What are the Taiwanese Bujutsu Operas?

Is the question about TV Bu Bu Bu Bu Operas?

There are Perak, Golden Light, New Century (Legends of the Universe), Gods and Demons, Tian Yu, Ju Deng, Kings, and Sacred Chapter. There are also shorter dramas made by various companies such as Legend of the Son of Heaven, Loyalty and Valor, and Bao Gong Chivalry, as well as a few other co-productions such as West Lake Butterfly Dreams, and I hear that there's Huo Yuanjia, and on the mainland, there's Li Ming Shang Bu Bu Bu Bu Dang.

However, some of these are in Mandarin, not in Minnan, the language in which the play should be in, and are more appropriately viewed as another form of technology combining puppetry and animation, known as "Puppet Animation" rather than "TV Puppetry. The Minnan language version is a puppet theater, while the Mandarin version and Butterfly Dream in the West Lake are even animation.

What are all the Taiwanese puppet shows?

The Legend of the Sacred Stone you mentioned is a movie of Perak Puppetry

In addition to Perak, Taiwan's Puppetry now includes Jinguang Puppetry, Tianyu Puppetry, Shenmu Puppetry, New Century Puppetry, and Shengzhang Puppetry. But in terms of scale and maturity Perak is undoubtedly the largest.

Of course, these are all popular puppet shows in Taiwan, and there are still traditional puppet shows in Taiwan.

Of course there are also in the mainland, such as the Shanghai Fine Arts Film Studio's Tackling the Devil, Jiangsu Phoenix Publishing and Media Group's Qin Han Yingjie, and of course some others

The origin of Taiwanese Bu Bu Bu Dai Opera

The traditional Taiwanese Bu Dai Opera is said to have been imported in the 18th year of the Qing dynasty's Shunzhi reign (1661) from the coastal areas of Fujian and Guangdong. Initially, it was popular in Chiayi, Lugang, and other areas in Taiwan inhabited by Minnan people, and the songs were all in Minnan dialect, so it was called the hometown opera by the Minnan people. Later, it gradually spread to the whole province of Taiwan. The Japanese imperialists invaded Taiwan, and tried their best to implement the policy of "imperialization", forcing the Taiwanese puppet show to be changed into a Japanese-style puppet show, with Taiwanese mixed with Japanese, accompanied by Western musical instruments, which was ruthlessly trampled on, and some of the old performers have been transferred to the countryside and the people. In the 1950s, only a few of the more than 500 registered puppet theater groups remained due to the impact of the so-called modern art. Only a few groups, such as Hsu Wang's Xiao Xi Yuan and Li Tian Lu's Yi Wan Ran in Taipei, still retained the remnants of Zhang Quan Puppet Theater, and in 1963, Huang Jun Xiong's True Five Continents Puppet Theater, the son of veteran artist Huang Hai Dai, used modern sound and light technology on the stage of Taiwan's Puppet Theater, and was the first to bring the "Yunzhou Daju Warrior Shiyan Wen" to the television screen, causing a sensation. However, due to the fact that the puppets transformed by him were very incongruous in proportion to the palms of their hands, resulting in the performers being unable to utilize their palm kung fu. In particular, the use of rock music and other Western music tunes, accompanied by the stage shaking Wen puppet, bumping martial arts puppets, has lost the style of Taiwan's traditional puppet theater.

Where was the Taiwan 布袋戏 imported from Just one answer

The traditional Taiwan 布袋戏 is said to have been imported in the 18th year of the Shunzhi reign of the Qing Dynasty (1661) from the coastal areas of Fujian and Guangdong.

