aesthetic value with the elegant material, natural texture and smooth color of wood itself. With exquisite craftsmanship, the furniture structure has achieved the perfect combination of science and world technology, thus setting up a bright monument in the history of world furniture.

China folk clothes

China's national costumes are various and colorful, which is the concrete embodiment of national traditional culture and aesthetic consciousness. In the long historical development process, different nationalities living in different regions have created and formed their own different dress customs, which play an important role in the composition of national folk customs. National costume embodies national culture and is one of the important external characteristics that distinguish a nation.

Bonamojibo flower

Bonamo's dustpan painting is a kind of minority peasant painting in Guiyang. In the language of Bonamo and Buyi, it refers to Wuyunshan in the suburbs. Ordinary farmers often use dustpans to draw flowers, insects, fish, birds and beasts, mountains and rivers, legends of China, interesting things on earth, etc. Bonamo's dustpan paintings are full of strong homesickness and national characteristics.

Dafang lacquer ware

Dafang lacquerware, which is famous at home and abroad, is a traditional arts and crafts product with strong national style, which is produced in Dafang County, Guizhou Province (formerly known as Dading).

During the Ming and Qing Dynasties, Dafang lacquerware was chosen as a "tribute" of the Emperor of Beijing. Use the study and living room as home decoration to add antique elegance. As utensils in daily life, people can hold dried and fresh fruits, preserves and even dishes. A large number of lacquerware flourished in the Qing Dynasty. At that time, almost every household in the ancient Dading Fucheng made lacquerware, so it enjoyed the reputation of "Lacquer City".

Generous lacquerware is characterized by elegant and realistic patterns, simple modeling, bright colors that can illuminate people, gorgeous colors, durability and distinctive national colors. Used as tableware, it has the characteristics of no heat conduction, no odor, no water leakage, no insects, acid and alkali resistance, no decay and no fading.

At present, there are more than 280 kinds of lacquerware produced generously, such as bowls, plates, boxes, pots, bottles, cups, screens, furniture and toys, among which 126 kinds are sold abroad. Generous lacquerware is carefully selected, with cattle, horse skin and cloth tires as paints. Generally, a product needs more than 40 processes to complete. The production process of lacquerware can be divided into several important links, such as blank making, ground painting and decoration. More complicated is the decoration. There are more than 0/00 decorative techniques, including floating flowers, plain flowers and dark flowers. These handicrafts are extremely exquisite, reflecting the wisdom and creativity of the working people in our country.

Dafang lacquerware is exquisite and colorful, showing the beautiful scenery of nature.

Guizhou Buyi carpet

Buyi nationality is widely distributed in Guizhou province, and it is one of the ethnic minorities who have retained their traditional habits so far. They are hardworking, brave and good at singing and dancing, especially women's batik, embroidery, weaving, flower picking and other skills have been preserved to this day, and have been continuously developed, forming a unique national and folk exquisite skill and strong national artistic style in Guizhou. The cloth carpet produced by Anshun Carpet Factory is a wonderful flower in this fertile soil of folk art. It combines excellent national and folk patterns, innovates and develops on the basis of inheritance, and is deeply loved by Chinese and foreign people, with local and national characteristics. Patterns include "pomegranate and peach" representing freedom, happiness and longevity, and "butterfly, fish and flower" symbolizing happiness and happiness. Made of high quality wool, it is elastic, clear, lively, three-dimensional and novel. The color scheme is generally white and blue, which gives people the feeling of elegance, brightness, simplicity and local flavor. There are 90 and 120 varieties of cloth carpets.

Batik saving

Batik is a famous folk handicraft in Guizhou, and it is also one of the ancient traditional printing and dyeing methods in China. The batik patterns in Guizhou are mainly clouds, flowing water, flowers, fish, insects, birds, birds and geometric patterns. The materials are very extensive, and the shapes are eclectic, which is very romantic. Guizhou is a multi-ethnic province, and its batik artistic style is also colorful, and has its own characteristics due to local ethnic and regional differences. For example, some are neat and rigorous, highlighting symmetry; Some take geometric figures as the theme structure, which looks fresh and beautiful, and some batiks add red and yellow colors to make them darker and richer in layers; Some white flowers with a big blue background are embroidered with colored silk threads, which are even more colorful and have a unique charm.

