Tang suit is very popular now. What is the specific expression of the relevant clothes in Tang suit in color?

Women's clothing in Tang Dynasty can reflect the social changes and express the changing trend of people's psychology. Through various works of art handed down from generation to generation, we can summarize the characteristics of women's clothing color at that time.

(A) the color of women's clothing in the paintings of ladies in the Tang Dynasty

Among the traditional paintings, the lady painting is a beautiful stroke in figure painting. In the painting of ladies, the beautiful appearance and graceful posture of women are fully displayed in the artist's works and become excellent classic paintings. Ladies' paintings also reflect the colors and characteristics of costumes in different times, which is of historical symbolic significance.

In the paintings of ladies in the Tang Dynasty, women's clothes are mainly colorful skirts, mainly red, mainly yellow, purple and green. For example, in Zhou Fang's Lady with Flowers, the aristocratic women in the Tang Dynasty depicted in the painting are all dressed in red with red flowers on their heads and lined with green leaves. The skirt is decorated with blue, green and blue patterns, and accessories include gold bracelets, gold hairpins and gold collars. The whole painting creates a magnificent and heavy feeling, and also shows the unique characteristics of the times of women's clothing in the Tang Dynasty.

(B) the color of women's costumes in the murals of the Tang Dynasty

In the murals, women's clothing in the Tang Dynasty is a wide style, mainly long skirts and robes, which expresses the fullness and beauty of women in the Tang Dynasty. In terms of color, purple, yellow and cyan are popular colors. In Dunhuang murals, women's costumes in the Tang Dynasty are brightly colored, mainly in red, and the bright colors are matched with blue-green and pink-green, showing a strong visual aesthetic feeling. In the contrast between cold and warm, pink green and orange match, showing the characteristics of wealth and splendor. The costumes of the late Tang Dynasty and the Five Dynasties in Dunhuang murals can show the style of the late Tang Dynasty. A large area of red and green with different shades forms a contrasting and complementary effect. The flower cage skirt and beige clothes in the mural are matched with the skirt with red flowers. The flowers and leaves on the skirt are decorated with blue and green, which forms a sharp contrast and embodies the unique and distinctive characteristics of women's clothing in the Tang Dynasty. As can be seen from the murals, women's costumes in the Tang Dynasty have strong color contrast, bright and bright, which embodies the distinctive characteristics of the times.

(C) the color of women's clothing in Tang poetry

In ancient poetry, there are many descriptions of women, especially in the Tang Dynasty, when the development of poetry reached its peak. The women's costumes in the Tang Dynasty described in the poems are colorful, mainly red. For example, Huang Fusong's "Two Poems of Picking Lotus", "I was too late to bow and wet, and even took off my red skirt to wrap the duck", and Du Fu's "Accompany nobles, Zhang Ba dogs and prostitutes to enjoy the cool rain at night", "The wetter the red skirt, the sadder the gorgeous lady Cui Dai", in which the women's clothes are all red in color. In Tang poetry, pomegranate is often compared to a red skirt. For example, in Du Fu's The Beauty of Zhao, "The pink and green moth reflects Chu Yun, and the peach blossom instantly becomes a pomegranate skirt" and Bai Juyi's "Begging for Poetry by a Prostitute, Leaving a Gift on the Seat" and "Dyeing the Dance Skirt with Pomegranate Flowers" all use pomegranate instead of a red skirt. Therefore, we can see the prevalence of red skirts among women in the Tang Dynasty.

In the description of green skirts, poets in the Tang Dynasty compared women's green skirts to autumn grass. For example, Bai Juyi's Autumn Lotus Crown Spring Grass Skirt, Heyin Xieqinsi and Liu Changqing's Ten Visits to ChristianRandPhillips Temple all say that women wear green skirts. If we look at the Tang poetry carefully, we will find that the green skirt can also be called green willow emerald. For example, Dai Shulun's Jiang Gan Liu and Rong Hong's Flowers, Precious Moths and Green Skirts in Lingling Sending Prostitutes are also descriptions of women's green skirts in the Tang Dynasty.