Taiwan 布袋戏在北京展演[2]

Initially popular in Taiwan, Chiayi, Lugang and other areas inhabited by Minnan people, the road and white tunes are with the Minnan accent, Minnan people known as hometown theater. Later gradually spread to the whole province of Taiwan. The Japanese imperialists invaded Taiwan, and tried their best to implement the policy of "imperialization", forcing the Taiwanese puppet show to be changed into a Japanese-style puppet show, with Taiwanese mixed with Japanese, accompanied by Western musical instruments, which was ruthlessly trampled on, and some of the old performers have been transferred to the countryside and the people. In the 1950s, only a few of the more than 500 registered puppet theater groups remained due to the impact of the so-called modern art. Only a few groups, such as Hsu Wang's Xiao Xi Yuan and Li Tian Lu's Yi Wan Ran in Taipei, still retained the remnants of Zhang Quan Puppet Theater, and in 1963, Huang Jun Xiong's True Five Continents Puppet Theater, the son of veteran artist Huang Hai Dai, used modern sound and light technology on the stage of Taiwan's Puppet Theater, and was the first to bring the "Yunzhou Daju Warrior Shiyan Wen" to the television screen, causing a sensation. However, due to the fact that the puppets transformed by him were very incongruous in proportion to the palms of their hands, resulting in the performers being unable to utilize their palm kung fu. In particular, the use of rock music and other Western music tunes, accompanied by the stage shaking Wen puppet, bumping martial arts puppet, has lost the style of Taiwan's traditional puppet theater.

What's so special about Taiwan?

What Taiwan specialties to bring

1. Absolute Taiwan products - the public sector of Taiwan sugar, Taiwan salt and Taiwan wine products (some of which are only available locally).

2. The public official scenery management office has a lot of cheap and affordable and representative of the special souvenir goods. (Not the tour guide pushed the specialty center Oh ...)

3. On behalf of Taiwan's art and culture - the puppet theater / Pingxi lanterns / special issue of the annual festival stamps / ... ...

4. Replica souvenirs from the National Palace Museum in Shilin (mouse mats/key rings...).

*** The team is fully committed to promoting the opening of the mainland tourists to Taiwan. Mainland tourists must visit the attractions Taipei "National Palace Museum" also see business opportunities, the number of visitors is expected to be more than 1,000 people per day, business income is conservatively estimated to increase by two percent. As in recent years, the brand licensed goods is a lot of visitors to buy a gift, Taipei "National Palace" is to further develop the jewelry category of high-priced cultural derivatives.

Including by the treasure of the palace jade cabbage incarnation of dolls, and with the Qing Dynasty floral pattern packaged shakima, the Northern Song Dynasty Ding kiln white porcelain baby pillows in the shape of fruit crisp, etc.; and to Huai Su "self-reporting post" development of luxury beds, furniture, and so on.

5. More controversial - Taiwan's political parties commemorative shirts commemorative hats and so on. (Where to buy? Green camp - green flat cap factory; blue camp - blues cowboy ... Where can I get a free copy?

- If you see a party office or a representative's office with a party flag, go in and ask the staff for one. (You won't get beaten up during non-election periods.)

6. Pork jerky and slices of sausage, canned pork paste, etc. from Taiwan's best brand names are a bit more expensive, but the quality is reliable.

7. Electronic product models several price advantage, please remember to look at the voltage when buying, China and Taiwan's voltage is not the same.

8. Taiwan's night market has a lot to sell cosmetics, clothes, bags, shoes are the most popular goods The above answer, I hope to help you!

