Seventy-year-old Jiang Kun, a perfect display of cross talk, learning and teasing, how to face the skeptics?

Jiang Kun can't speak crosstalk at all.

In recent years, we can often see this sentence in articles and comments about Jiang Kun. More viciously, Jiang Kun harmed crosstalk.

The ancients said that three people make a tiger. Whether you are honest or not, under the instigation of some colleagues with ulterior motives, Jiang Kun's doubts and even abuse have flooded the Internet for more than ten years, regardless of Jiang Kun's great contribution to the cross talk industry.

I won't go into details about Jiang Kun's crosstalk works since he became famous. If you are interested, you can go back and watch the videos of the Spring Festival Gala, or go home and ask your parents or grandparents.

What I want to say is now.

In the comment area of the author's article, many people clamored for Jiang Kun and their idols to PK now, and they all said that cross talk would see who was good. The author is curious, why don't they come out and shout at 1995? At that time, everyone was in the same trade and was also in Beijing. Why didn't anyone mention this at that time?

There are many talented people all over the country, and their poems and popularity will last for hundreds of years. The metabolism in an industry itself is normal, and the author also thinks that the era that belongs to Jiang Kun has passed, and the current stage of cross talk should belong to young people.

Jiang Kun was born in 1950. If he can still stand in the center of the cross talk stage every day, I'm afraid it will be the sorrow of the cross talk world. Therefore, the author believes that even if Jiang Kun never comes to power again, it is normal. Even if he comes to power, there will probably be excellent works.

However, Jiang Kun's recent performance in Guangdong Satellite TV's Happy Life hit countless people who questioned him.

Happy Life is an entertainment variety show of Guangdong Satellite TV. The rhythm of the program is short and pithy, and the host hardly talks nonsense. They are all based on the works of comedians, so they are very enjoyable.

Jiang Kun led her partners Dai Zhicheng, Yang Guo Guo Liang, Jia Xuming Liu Yuan and Hou Zhenpeng Chen Yinquan to participate in the recording of many programs. Judging from the scene, although it is broadcast once a week, it is estimated that several programs will be recorded together.

In these programs, the works of several young people are not all new, while Jiang Kun Dai Zhicheng presented three quite beautiful cross talks.

The first paragraph is "Cantonese", the literal meaning seems simple, but the level of cross talk in this paragraph is very high, because Jiang Kun's real job is not simply to learn Cantonese, but to analyze the pronunciation of Cantonese and conduct on-site teaching and popular science.

For example, through Jiang Kun's cross talk, the author can understand the "six tones and nine tones" in Cantonese and the position of Cantonese in the history of Chinese civilization.

At this point, someone will definitely despise it. Isn't this "educating people"? Then you are really wrong. This cross talk is awesome. Jiang Kun told many jokes when he popularized science. These burdens are natural.

For example, when Jiang Kun said "thirty-three" in Cantonese, the comedy effect came out at once.

There is "fragrance", which is even more wonderful.

In addition, partner Dai Zhicheng's performance is also quite good. With a quiet performance, the two men perfectly demonstrated the comprehensive functions of popular science, humanities and funny in cross talk. This cross talk also fully demonstrates the "speaking" and "learning" of cross talk.

The second paragraph is "Try to be happy", which is also a Cantonese-based crosstalk. Compared with the first paragraph "Cantonese", to tell the truth, this cross talk is well-behaved and its main function is to make people laugh.

This cross talk mainly reflects the "teasing" in cross talk, and the way of teasing is mainly to denigrate Jiang Kun's master Ma Ji and Jiang Kun himself. The field effect is good, but it is far from excellent.

The third cross talk, Singing instead of Learning, has a simple structure. The real thing is to sing Port Night in Cantonese. Some people will say, alas, the "singing" of cross talk is not singing Taiping lyrics. Well, you can say that, but Taiping lyrics are a thing of the past. Now in the eyes of most audiences, singing means singing, or singing means not singing.

In fact, there are two highlights in this cross talk. One is Jiang Kun's Cantonese singing "Port Night", and the other is Dai Zhicheng's Mandarin singing "Port Night". To tell the truth, the author was really moved by Dai Zhicheng's singing.

Interested readers can go online to find videos to listen to. Dai Zhicheng's "Night in the Harbor" is quite professional in both voice and timbre. It is not a simple learning to sing, but a serious practice. Very nice, very convinced.

To sum up, these three cross talks are not long. Although the bird is small and complete, the structure of each cross talk is clear and the rhythm is not slow. More importantly, these three cross talks have maintained a high style while taking into account the multiple functions of humanities and popular science and teasing. It is a very mature, exquisite and effective cross talk. Jiang Kun also made fun of those who questioned his inability to speak cross talk.

It is no exaggeration to say that from these three cross talks, the author seems to be able to see the shadow of Hou and Ma Ji at the peak of his early years. Although the paragraphs are different, you can draw a conclusion immediately after listening. This is a very good cross talk.

Don't forget, Jiang Kun is an old and rare old man. At this age, he can glow with artistic youth, keep his enthusiasm for creation and performance, and create excellent works. Isn't such a crosstalk performer worthy of our respect?

Having an old man at home is like having a treasure, and Jiang Kun is the treasure of the music industry.