How to make a sound in Beijing Opera singing?

How to vocalize the singing method of Peking Opera? The answer is as follows:

1. The posture of singing opera is very important

Stand up straight and stand on the support strength of your legs on average. The position of head is more important than the position of body. Some people hold their heads up when singing high notes, as if to save energy when singing, but this is not the case. Keep your head up. The pitch is tight. The throat will be tight and not loose. The correct thing is: the head should be low, but not too low. There are many * * * sounds in the head, and the sound is loud when it produces * * * sounds in the head. The movement of the head should be opposite to the melody. The higher the head, the lower the head, and the sound seems to go down to the chest.

2. When singing, try to avoid using muscles that have nothing to do with singing.

When controlling the diaphragm for breathing, try not to involve other muscles, and don't work as hard as moving things, which will close all the cavities and turn off the sound. Don't be nervous when singing, sing naturally, relax your shoulders, don't make small moves, and only use the diaphragm when singing.

3. Open your throat

Opening your throat is very simple. When you are sleepy, you yawn while talking, and then your throat opens. Opening your throat is more important than opening your mouth! The sound of singing like this is brighter than that of opening your mouth without opening your throat. Therefore, the mouth should be opened with the throat, and it is best to open it wider at the back! Just like using an inverted funnel, the big mouth is at the neck and throat, and the funnel tip is at the mask.

if all the sound positions have entered the mask, the sound can be sung from the lightest to the strongest gradually. Note: Just open your mouth and don't open your throat: the front mouth and back mouth are not big, but open your throat: front mouth and back mouth (inverted funnel)

4. Focus

When singing, the sound is like a movie, the sound should be * * *, and the focus should be focused on the mask. Not too far or too close. Everyone has his own sound focus, and when the focus is focused, the sound will get louder and louder; The sound that has no focus disappears. It is required to be loud, and you can't put on a shelf in one day. At the beginning, the * * * should be small, and then it will expand and sing louder and louder.

this method of making sound is quiet, as if there is a mirror behind the lamp, which can make the light shine further. The forehead, sinuses and other places are all empty singing cavities, so we should make the best use of them.

5. Breathe

When singing opera, you should use the breathing method when lying down and sleeping. Among chest breathing and abdominal breathing (diaphragm), I prefer abdominal breathing, so that I can breathe deeply. And fast. But no matter what kind of breathing, you can't use both at the same time! This is contradictory, just like stepping on the brakes and stepping on the accelerator.

6. Train your voice

After you find the best sound, you can sing it up and down. Don't move your mouth or throat. Try to imitate the best sound when singing the adjacent sound. This is called "self-imitation". Everyone should have a "sound memory". Pay special attention to the feeling of voice and throat. Singing is very abstract. Be sure to pay attention to the skill state of vocal organs such as throat, muscle and cilia. We should pursue the unity of the upper, middle and lower vocal areas.

7. Basic things of vocalization

First of all, the laryngeal muscles should make the Adam's apple slightly lower, which is better than the upward voice in roundness and volume. Secondly, when singing opera, we should keep an air column. Contrary to the natural voice, on the basis of the air column, the voice becomes wider and louder when it reaches the high-pitched area. By opening my throat, I mean opening my throat, so that the voice can freely enter and exit without being suppressed or dried, open the nasal cavity and enter the head cavity, and vibrate freely to make a * * * sound.

You should have breathing support to get the maximum * * * ringing effect, instead of pressing and squeezing after opening your throat and making your voice white. If we can find a correct position, the sound will automatically and correctly enter the mask.

8. Vocal cords are like rubber bands, which can be stretched and widened

However, if a person does not play his real sound quality normally, but deliberately supports the sounds in the middle, large and low areas, such high notes cannot be sung. Even if you sing it, the sound you make is swaggering.

the correct sound position is to determine the volume and position of the middle and low voices according to the width limit and high position of the high-pitched voice, instead of deliberately raising the middle and low-pitched voices to practice one tone upwards. When singing the first tone, the Adam's apple is lowered, then the second tone is sung upwards, and the Adam's apple is controlled to be motionless, and the second tone is practiced well, and then the third and fourth tones are practiced upwards, and gradually increased.

9. the relationship between opening the throat and the stability of the Adam's apple and the exertion of muscles on both sides of the larynx

the muscles on both sides of the larynx are strong, which means that the muscles on both sides are required to help the larynx open, not to pinch the larynx. The correct way to open your throat is to feel your neck expand around. The easiest way is to talk and sing with a natural yawn. Another way is to smile when singing. Pouting and pulling the chin make the mouth form a vertical ellipse, and the throat is easy to tighten.

1. How to solve the problem of changing the sound point

If the sound in the middle and low voice areas is as wide as the high voice area, it is easy to transition. If the bottom is too wide and too big, reach. The transition sound is difficult to pass. When you start to sing in the low and middle voice areas, you should first think about the voice position of the high voice, and sing according to this voice position, so you can pass smoothly. Because the position of the sound is always kept in the mask. When singing the transition, don't exert yourself, but sing softly and smoothly.