The current situation and development of Taiwan's Bu Bu Dai Opera

Compared to China's Bu Dai Opera, Taiwan's Bu Dai Opera not only has a lot of changes and innovative development in performance techniques, but also has completely different from China's Bu Dai Opera in terms of operatic music, performance forms, dramatic stories, and aesthetic interests, as the changes caused by the artistic and cultural changes in the different social forms, humanistic compositions, and the different political environments, is very natural. Although Taiwan's population is mainly composed of *** from China, and the early Taiwanese culture is basically from Chinese immigrants, after three hundred years of political confrontation with the mainland, conditional and selective absorption of culture, and the baptism of the outer-ring maritime culture (including the emergence of capitalism in the stage of the Western European maritime power, the construction of the "southward base" of Taiwan in the period of Japanese colonization, and the development of the "southward base" of Taiwan), Taiwan has become an important cultural center for the Chinese people. Southward base" of Taiwan during the Japanese colonial period, as well as the influence of American culture in the postwar period), the combination of modern Taiwanese ethnicity as well as its cultural formations have long since been different from those of the Chinese ethnic culture. However, because of Taiwan's special position in maritime geographic transportation and its location in the outer sea of the huge Chinese mainland, it is inevitably subjected to the brutal political oppression of Chinese imperialism, just as the imperialist mentality of Japan's Greater East Asia ****** Sphere of Glory, which considers Taiwan and Korea, as well as Southeast Asian countries, such as Vietnam, Thailand, and other countries ......, as the imperialist enclaves, from the political power of China. enclaves, the development and changes from Chinese political forces on the new Taiwan are particularly obvious. The greatest influence on Taiwan's bukkake performance culture also came from the interference of political forces from three different periods: the Chinese Qing Empire, the Japanese Empire, and the Chinese regime of Chiang Kai-shek. Since the end of the Qing Dynasty and the beginning of the Republic of China, when Taiwan's Bu Bu Dai Opera began to create artistic images and ornamental interests with strong local characteristics, its evolution and development and influence have been so great that it surpasses other Taiwanese dramas, and Bu Dai Opera classes have been spread almost all over the whole of Taiwan, making it the most popular type of theater. Towards the end of World War II, the Japanese colonial government forced the implementation of the "Imperialization Campaign", which made it mandatory to perform the "Imperial Drama" (a samurai drama from the Shogunate period), and only seven Bububu Opera troupes were permitted to perform in the whole of Taiwan, and the best and most skilled artists in Taiwan were grouped together to form the "Mobile Artists' Association", which was used as a team for military performances and political propaganda. During this period of time, the grouping also gave the artists the opportunity to learn from each other's skills, and the stage, lighting, recordings, realistic three-dimensional sets, changes in puppetry, samurai plots, and the way in which killings and slashes were performed in the "Imperial People's Drama" had a great deal of influence on the development of Taiwan's Bukkake Opera in the later years. At the end of World War II, folk theater activities resumed in full bloom, but in February 1947, the "February 28th Incident of Resistance" occurred in Taiwan against Chinese rule, and the Chinese rulers, who first took control of Taiwan, were intensely afraid of the gatherings of the Taiwanese people, and were especially sensitive to the gathering of theater performers. For this reason, the rulers from China banned open-air performances for more than a year on the grounds that private gatherings were not allowed. In addition to the fact that some artists were forced to give up their performances, some of them had to move to theaters to sell tickets to continue their performances. After entering the theaters, in order to absorb more audience, they began to increase the stage, change the stage form, increase the three-dimensional scenery, increase the change of puppet shape, in order to let the audience standing far away can see clearly, and these changes in the form of drama is from the Japanese colonial *** "imperialization movement" period of reform experience. And the biggest change is after entering the commercial theater, more competitive, in order to tightly pull the audience, first of all, from the plot, every day's continuous plot tightly interlinked, every day there are new ***, tension, suspense ......, the development of the Bukuroku Opera to this stage, the traditional storyline and the content of the chapters and novels have been insufficient to use, began to Some people make up their own story plots, the plot is nothing more than "en, grudges, love, hatred", and the "Southeast faction, Northwest faction", "Shaolin, Wudang" ...... confrontation between the two factions as the main axis of a positive and negative martial arts struggles, the rivers and lakes of the feud between the two sides never end, the daily play to the time of the imminent results, in the "how the results? The audience is attracted by the feeling of waiting for "tomorrow's announcement" and cannot stop watching the play. This is the "Jin Guang Bu Bao Opera" developed in modern Taiwan, which is partly attributed to the strict control of Chiang Kai Shek's regime on ideology, which had just retreated from Taiwan. Except for the stories of rebels, corrupt officials, those who seek to make money and cause harm to life, and those who are based on superstitious beliefs, (such as the Water Margin), the opera is not allowed to be performed. Any drama that ends in failure and tragedy often violates political taboos, and although the subject matter of Chinese historical fiction is very varied, audiences no longer find it fresh, and performances ...... >>

Is Perak Bukkake popular in Taiwan

The popularity of Perak Bukkake in Taiwan has also led to the prevalence of Perak style novels on the internet. The three religions are inherited and the characters are poetically numbered, and such works often carry a strong nationalistic flavor. For example, "ask the sword famous warrior biography", "Qing Ming" a class of when the fire novel.