Guizhou Lusheng

Villages inhabited by ethnic minorities all over Guizhou are known as "the hometown of Lusheng" and "the hometown of singing and dancing". Lusheng is one of the ancient musical instruments especially loved by ethnic minorities. On holidays, they will hold various colorful Lusheng parties, play Lusheng and dance to celebrate their national festivals. Lusheng has a history of 1000 years. As early as the Tang Dynasty, ethnic minorities in Guizhou began to make Lusheng, and many excellent Lusheng performers emerged. In ancient times, people who went to Beijing to pay tribute once took Lusheng to the court to play, which was highly praised by court officials.

With the changes of the times, the shape and playing techniques of Lusheng have been improved in addition to maintaining the original style. Today's Lusheng has six tubes, ten tubes and twelve tubes, with a length of two feet, five feet and more than one foot; In addition to maintaining the original simplicity and melody, Lusheng's tunes are more changeable and lively, especially with the deep and vigorous sound of the awning pipe, which makes Lusheng's voice and volume increase, which is particularly euphemistic and moving. Its jumping changes greatly, not only jumping and kicking are vigorous, but also dancing is chic and beautiful. Lusheng Clubs in Guizhou minority areas are huge, ranging from several thousand people to tens of thousands and hundreds of thousands. Ten miles away, you can hear the humming and melodious sound of reeds.

Zunyi silk

Zunyi silk has a long history and is the birthplace of Guizhou silk. When reclaiming dry land, the methods and techniques of tussah stocking and silk nesting were imported from abroad. By the Qing Dynasty, Zunyi had become the silk trade center of Guizhou. In recent years, the silk fabrics produced have sold well all over the country, even exported to all parts of Southeast Asia, and the product quality is comparable to that of Hangzhou silk.

In addition, Zunyi's silk products include workers' and peasants' quilts, satin back warp, and beautiful silk. Silk fabrics are characterized by compact silk body, smooth and soft feel, jade-like, light and gorgeous, and have the unique natural luster of mulberry silk. Zunyi's silk products are exported to Beijing, Shanghai and Lanzhou. Raw silk and kimono silk are also exported to Japan, which is well received by people at home and abroad.

Log art

Log art is based on woody plants, vines and herbs with epidermis in nature, and its works are simple and natural, full of modern aesthetic feeling, showing the ancient, mysterious, simple and rough aesthetic taste of Guizhou local primitive culture. Some of its wounds are magnificent, some are meaningful and some are lively and lovely. The "Chen Baiqiu Log Art Exhibition" held in Beijing China Art Museum was highly praised by the art circles at home and abroad, and three of his works were collected by China Art Museum. There is a log art exhibition hall in Baiyun District of Guiyang.

Yuping flute

Produced in Yuping County, Guizhou Province, which is known as the "hometown of flutes", it is a traditional handicraft and national musical instrument of Dong villagers and has a history of more than 300 years. Xiao Di was listed as a tribute in Qing Dynasty, so it was also called Gongxiao. Yuping flute and flute are made of local bamboo. The bamboo joints are long and uniform, and the pipe wall is thick and firm, which is not easy to break and be eaten by insects. The flute is pure in sound quality and mellow in tone, especially the oval flat flute, which is superior in Xiao Zhong. The traditional carving of Yuping flute is quite distinctive. Fengxiang Phoenix, lifelike; Landscape flowers and birds, fresh and charming; Cursive script is smooth and quaint.

Miao embroidery and flower picking

Most clever Miao women in Guizhou are good at flying needles. In the most obvious part of their embroidered clothes, they often embroider all kinds of beautiful patterns: golden flowers and silver fruits, butterflies and birds, Youlong Feng Fei, and strange fish, shrimps, insects and crabs, which are really dazzling.

On various festive days, such as April 8th, June 6th, Sister's Day, Flower Jumping Field and Bullfighting, Miao girls should put on their own embroidered clothes and dress up to show their cleverness and win the love of young people.

Miao Xiu has many stitches. There are dozens of common stitches, such as Ping Xiu, Broken Embroidery, Cloth Embroidery, Seed Embroidery, Disc Embroidery, Braided Embroidery and Thread Embroidery. These embroidery stitches are simple, beautiful, smooth and bright. Miao embroidery stitch has a strong decorative interest and is thought-provoking. Miao embroidery patterns in different regions have their own characteristics. Embroidery patterns in Taijiang, Shibing and other areas in southeastern Guizhou are often used as totem patterns to pay homage to the ancestor "Dragon Palace"; Shidong area likes birds, animals, fish and shrimp; Congjiang area prefers flowers, grass and birds. These embroideries use bright contrast colors in color matching, which is very infectious.

