What dances are there with Mongolian national characteristics?

Mongolian traditional folk songs and dances are the evolution and development of ancient collective dance forms, such as "stepping songs", "arm-in-arm dance" and "dancing around trees". There are dozens or hundreds of people in the middle of the venue, forming a big circle. In the circle, two masters of song and dance sang and danced with each other, and everyone echoed and danced and sang with their feet shaking their skirts, forming a warm and jubilant scene. After liberation, the vast number of dancers have developed the ancient Diane into a new art form that reflects life and shows the times through collection, arrangement, adaptation and innovation. Basically, there are two forms: one is the group dance that entertains itself in the square, and the other is the stage performance.

Sawu erdeng

It is the most important folk dance of Mongolian people in Xinjiang. It is widely circulated in Mongolian inhabited areas all over the country and is deeply loved by the broad masses of the people. Almost everyone in Xinjiang, regardless of gender or age, can dance Sawuerdeng. Sawuerdeng is not only the name of Mongolian folk dance music and song and dance music in Xinjiang, but also the general name of folk dance. Savorden often dances to welcome guests and send them off at festivals, weddings and family dinners. The venue and number of people are limited, usually on the grass near yurts and yurts. Savorden can be divided into unarmed dance, embrace dance, singing and dancing, and singing and dancing.

Top bowl dance

Traditional folk dance handed down by Mongolian people in Ordos since Yuan Dynasty. Novel form, elegant temperament, unique style, beautiful movements, with strong national characteristics. It occupies an important position in the whole history of Mongolian folk dance development. Mongolian people who are good at singing and dancing in Ordos hold a teacup or bowl-shaped oil lamp on their heads at festive parties, and the bowl is filled with water or milk wine; Take two handlebars or a string of bamboo chopsticks in one hand and dance in the song. Lantern and bowl dance have no fixed number of movements. Dancers improvise on the spot after mastering the basic movements and the rules of beating cups and chopsticks. The more passionate they are, the more colorful their movements and dances are, which fully shows the dancers' skills, wisdom and the rich, flexible and changeable characteristics of folk dance.

Chopsticks dance

One of the representative forms of traditional folk dance. The performer holds a pair of chopsticks in each hand, holding the thin head of chopsticks and hitting the thick head of chopsticks. Actions include crossing your hands on your chest and hitting chopsticks, or hitting your shoulders; Strike chopsticks with your hands crossed in front of your abdomen; Put your hands on your chest and hit the chopsticks. Side by side, cross your legs; Shoulder to shoulder and hit the ground with one hand, when turning around; Put chopsticks with both hands on your chest, followed by your legs. Put chopsticks with both hands on your chest and one hand on your shoulders. The steps of foot dance include the marching and retreating of plain cloth, a little marching and retreating, or all kinds of turning and jumping movements are improvised by dancers. Slow dance is steady and deep, and fast dance is smart and vigorous. When the mood is high, chopsticks fly around the body, and can hit all parts of the body with various actions, which is relaxed and enthusiastic. Chopsticks dance embodies the Mongolian people's love for life and the wisdom of beautifying life. It is an integral part of the spiritual life of the Mongolian people.

Cup dance

A popular dance in Ordos. On the occasion of festivals, celebrations and banquets, when people are full of food and wine, they pick up a small handleless wine cup on the table and dance to show their joy. Each person holds two small wine cups, and knocks out various sounds such as fast, slow, broken, and postures, and dances with the music to knock out various rhythms. The movements are as follows: cross your hands into a figure of eight, and the upper body swings to the left with the left and right characters (Arabic characters); Hands up, down, left and right cross strokes, body ups and downs; Hands from inside to outside or from outside to inside in circles; Shake your hand at two or eight o'clock on the stage, your body will fluctuate, your face and eyes will be in the opposite direction to your hand, and your hand will reach that side. Which side of your ear will bend over and listen to croak: turn around-one hand is raised above your head, and the other hand will turn around from inside to outside in front of you; Swing your hands slowly from behind to one side. The range of motion is small in the buttocks, in the middle of the right side of the body, with one hand on the head and one hand behind the waist. Do it in turn from left to right, which is called the horizontal pendulum twisting method. At the end of some movements or when two movements are connected, beautiful cadenza movements often appear, which can be described as wonderful. The lower body movements are accompanied by various dance steps such as kneeling on the ground with legs and circuitous steps. The head can hold a top bowl or a top lamp, and the dance is dignified and simple, with a strong charm and a combination of rigidity and softness.

Topshoer music and dance

In Mongolian, Balat Mongols call folk dance "Bei and Yi Bei Music", which means the rhythm of the body in Chinese. The four tribes of the Balat Mongols living in the Xinjiang Uygur Autonomous Region and the Alashan League in Yezi region of Inner Mongolia: Zhungeer, Turhut, Dorbet and Heshuote. Every tribe has an extremely rich folk dance. They have an ancient two-string plucked instrument called Top Shor. According to the custom of Balat Mongols, when the bell of Topshol rings, it is followed by the bell, and the bell and Bebebeje bell will be played in Topshol's music. Therefore, Balat Mongolian folk dance is also known as the top Sauer music dance. There are 65,438+02-65,438+07 top Sauer's music that have been completely preserved. From the content point of view, each section has its own name and different action dances, such as black jima, supporting the elderly, slowly withdrawing from bourdon and other Mongolian folk dances, which reflect the life content of shearing wool, catching felts and milking. Have the performance of daily life, such as combing your hair, looking in the mirror, wearing a hood and so on. There are imitations of birds and animals, such as eagles spreading their wings, goats running and jumping, horses walking and camels walking; There are simulated natural scenery, such as water waves, water waves and grass waves. , divided into two forms: unarmed and props. People with props have a top bowl, and those who jump with chopsticks in each hand jump with the top bowl. In addition to hard shoulders, shrugging and turning around, there are dances and movements that bounce Top Shor. The jumping methods are Dalle Sibeiler (waving, lifting and pressing on the wrist), Fondle Enbeiler (winding, twisting the arm) and Achabeyile (jumping with weight, wrapping a nail around B's waist, B holding a nail, and two people jumping face to face). The whole dance runs through the law of lifting the wrist, and the knees tremble slightly. Typical movements are hard shoulder, shoulder pressing and wrist pressing.