In addition to embroidery skills, Guizhou Miao women are also good at picking flowers, among which Huaxi Miao is the most famous. Huaxi has a history of picking flowers for hundreds of years. The pattern of ancient Huaxi is rigorous, with fishbone pattern as the main pattern. Now the flower picking in Huaxi is innovative on the basis of tradition, which is more in line with the aesthetic requirements of modern people in color and structure. There are a wide range of patterns, but the patterns in Huaxi are usually plant patterns, such as Rosa roxburghii, iris, star anise, cockscomb and so on, and there are few animal and character patterns. The composition form is generally symmetrical, two-way continuous, single pattern, diverse and flexible. Picking flowers and using colors is very simple. White, red, yellow, pink and green are the main colors, and other colors are rarely mixed. Cross-stitch is limited by the cross-stitch process, so the shape is generally simple, the shape is "geometric" and has a strong decorative interest. In the process of picking embroidery, in order not to make the embroidery dirty, most experts use double thread or single thread to pick embroidery from the opposite side, forming a unique artistic style of "looking back" in Huaxi area. Guizhou Miao embroidery is often used in clothing, cushions, wall hangings, backpacks and other daily necessities, with simple and beautiful decorative effect. Guizhou Miao embroidery has been sold to many countries in the world and is deeply loved by people all over the world.

Xiong Jing sculpture

"Xiong Jing" is a kind of crystal in realgar mine, which belongs to orthorhombic system, and its color is orange and translucent. Men's carved handicrafts are unique and are one of the traditional handicrafts in Guizhou. Realgar is one of the specialties of Guizhou. However, it is very difficult to extract "male essence", so the output is very small and valuable. Men's fine carving was popular in Qing Dynasty. The exquisite carving crafts produced in Guiyang in history include immortal Buddha statues, Samsung (Fuxing, Lu Xing and Shouxing), historical figures, Ruyi and other ornaments, ornaments and toys.

Guizhou ethnic brocade

Guizhou ethnic brocade is called "weaving flowers" by local people. She is a magnificent mountain flower in the hundred flowers garden of folk dyeing and weaving technology in the motherland, which spreads beautifully on both sides of Qingshui River in Guizhou Plateau. Handed down from generation to generation among Miao, Dong and Buyi, it is a national folk handicraft with strong national style and local characteristics that women of all ethnic groups in Guizhou come into contact with day and night.

The weaving of Guizhou ethnic brocade is to count yarns by hand with a soil machine, that is, to pick warp and weft. Divided into plain brocade and colorful brocade. Plain brocade is mostly black and white, which belongs to warp and weft weaving, such as Dong brocade in Congjiang area of southeast Guizhou and Miao brocade in Danzhai. Most of the colorful brocade is broken by warp and weft, and the weaving process is much more complicated than that of plain brocade, such as Yijin in Xingyi City, southwest Guizhou, and Jin Miao in Taijiang, southeast Guizhou. Guizhou ethnic tapestries are mostly geometric patterns, and the materials mainly come from natural birds, animals, flowers, birds, insects and fish that people of all ethnic groups are familiar with in their labor and life. In the modeling of brocade patterns, minority women are experts in picking, weaving, weaving and embroidery, and they are all original in the modeling of patterns. According to the laws of fabric warp and weft structure and national aesthetic habits, they highly refined and exaggerated the ornaments they needed with their intuitive feelings and rich imagination of natural images, thus producing their own unique simple and beautiful national patterns. Its color is mostly warm, not limited by natural colors. Emphasize contrast, vividness and vividness, so as to achieve colorful and colorful effects.

The colorful brocade in Miao brocade is popular in Qingshuijiang area, and its masterpiece is the "red waist" that Miao women wear in front of pleated skirts when they dress up. It is the pearl of ancient Miao brocade and can be described as "the king of colorful brocade". Miao girls learned to weave flowers at the age of seven or eight, and learned to choose flowers at the age of twelve or thirteen. They didn't learn to knit red belts until 15 and 16 years old. It is the crystallization of clever Miao girls' painstaking efforts, and it is a precious fabric for them to show their skills, choose their spouses, pin their lives and look forward to the future. Miao women's clothing is indispensable for two things: first, the whole body is decorated with silver, which is a symbol of wealth; Then there is the brocade skirt interwoven with the talents of girls' picking, weaving, weaving and embroidery. This is mainly the sleeve flower above and the waist flower below. From a distance, the waist flowers are colorful and eye-catching, while from a close look, they are bird dancing dragon plates with flowers in full bloom. Compared with sleeve flowers, it is particularly eye-catching. Therefore, for girls, "traveling", "stepping on drums" and "eating girls' meals" are all wonderful products.